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  • Movie Industry Obituaries

    Forking this off from the "random news stories" category, as there seem to be a lot of them recently.

    Obituary - Gena Rowlands

    Gena Rowlands, star of A Woman Under the Influence and Gloria, dies aged 94

    Hollywood star won three Emmys and two Oscar nominations during a four-decade career

    Gena Rowlands, the three-time Emmy winner and dual Oscar nominee, has died at the age of 94.

    On Wednesday, the movie star was hailed as one of the United States’ greatest actresses and a leading light in independent cinema,

    Rowlands is best known for he roles in A Woman Under The Influence, Gloria, and a part in her son Nick Cassavetes’ blockbuster The Notebook.

    Her death was confirmed on Wednesday by representatives of Cassavetes. He revealed earlier this year that his mother had been living for years with Alzheimer’s disease.

    She died at her home in Indian Wells, California.

    During a remarkable film career, Rowlands and husband John Cassavetees created indelible portraits of working-class strivers and small-timers.

    She made 10 films across four decades with Cassavetes, including A Woman Under The Influence, Gloria, Faces, Minnie and Moskowitz, Opening Night and Love Streams.

    She earned two Oscar nods for two of them: 1974’s A Woman Under the Influence, in which she played a wife and mother cracking under the burden of domestic harmony, and Gloria in 1980, about a woman who helps a young boy escape the mob.

    “He had a particular sympathetic interest in women and their problems in society, how they were treated and how they solved and overcame what they needed to, so all his movies have some interesting women, and you don’t need many,” she said in 2015.

    In addition to the Oscar nominations, Rowlands earned three Primetime Emmy Awards, one Daytime Emmy and two Golden Globes.

    She was awarded an honorary Academy Award in 2015 in recognition of her work and legacy in Hollywood.

    “You know what’s wonderful about being an actress? You don’t just live one life,” she said at the podium. “You live many lives.”

    A new generation was introduced to Rowlands in The Notebook, in which she played a woman whose memory is ravaged, looking back on a romance for the ages. The younger version of the character was portrayed by Rachel McAdams.

    In her later years, Rowlands made several appearances in films and TV, including in The Skeleton Key and the detective series Monk.

    Her last appearance in a movie was in 2014, playing a retiree who befriends her gay dance instructor in Six Dance Lessons in Six Weeks.

    She and Cassavetes met at the American School of Dramatic Arts when both their careers were beginning. They married four months later.

    In 1960 Cassavetes used his earnings from the TV series Johnny Stacatto to finance his first film, Shadows. Partly improvised, shot with natural light on New York locations with a $40,000 budget, it was applauded by critics for its stark realism.

    Rowlands’ big break came when Josh Logan cast her opposite Edward G Robinson in Paddy Chayefsky’s play Middle of the Night. Her role as a young woman in love with her much older boss brought reviews hailing her as a new star.

    MGM offered her a contract for two pictures a year. Her first film, a comedy directed by and co-starring Jose Ferrer, The High Cost of Loving, brought Rowlands comparisons to Carole Lombard, one of the great 1930s stars.

    But she asked to be released from her contract because she was expecting a baby. Often during her career she would absent herself from the screen for long stretches to attend to family matters.

    In addition to Nick, she and Cassavetes had two daughters, Alexandra and Zoe, who also pursued acting careers. John Cassavetes died in 1989.​
    I met her, briefly, at the Egyptian, around 2015 or '16. We had played Opening Night (on 35mm), at which she did a Q & A afterwards. She thought that there was a scene missing from the print, and a manager brought her up to the booth to ask me about it as I was shutting everything down. She was so pleasant to me that I almost felt guilty at having formed the opinion over the previous three hours that Opening Night was one of the most boring, depressing, self-indulgent, and generally f*****g abysmal films I'd ever encountered! The print was in near new condition, with no splices apart from at the starts and ends of each reel (for which the ID frames all matched), and so if the scene she recalled had been removed, it must have been done in post rather than taken out of the actual print.

  • #2
    Maybe we should all add our own obits to this thread and then after we are dead, somebody can fill in the date of our demise. (It would be fun to read peoples' biographies..... maybe the "edit" function could be made unlimited so people could update their writeup.)

    I started this post as a bit of a joke, but I actually think it's not a horrible idea.

    Comment


    • #3
      Here...

