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It is however a format The Brutalist and Paul Thomas Anderson's new film are shot in which transfers well to 70mm release prints. I hear The Brutalist looks great in 70mm. I'm curious what possessed them to shoot in Vista Vision over 65mm.
That's what it says on the trailer anyway, The three operators in the US who can play that format better dust off your gear.
Yeah, I don't believe it either.
(For those not in the know, Vistavision (the second V in that word is supposed to be a capital, but I don't do camelcase) was a 1950s format that ran sideways 35mm with 8 perfs to get a more-or-less flat aspect ratio with more definition. It didn't last long as far as exhibition goes, still used for special effects, although probably not much these days.)
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