posted 01-15-2011 06:25 PM                

Michael Bay ready to make you forget 'Transformers 2': 'It was kind of a mess'

Source: Latimes.com

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Shia LaBeouf, Rosie Huntington-Whiteley and Michael Bay on the set of "Transformers: Dark of the Moon" (Dreamworks)

Michael Bay is among the most driven filmmakers in all of Hollywood, and right now his biggest motivation is making people forget his last movie, ”Transformers: Revenge of the Fallen.”

“It was kind of a mess, wasn’t it?” an unsmiling Bay said of the 2009 film, which was far from a flop — it grossed a potent $836 million worldwide, finishing third for the year behind only “Avatar” and the sixth “Harry Potter” movie. But the director still talks about the blockbuster in tones of regret. “Look, the movie had some good things in it and it was entertaining and it did very well, but it also failed in some key ways. I learned from it. And now with this third movie we’re going back to basics and I absolutely believe this is going to be a much better film than the second one.”

As Bay spoke, he was standing on the Playa Vista set of “Transformers: Dark of the Moon,” his ninth feature film as director and, to his own surprise, his third movie about Bumblebee, Megatron and the other giant, shape-shifting alien robots called Transformers. It’s due out July 1. The 45-year-old director was skeptical when executive producer Steven Spielberg approached him back in July 2005 with the concept of making a Hollywood franchise out of a Reagan era toy line. “The term I used at the time was ‘stupid idea,’ if I remember right,” Bay said. But after visiting Hasbro and learning about the characters and cosmic mythology that had been created around them, Bay began to warm up to the idea.

Now, the franchise is the centerpiece of Bay’s 15-year filmmaking career. Though he has no expectation that he will make a fourth “Transformers” film — or maybe because of that — he is fiercely focused on leaving the franchise on a high note. He has also been reaching out to journalists in recent weeks to show them footage and perhaps, through his candor and enthusiasm, win a reprieve in the court of public opinion.

“I’m still having fun and especially with this movie,” Bay said. ”Look, we got burned on the last movie. The big thing was the writers strike, it hurt the film and it made it hard on everybody. We had three weeks to get our story and, really, we were going into the movie without a script. It’s tough to do that. It was too big of a movie. There were too many endings or too many things that felt like endings. There was so much animation [in the visual effects postproduction work], too, and we ran out of time. We used the schedule of the first movie for the second movie but on the second one way more labor was needed for the animation. And then it felt like we were writing the script in the edit room, trying to put together a story.”

The 2009 film was memorably savaged by leading critics (Roger Ebert attacked it as “a horrible experience of unbearable length,” Joe Morgenstern of the Wall Street Journal called it “a pile of glittering junk” and Rolling Stone magazine’s Peter Travers groaned that it was “galactically stupid … beyond bad, it carves out its own category of godawfulness”). In private, many of Bay’s industry peers held the film up as the Optimus Prime example of what happens when story and character are made subordinate to CG spectacle and an especially pandering brand of one-liner humor.

The surprise isn’t that critics didn’t like a Bay movie — they didn’t like “Pearl Harbor,” “Bad Boys 2” or “The Island,” either — the surprise is that Bay is publicly agreeing with them.

“I think we have something to prove with this third one,” Bay said of the movie that brings back star Shia LaBeouf in the role of Sam Witwicky, the young everyman who befriends an Autobot called Bumblebee. ”We’re back to basics. The second one was something going on inside of Sam, the way he’s affected and feeling, and that’s a hard thing to do. It’s more mystical, in a way. This one, there’s nothing mystical about it. It’s a good old-fashioned mystery and it’s a tougher movie … it’s funny but it’s not a wisecrack-funny; it’s funnier in the situation.”

Some critics have taken Bay to task for making chrome-plated movies that have hollow hearts, but Spielberg says he brought the filmmaker in for “Transformers” because of the way he works with humans, not machines.

” The first chance I ever had to work with Michael Bay was when he directed ’The Island’ for DreamWorks and Warner Bros. in 2005,” Spielberg said. ” ‘The Island,’ while not a commercial success, was successful in showing me how well Michael could deal with relationships within a big conceptual drama. It didn’t take second sight to know how brilliantly he would handle the action between the Autobots and the Decepticons. But because our principal premise for a first ’Transformers’ was the story of a girl, a boy and his car, ‘The Island’ showed me that Michael would pay special attention to the human stories in ‘Transformers.’ “

Spielberg added: “As the plot thickens in the third installment of ‘Transformers,’ Michael’s work on it feels fresh and energized … with lots of new and inventive ways of turning a page on this franchise. “

Instead of giant military operations and armada imagery, this third ”Transformers” film is “lean and mean,” Bay says, and the script by Ehren Kruger (“The Ring“) presents more of a small-team, commando tension. Bay says he thinks of this film as a sort of homeland version of ”Black Hawk Down” — but, you know, with giant alien robots. Instead of Middle East deserts, the majority of the action will be set amid the smoldering boulevards of Chicago where humanity continues to fight against the hulking mecha-warriors from outer space, exploiting their one known weakness (their eyes).

Bay is especially proud of some of the urban warfare scenes (including sequences featuring a team of glide-suit commandos who dip between skyscrapers like a black-ops version of flying squirrels) and the conspiracy mystery that sets up the new story, which traces back to the 1960s space program (a digital ghost of John F. Kennedy and the archive-reel visage of Walter Cronkite will play parts in Bay’s new lunar adventure).

“Transformers: Dark of the Moon” brings back John Turturro as the scenery-chewing federal agent Seymour Simmons and familiar faces in Josh Duhamel and Tyrese Gibson . Joining the cast this time around are John Malkovich, Frances McDormand and Patrick Dempsey, but the big news is the prominently absent name on the call sheet. Megan Fox, the female face of the franchise (unless you count the robots), has been left behind, either by her choice or by Bay’s command – it depends on whom you ask or choose to believe.

[For the record: An earlier version of this post incorrectly listed Ramon Rodriguez as a cast member.]

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