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This topic comprises 3 pages: 1 2 3
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Author
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Topic: 88th Academy Awards Results (2016)
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Marcel Birgelen
Film God
Posts: 3357
From: Maastricht, Limburg, Netherlands
Registered: Feb 2012
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posted 02-29-2016 04:05 AM
This is the full list of awards, nominees and results. Nominees are listed per award, the winner is indicated in bold.
Best Picture
Spotlight – Michael Sugar, Steve Golin, Nicole Rocklin, and Blye Pagon Faust
The Big Short – Brad Pitt, Dede Gardner, and Jeremy Kleiner
Bridge of Spies – Steven Spielberg, Marc Platt, and Kristie Macosko Krieger
Brooklyn – Finola Dwyer and Amanda Posey
Mad Max: Fury Road – Doug Mitchell and George Miller
The Martian – Simon Kinberg, Ridley Scott, Michael Schaefer, and Mark Huffam
The Revenant – Arnon Milchan, Steve Golin, Alejandro G. Ińárritu, Mary Parent, and Keith Redmon
Room – Ed Guiney
Best Director
Alejandro G. Ińárritu – The Revenant
Adam McKay – The Big Short
George Miller – Mad Max: Fury Road
Lenny Abrahamson – Room
Tom McCarthy – Spotlight
Best Actor
Leonardo DiCaprio – The Revenant as Hugh Glass
Bryan Cranston – Trumbo as Dalton Trumbo
Matt Damon – The Martian as Mark Watney
Michael Fassbender – Steve Jobs as Steve Jobs
Eddie Redmayne – The Danish Girl as Lili Elbe
Best Actress
Brie Larson – Room as Joy "Ma" Newsome
Cate Blanchett – Carol as Carol Aird
Jennifer Lawrence – Joy as Joy Mangano
Charlotte Rampling – 45 Years as Kate Mercer
Saoirse Ronan – Brooklyn as Eilis Lacey
Best Supporting Actor
Mark Rylance – Bridge of Spies as Rudolf Abel
Christian Bale – The Big Short as Michael Burry
Tom Hardy – The Revenant as John Fitzgerald
Mark Ruffalo – Spotlight as Michael Rezendes
Sylvester Stallone – Creed as Rocky Balboa
Best Supporting Actress
Alicia Vikander – The Danish Girl as Gerda Wegener
Jennifer Jason Leigh – The Hateful Eight as Daisy Domergue
Rooney Mara – Carol as Therese Belivet
Rachel McAdams – Spotlight as Sacha Pfeiffer
Kate Winslet – Steve Jobs as Joanna Hoffman
Best Original Screenplay
Spotlight – Tom McCarthy and Josh Singer
Bridge of Spies – Matt Charman, Ethan Coen, and Joel Coen
Ex Machina – Alex Garland
Inside Out – Pete Docter, Meg LeFauve, Josh Cooley, and Ronnie del Carmen
Straight Outta Compton – Jonathan Herman, Andrea Berloff, S. Leigh Savidge, and Alan Wenkus
Best Adapted Screenplay
The Big Short – Adam McKay and Charles Randolph from The Big Short by Michael Lewis
Brooklyn – Nick Hornby from Brooklyn by Colm Tóibín
Carol – Phyllis Nagy from The Price of Salt by Patricia Highsmith
The Martian – Drew Goddard from The Martian by Andy Weir
Room – Emma Donoghue from Room by Emma Donoghue
Best Animated Feature Film
Inside Out – Pete Docter and Jonas Rivera
Anomalisa – Charlie Kaufman, Duke Johnson, and Rosa Tran
Boy & the World – Alę Abreu
Shaun the Sheep Movie – Mark Burton and Richard Starzak
When Marnie Was There – Hiromasa Yonebayashi and Yoshiaki Nishimura
Best Foreign Language Film
Son of Saul (Hungary) in Hungarian – László Nemesdouble-dagger
Embrace of the Serpent (Colombia) in Spanish – Ciro Guerra
Mustang (France) in Turkish – Deniz Gamze Ergüven
Theeb (Jordan) in Arabic – Naji Abu Nowar
A War (Denmark) in Danish – Tobias Lindholm
Best Documentary – Feature
Amy – Asif Kapadia and James Gay-Reesdouble-dagger
Cartel Land – Matthew Heineman and Tom Yellin
The Look of Silence – Joshua Oppenheimer and Signe Byrge Sřrensen
What Happened, Miss Simone? – Liz Garbus, Amy Hobby, and Justin Wilkes
Winter on Fire: Ukraine's Fight for Freedom – Evgeny Afineevsky and Den Tolmor
Best Documentary – Short Subject
A Girl in the River: The Price of Forgiveness – Sharmeen Obaid-Chinoy
Body Team 12 – David Darg and Bryn Mooser
Chau, Beyond the Lines – Courtney Marsh and Jerry Franck
Claude Lanzmann: Spectres of the Shoah – Adam Benzine
Last Day of Freedom – Dee Hibbert-Jones and Nomi Talisman
Best Live Action Short Film
