Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Operations   » Ground Level   » Bollywood is back

   
Author Topic: Bollywood is back
Jim Bedford
Jedi Master Film Handler

Posts: 597
From: Telluride, CO, USA (733 mi. WNW of Rockwall, TX but it seems much, much longer)
Registered: Jun 99


 - posted 06-05-2009 07:47 AM      Profile for Jim Bedford   Author's Homepage   Email Jim Bedford   Send New Private Message       Edit/Delete Post 
There's been reports over the last month about US Bollywood showing theatres closing a month or so ago due to no product because of this dispute between Indian theatre owners and film producers. One thing interesting about this is the settlement is not only for theatre owners to pay a descending percentage rate (gee, I wonder where they got this idea from?) but that the producers would pay the theatres rebates for low-grossing/low-performing titles. (Hear that, producers of DELGO and BATTLE FOR TERRA?)

NY Times: Bollywood is back

Bollywood Settles Dispute With Theater Owners

By VIKAS BAJAJ
Published: June 5, 2009

MUMBAI — Indian filmmakers and theater owners settled a two-month dispute about the sharing of ticket revenue Friday, paving the way for new Hindi movie releases beginning next week, industry officials said.

Producers and distributors had held back new movies from multiscreen theater companies since early April, demanding that they get an equal share of revenue from ticket sales. The theater owners said a 50-50 revenue split was unacceptable, given that many Hindi-language films do poorly at the box office.

Until the strike, revenue-sharing arrangements had been negotiated movie by movie.

Under the deal struck Friday, film producers are to get half of the revenue for the first week of releases, and a smaller share for each subsequent week: 42 percent for the second week, 37 for the third and 32 for the fourth. Distributors and producers will earn bonuses for films that do exceptionally well but will have to pay rebates for movies that do very poorly.

“Basically it’s a win for all,” said Amit Khanna, chairman of Reliance Entertainment, a big production house that also owns a cinema company. His company plans to release a film as early as next week: “Kal Kisne Dekha,” which means “Who knows what will happen tomorrow.”

Deepak Asher, president of the Multiplex Association of India and a director of INOX Leisure, a theater chain, said the theaters were ready to get back to business.

“All of us are happy about the deal,” he said.

Under the previous movie-by-movie negotiation system, producers and distributors said that they often got less than 50 percent of revenue and that theater owners would collectively dictate terms to distributors.

The theater owners denied that they had colluded and said producers and distributors often received the majority of revenue from successful movies.

Distributors and theater owners will now have to figure out how to release the backlog of movies that were delayed because of the strike. On Friday, some production companies started announcing release dates for their coming movies.

During the strike, both sides probably suffered significant losses — especially in May, a month when many schools are closed before the monsoons.

There was a steep drop in box-office revenue in April to 260 million rupees, or $5.5 million, from 1.1 billion rupees in same month a year earlier, according to IBOS, a film-industry news service. April box office sales were also probably hurt by the second season of the Indian Premier League cricket tournament. Data for May were not available.

The strike primarily affected Hindi-language films, which are watched throughout the country but are most popular in the north. Films made in other languages experienced a slight lift at the box office because of the reduced competition.

Although the strike was directed at multiple-screen theaters, producers and distributors did not release many movies in older, single-screen cinemas that can still be found across India.

One historic theater, the Regal Cinema in south Mumbai near the Taj Mahal Palace & Tower hotel, was temporarily closed last month because of the strike.

 |  IP: Logged

Ian Price
Phenomenal Film Handler

Posts: 1714
From: Denver, CO
Registered: Jun 99


 - posted 06-05-2009 08:01 AM      Profile for Ian Price   Email Ian Price   Send New Private Message       Edit/Delete Post 
B.F.

I see that The Nugget has yet to play Chandni Chawk To China . [Razz]

We have a print in the Depot.

 |  IP: Logged

Joe Redifer
You need a beating today

Posts: 12859
From: Denver, Colorado
Registered: May 99


 - posted 06-05-2009 10:34 AM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
That's probably the print I ran. I don't recall it being brand new when we got it.

At the Regency Tamarac we are practically 100% Bollywood now with an occasional real movie. Or at least it seems that way.

 |  IP: Logged

Galen Murphy-Fahlgren
Master Film Handler

Posts: 405
From: Canton, MI, USA
Registered: Oct 2007


 - posted 06-05-2009 02:23 PM      Profile for Galen Murphy-Fahlgren   Email Galen Murphy-Fahlgren   Send New Private Message       Edit/Delete Post 
All the chains agreed to the terms of Big Cinemas' agreement then? Last I had heard (last night) only Big had settled and all the other chains were holding out for a couple more percent.

 |  IP: Logged

Bob Jones
Film Handler

Posts: 47
From: Atlanta, GA
Registered: Jun 2003


 - posted 06-06-2009 12:11 AM      Profile for Bob Jones   Email Bob Jones   Send New Private Message       Edit/Delete Post 
"Under the previous movie-by-movie negotiation system, producers and distributors said that they often got less than 50 percent of revenue and that theater owners would collectively dictate terms to distributors."

The theater owners "dictating" terms to the distributors??? How dare they -- who do they think they are??? I'm sure the wheels in some Hollywood shark's mind is turning - thinking of how he could "train" Bollywood distribution -- he could become KING!!! [Wink]

 |  IP: Logged

Geena Phillips
Expert Film Handler

Posts: 198
From: Norcross, GA / USA
Registered: Apr 2006


 - posted 06-09-2009 07:29 PM      Profile for Geena Phillips   Author's Homepage   Email Geena Phillips   Send New Private Message       Edit/Delete Post 
quote: Galen Murphy-Fahlgren
All the chains agreed to the terms of Big Cinemas' agreement then? Last I had heard (last night) only Big had settled and all the other chains were holding out for a couple more percent.
Interesting, since Big Cinemas is a subsidiary of Adlabs (the biggest film studio in India). This leads me to wonder if not only Big Cinemas' "acquiescence," but in fact the entire "strike," was Adlabs' attempt to force more favorable terms from non-Adlabs exhibitors.

 |  IP: Logged



All times are Central (GMT -6:00)  
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.