      Kathleen Hughes, ‘scream queen’ best known for the 3-D cult classic It Came from Outer Space

      ‘In 3-D anything sticking out towards the camera is going to come out into the audience. I walk into the scene wearing this tight blouse’


      Kathleen Hughes, who has died aged 96, was a one-time B-movie blonde bombshell best known for her role in It Came from Outer Space (1953), Universal’s first serious venture into sci-fi and now a cult classic of the eerie-music-in-the-desert-after-the-UFO-has-landed genre.

      Based on a Ray Bradbury short story, directed by Jack Arnold and with an atmospheric, theremin-rich score by Henry Mancini, the film was made in 3-D, and the statuesque Kathleen Hughes, who had been named “Miss Cheesecake 1952” by the armed forces newspaper Stars and Stripes, had few illusions about why she was given a role. “Because I was very three-dimensional, they picked me,” she recalled. “I had to parade back and forth on a runway while they tested the cameras.”

      The previous year she had had a substantial role in the comedy Sally and Saint Anne, but she auditioned for a walk-on part as the girlfriend of Russell Johnson’s human-looking alien in the sci-fi movie. “I had to beg for that part,” she recalled. “They said, ‘You just did a lead. You can’t do such a small part.’ I said, ‘How can it be small? It’s in 3-D. You’ve got to give it to me.’” Eventually, they relented.

      In the film, her character walks into a police station to report her boyfriend missing. “The thing about working in 3-D is you have to know that anything that is sticking out towards the camera was going to come out into the audience. I walk into the scene wearing this tight blouse,” she recalled. “I enjoy the audience reaction when I come on screen. It’ s a big kick.”

      She became known as the film’s “scream queen” only thanks to a publicity still. “I had just finished working,” she told Fox News in 2019. “I went to the still gallery, and as I walked in, the cameraman said to me, ‘Put your hands up in the air and scream.’ And I did. It was an instant success.”

      The picture went on to be used in advertisements (“Hummus, a flavor that screams”) and birthday cards, though Kathleen Hughes’s husband objected when a prophylactic manufacturer wanted to use it for a condom advertisement.

      Kathleen Hughes was named Miss 3-D 1953.

      She was born Elizabeth Margaret von Gerkan in Los Angeles on November 14 1928. An uncle was Hugh Herbert, a screenwriter, who told her that she would never make it in the movies because at 5ft 9in she was too tall to play opposite leading men, who were all short: “One of the reasons I stuck to acting was to prove him wrong.”

      She was a student at Los Angeles City College and appearing in a play at the Geller Theater when she was spotted by a talent scout for Twentieth Century-Fox, which signed her in 1948 and changed her name to Kathleen Hughes.

      She took small roles in a handful of Twentieth Century-Fox films, including Mr Belvedere Goes to College (1949), and she did a screen test with Rock Hudson, though she was not impressed: “I didn’t think he was a Greek god or anything. After it was over, I never said to myself that he is going to be a big star.”

      Nor did Fox; instead it was Universal which put Hudson under contract. After three years with Fox, Kathleen Hughes, too, was signed by Universal, and she went on to give Hudson his first on-screen kiss, in The Golden Blade (1953). That year she reunited with Jack Arnold, playing a gold-digger and murder victim in The Glass Web, a 3-D film noir starring Edward G Robinson.

      Kathleen Hughes’s contract with Universal ended after three years, and while she took small roles in numerous television series in the 1960s and 1970s, unlike Rock Hudson she never made it big in movies.

      In 1954 she married the screenwriter and producer Stanley Rubin, who died in 2014. She is survived by two sons and a daughter. Another son predeceased her.

      Kathleen Hughes, born November 14 1928, died May 19 2025
      As we now know (though she likely didn't at the time), she was wasting her affections on Rock Hudson...

      Comment


      • #4
        Originally posted by Mike Blakesley View Post
        Maybe we should all add our own obits to this thread and then after we are dead, somebody can fill in the date of our demise. (It would be fun to read peoples' biographies..... maybe the "edit" function could be made unlimited so people could update their writeup.)

        I started this post as a bit of a joke, but I actually think it's not a horrible idea.
        It's a bit like those newspapers and news channels who have stories already pre-made in the event an "important someone" like the King of England or the Pope dies more or less unexpectedly. Some of them have ended up being published inadvertently in the past.

        Comment

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