Stutterer – Benjamin Cleary and Serena Armitage
Ave Maria – Eric Dupont and Basil Khalil
Day One – Henry Hughes
Everything Will Be Okay – Patrick Vollrath
Shok – Jamie Donoughue
Best Animated Short Film
Bear Story – Pato Escala Pierart and Gabriel Osorio Vargas
Prologue – Imogen Sutton and Richard Williams
Sanjay's Super Team – Nicole Paradis Grindle and Sanjay Patel
We Can't Live Without Cosmos – Konstantin Bronzit
World of Tomorrow – Don Hertzfeldt
Best Original Score
The Hateful Eight – Ennio Morriconedouble-dagger
Bridge of Spies – Thomas Newman
Carol – Carter Burwell
Sicario – Jóhann Jóhannsson
Star Wars: The Force Awakens – John Williams
Best Original Song
"Writing's on the Wall" from Spectre – Music and Lyric by Jimmy Napes and Sam Smith
"Earned It" from Fifty Shades of Grey – Music and Lyric by Ahamad Balshe (Belly), and others
"Manta Ray" from Racing Extinction – Music by J. Ralph, Lyric by Antony Hegarty
"Simple Song #3" from Youth – Music and Lyric by David Lang
"Til It Happens to You" from The Hunting Ground – Music and Lyric by Lady Gaga and Diane Warren
Best Sound Editing
Mad Max: Fury Road – Mark A. Mangini and David White
The Martian – Oliver Tarney
The Revenant – Martin Hernández and Lon Bender
Sicario – Alan Robert Murray
Star Wars: The Force Awakens – Matthew Wood and David Acord
Best Sound Mixing
Mad Max: Fury Road – Chris Jenkins, Gregg Rudloff, and Ben Osmo
Bridge of Spies – Andy Nelson, Gary Rydstrom, and Drew Kunin
The Martian – Paul Massey, Mark Taylor, and Mac Ruth
The Revenant – Jon Taylor, Frank A. Montańo, Randy Thom, and Chris Duesterdiek
Star Wars: The Force Awakens – Andy Nelson, Christopher Scarabosio, and Stuart Wilson
Best Production Design
Mad Max: Fury Road – Colin Gibson and Lisa Thompson
Bridge of Spies – Rena DeAngelo, Bernhard Henrich, and Adam Stockhausen
The Danish Girl – Michael Standish and Eve Stewart
The Martian – Celia Bobak and Arthur Max
The Revenant – Jack Fisk and Hamish Purdy
Best Cinematography
The Revenant – Emmanuel Lubezki
Carol – Ed Lachman
The Hateful Eight – Robert Richardson
Mad Max: Fury Road – John Seale
Sicario – Roger Deakins
Best Makeup and Hairstyling
Mad Max: Fury Road – Lesley Vanderwalt, Elka Wardega, and Damian Martin
The 100-Year-Old Man Who Climbed Out the Window and Disappeared – Love Larson and Eva von Bahr
The Revenant – Siân Grigg, Duncan Jarman, and Robert Pandini
Best Costume Design
Mad Max: Fury Road – Jenny Beavan
Carol – Sandy Powell
Cinderella – Sandy Powell
The Danish Girl – Paco Delgado
The Revenant – Jacqueline West
Best Film Editing
Mad Max: Fury Road – Margaret Sixel
The Big Short – Hank Corwin
The Revenant – Stephen Mirrione
Spotlight – Tom McArdle
Star Wars: The Force Awakens – Maryann Brandon and Mary Jo Markey
Best Visual Effects
Ex Machina – Mark Williams Ardington, Sara Bennett, Paul Norris, and Andrew Whitehurst
Mad Max: Fury Road – Andrew Jackson, Dan Oliver, Andy Williams, and Tom Wood
The Martian – Anders Langlands, Chris Lawrence, Richard Stammers, and Steven Warner
The Revenant – Richard McBride, Matt Shumway, Jason Smith, and Cameron Waldbauer
Star Wars: The Force Awakens – Chris Corbould, Roger Guyett, Paul Kavanagh, and Neal Scanlan
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Paul H. Rayton
Expert Film Handler
Posts: 210
From: Los Angeles, CA , USA
Registered: Aug 2003
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posted 02-29-2016 12:52 PM
Leave us not forget "The Artist", produced and originally released in late 2011 (to get the Oscars buzz for it) but primarily shown during 2012 -- black & white, and in a 1.37:1 aspect ratio. "The Artist" got 5 Oscars, if IMDB is correct. I believe it was principally photographed on 35mm film, a move I applaud. There were both DCP and film copies of it; Michel Hazanavicius wasn't as strident in his "anti-digital" position as Tarantino, and the film process was uniquely suited to the production of that particular movie, since it was set in the late '20s anyway, and largely a "silent" movie. But prior to that, yes it was MANY years ago that a show in 1.37 got such attention and awards.
