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Author Topic: MPAA Anti-Theft Best Practices
Mitchell Dvoskin
Phenomenal Film Handler

Posts: 1869
From: West Milford, NJ, USA
Registered: Jan 2001


 - posted 11-15-2013 08:37 AM      Profile for Mitchell Dvoskin   Email Mitchell Dvoskin   Send New Private Message       Edit/Delete Post 
I came across the PDF file linked below while surfing the net. It appears to indicate that every time someone pulls out a cell phone in your theatre, you should not just kick them out, but call the police on them and let the police determine if they are recording the movie or just texting or playing a game.

MPAA Best Practices

As this is not the MPAA's web site, is this legit? If so, does anyone follow these practices?

If this is legit, perhaps someone could add the PDF to the warehouse.

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Edward Havens
Jedi Master Film Handler

Posts: 614
From: Los Angeles, CA
Registered: Mar 2008


 - posted 11-15-2013 10:04 AM      Profile for Edward Havens   Email Edward Havens   Send New Private Message       Edit/Delete Post 
The MPAA and NATO's official website for Fighting Film Theft is here.

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Frank Angel
Film God

Posts: 5305
From: Brooklyn NY USA
Registered: Dec 1999


 - posted 11-17-2013 02:03 PM      Profile for Frank Angel   Author's Homepage   Email Frank Angel   Send New Private Message       Edit/Delete Post 
Exhibitors do not belong to the MPAA nor are they bound by that organization's policies or recommendations, especially when they do not parallel the interests and needs of the exhibitor.

In this case, you have to ask, is the MPAA serious? The primary interest of the exhibitor is to provide a comfortable and inviting environment for patrons where a movie can be watched with the best presentation and with the least distraction. No question that cell phones and other PDs are antithesis to this end and yes, it is in his best interest to prevent their use during a presentation to the best of his ability. In that respect, his goal and the studio's desire to stop cell phone use coincide. However, that's where the similarity ends.

The studio's desire to prosecute anyone recording their product via a cell phone by way of CALLING THE POLICE every time someone whips one out is patently absurd.

Any exhibitor who goes along with this nonsense deserves the loss of business that is guaranteed to happen if even one show is disrupted by cops storming the theatre to extract a cell-phone user who may or may more than likely may not be recording the movie. And who actually thinks cops will respond to, what, a couple dozen calls a NIGHT for all the times people are on their cell phones in an auditorium and without even the direct evidence that they are recording the movie?

If this actually IS am MPAA recommendation, then they really have been smoking crack at their meetings.

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Martin McCaffery
Film God

Posts: 2481
From: Montgomery, AL
Registered: Jun 99


 - posted 11-17-2013 02:56 PM      Profile for Martin McCaffery   Author's Homepage   Email Martin McCaffery   Send New Private Message       Edit/Delete Post 
Most likely the police will be laughing their asses of rather than storm the theatre. In any event, it is such a low priority they probably wouldn't arrive before closing.

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Marcel Birgelen
Film God

Posts: 3357
From: Maastricht, Limburg, Netherlands
Registered: Feb 2012


 - posted 11-21-2013 05:13 PM      Profile for Marcel Birgelen   Email Marcel Birgelen   Send New Private Message       Edit/Delete Post 
Do those US DCPs by FOX also have those stupid lengthy copyright warnings right in front of the main feature?

They contain stuff that roughly translates to this:
"Immediately warn an employee, once you see someone pulling a cellphone."

Those things are more like an insult to any paying customer.

They also put those suckers in front of 3D features. Well, that will be one hell of a "CAM" if you capture that thing with your cellphone [Wink] .

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Mike Blakesley
Film God

Posts: 12767
From: Forsyth, Montana
Registered: Jun 99


 - posted 11-21-2013 06:56 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
No those notices aren't on the US DCPs, and if they ever show up I would probably put a "dowser close" cue there to make it not show up on the screen.

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Edward Havens
Jedi Master Film Handler

Posts: 614
From: Los Angeles, CA
Registered: Mar 2008


 - posted 11-21-2013 07:08 PM      Profile for Edward Havens   Email Edward Havens   Send New Private Message       Edit/Delete Post 
quote: Martin McCaffery
Most likely the police will be laughing their asses of rather than storm the theatre. In any event, it is such a low priority they probably wouldn't arrive before closing.
Unless your theatre has a great relationship with the local police, as I have always been lucky enough to have at a theatre I arrive at, or built to create. You'd be surprised at how cooperative the police can be when you're just plain old-fashioned nice to them.

Last year, at my previous theatre, we did catch someone filming a movie at our location. We did call the police and they were there within five minutes. Because the theatre treated the local police department well.

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Marcel Birgelen
Film God

Posts: 3357
From: Maastricht, Limburg, Netherlands
Registered: Feb 2012


 - posted 11-22-2013 02:43 AM      Profile for Marcel Birgelen   Email Marcel Birgelen   Send New Private Message       Edit/Delete Post 
I guess the situation will greatly differ from place to place. Around here, I don't think police will be too fond of playing copyright police.

As a matter of fact, although it will be against theater regulations, the act of "recording" in itself is probably not even against the law around here, as long as you do not publish or distribute the material acquired. So, practically the only thing you can do is escort them off the premisses, if they refuse to do so, you may call the police.

Also, many of the "professional CAMs" out there, are probably being produced by rogue cinema staff around the world and not by someone smuggling in a cellphone or digital camera.

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Justin Hamaker
Film God

Posts: 2253
From: Lakeport, CA USA
Registered: Jan 2004


 - posted 11-22-2013 04:50 AM      Profile for Justin Hamaker   Author's Homepage   Email Justin Hamaker   Send New Private Message       Edit/Delete Post 
To play devil's advocate, I can see where it's best to have an absolutely zero tolerance policy. Problems will arise if you start giving theatres latitude to determine what is or is not a crime, or to determine intent. Furthermore, a determined pirate could easily hide the components for a high res recording device inside the body of an average smart phone.

It's easy to say a kid doing a screen grab is something very different from someone pirating a movie. But where is the line where one act becomes the other?

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Frank Cox
Film God

Posts: 2234
From: Melville Saskatchewan Canada
Registered: Apr 2011


 - posted 11-22-2013 01:15 PM      Profile for Frank Cox   Author's Homepage   Email Frank Cox   Send New Private Message       Edit/Delete Post 
No cell phones (i.e. lights) allowed in the auditorium while the movie is playing.

I don't see anything difficult to understand there. If I see a cell phone light up in my auditorium I ask them to turn it off. If they don't leave it off after that, I invite them to exit the theatre. That part doesn't happen too often, of course.

Solves the problem of piracy (to the extent that it may or may not exist) but also keeps those lights out of my auditorium, which is the objective.

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