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» Film-Tech Forum ARCHIVE   » Community   » Film-Yak   » Authoring audio to play in a Dolby 5.1 equipped commercial theatre

   
Author Topic: Authoring audio to play in a Dolby 5.1 equipped commercial theatre
Frank Angel
Film God

Posts: 5305
From: Brooklyn NY USA
Registered: Dec 1999


 - posted 05-02-2019 11:46 AM      Profile for Frank Angel   Author's Homepage   Email Frank Angel   Send New Private Message       Edit/Delete Post 
Our film department presents a festival at the end of the school year where student film majors have their theses films shown at a local cinema. They hand the "projectionist" BluRays to play for each show (something like 20 titles per show, and three shows per day).

Question is, if they don't author the audio in Dolby 5.1 but rather in 2.0 (Left, Right stereo - which I believe is what they do), will feeding a BluRay HDMI into a typical AUX input of a DCinema setup, will the processor do anything but play back with just Left Screen Channel/Right Screen Channel stereo, or can it create a Center Screen Channel mix for playback? I assume the theatre has to be playing directly off a BR player; you can't ingest a consumer format to a DCinema server, can you?

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Carsten Kurz
Film God

Posts: 4340
From: Cologne, NRW, Germany
Registered: Aug 2009


 - posted 05-02-2019 05:50 PM      Profile for Carsten Kurz   Email Carsten Kurz   Send New Private Message       Edit/Delete Post 
Why don't you have them convert their flics with DCP-o-matic ?

Some processors can, some processors are set up for matrix decoding on a NonSync port.

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Marcel Birgelen
Film God

Posts: 3357
From: Maastricht, Limburg, Netherlands
Registered: Feb 2012


 - posted 05-02-2019 06:10 PM      Profile for Marcel Birgelen   Email Marcel Birgelen   Send New Private Message       Edit/Delete Post 
The safest bet is really to create a 5.1 movie, put the dialog into the center channel and like Carsten mentioned, use DCP-o-Matic to create a proper DCP package out of it.

It's not rocket science to mix something in 3.0 or even 5.1 nowadays, tools like Adobe Premiere, Final Cut Pro and Avid Media Composer all support it out of the box.

They're film students, so let's try to teach them to do it right, rather than to rely on the odd luck that the audio processor will be able to funnel identical left and right content to the center channel.

And to be honest, if it comes in 2.0, I'd rather play it in 2.0 than to do some remixing myself. [Razz]

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