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Marcel Birgelen
Film God
Posts: 3357
From: Maastricht, Limburg, Netherlands
Registered: Feb 2012
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posted 02-29-2016 05:02 PM
quote:
Given that it was silent and with a recorded orchestral soundtrack in the late 1920s, Hugo Riesenfeld style, it should have been in 1.19 / Movietone, for total authenticity!
For optimum authenticity it should also have shipped as a nitrate film. ![[Wink]](wink.gif)
quote: Joe Redifer
Did you really have to list all of the names? Nobody knows or cares who these people are... except for the one in bold who is/was on this forum. No two people can share the same name, it's against both the law of the land and the law of physics so it MUST be him.
So, if he who is/was on this forum and the one in bold would ever meet on this forum, this will happen?
quote: Joe Redifer
Good. Now people can shut up about him. And I really wish people would stop calling him "Leo".
I agree, I like 'Nardo better.
quote:
-Best Animated Feature Film (why does it matter if it's animated or not?)
You don't get it, do you?
Animated: For little Joes only
Non-animated: For big Joes only
quote:
-Best Foreign Language Film (other languages do not count)
That better not be a question, or else it would look bad on your reputation as an American.
quote: Joe Redifer
Also is it fair that Actor is listed ABOVE Actress? How sexist. Check your male privilege you pig.
They were listed randomly, using importance as a weighting factor?
quote: Joe Redifer
Joe Rediferdouble-dagger
In line with Wikipedia, from which I copy/pasted/stole those results, double-daggers are only awarded to winners. So, do you feel like a winner?
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Bobby Henderson
"Ask me about Trajan."
Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001
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posted 02-29-2016 09:07 PM
I did like it that Ennio Morricone FINALLY won a Best Music Score Oscar. Yes, I do believe his score for The Hateful Eight was deserving of the award.
It's about damned time too. The Oscars™ have shown in the past they're willing to consider the past career work of a nominee into the process, hence awards like John Wayne winning Best Actor for True Grit or Paul Newman winning the same award for The Color of Money. Even "Leo's" award last night might fall into the same category. The real outrage is Leo's moustache booger, as seen in the last shot of The Revenant didn't win an Oscar™ too.
Morricone was Oscar™ nominated 5 previous times, but did not win for Malčna, Bugsy, The Untouchables (you Academy assholes!), The Mission and Days of Heaven. The guy has over 500 freaking scoring credits to his name. Holy shit. I feel like a lazy sloth now.
Morricone received no nominations, no awards, no nothing other than his paycheck for The Good, The Bad and The Ugly. Same goes for movies like Once Upon a Time in America or Once Upon a Time in the West. He originally didn't get to use his own name for his credit on A Fistful of Dollars.
While I am kind of pissed The Hateful Eight didn't bring home a Best Cinematography Oscar™ I also think QT shouldn't have filmed 90% of his movie in a freaking dark log cabin with a whole bunch of talking. If you're going to shoot something in 70mm you better offer up some visual spectacle with it!
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Marcel Birgelen
Film God
Posts: 3357
From: Maastricht, Limburg, Netherlands
Registered: Feb 2012
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posted 03-01-2016 06:43 AM
quote:
You might joke about it, but someone gave a presentation at an AMIA conference about 10 years ago arguing for a limited return to production of nitrate film base for small numbers of prestige showprints. He pointed out that nitrocellulose is still in production for various niche applications (e.g. for coating onto phonograph discs in lacquer form to cut masters and dubplates), and that therefore film base casting using it could be restarted at relatively little cost. He further pointed out that new nitrate prints made from preservation elements would be less volatile and safer in projection than survivors from the 1940s or earlier, as they wouldn't be as decomposed.
I'm kinda relieved that nothing came of that suggestion, though!
Well, he should have developped an ultra-fast self-decomposing version and sold it to Hollywood as some newfangled form of DRM and it surely would've been a hit.
quote: Bobby Henderson
It's about damned time too. The Oscars™ have shown in the past they're willing to consider the past career work of a nominee into the process, hence awards like John Wayne winning Best Actor for True Grit or Paul Newman winning the same award for The Color of Money. Even "Leo's" award last night might fall into the same category. The real outrage is Leo's moustache booger, as seen in the last shot of The Revenant didn't win an Oscar™ too.
Isn't this what the "Academy Honorary Award" was introduced for? Considering past career work for the yearly Oscars™ isn't really fair for the contenders in the same category. If someone is unfortunate enough to always be outclassed by the competition du jour (at least, according to the jury), but has consistently been producing work at the highest levels, he or she should be awarded a special award, covering his or her oeuvre.
PS: Is the Plural form of Oscar™ Oscar™s or Oscars™? Maybe we should call it the OS©/\®S™?
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