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» Film-Tech Forum ARCHIVE   » Operations   » Ground Level   » DTS Disks & Movietunes (Page 1)

 
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Author Topic: DTS Disks & Movietunes
Dennis Benjamin
Phenomenal Film Handler

Posts: 1445
From: Denton, MD
Registered: Feb 2002


 - posted 07-10-2007 08:10 AM      Profile for Dennis Benjamin   Author's Homepage   Email Dennis Benjamin   Send New Private Message       Edit/Delete Post 
We just opened a brand new location in June. I am having issues with two things and I need two questions answered:

How do I get signed up to receive DTS trailer discs?
We are getting the CSS/DVS discs, but not the trailer discs. Ever theatre that I have EVER opened got the trailer discs automatically. Maybe someone in the corporate office ordered them (or whatever) - but here - we have been opened for a month and still no trailer discs. I have since tried to contact DTS about this and no luck (yet).

How the hell do I get MovieTune discs? This one is stumping me. I have called friends that OWN their own movie theatres and they can't answer that question. This is another item that automatically arrived when I have opened theatres in the past. I have contacted various people (who currently play MovieTunes in their lobbies) and they don't even know how they got signed up. I also tried to get the contact info off of the cardboard envelope that they receive the discs in and all the people I spoke to had already thrown them away. BTW - there is nothing on the Internet about MovieTunes. <EDIT> I just found a phone number from a very old thread on here and left a message for someone in California. I guess I'll find out if the info is correct in about three hours.</EDIT>

I figured I'd get these questions answered on here quicker than anywhere else.

Thanks [Smile]

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 07-10-2007 10:40 AM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Teaser subject. tick, tick, tick...

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Brad Allen
Jedi Master Film Handler

Posts: 688
From: Evansville, IN, USA
Registered: May 2000


 - posted 07-10-2007 01:31 PM      Profile for Brad Allen   Email Brad Allen   Send New Private Message       Edit/Delete Post 
Gee, not getting Movietunes [evil] is a blessing, not a problem. [evil]

Email support@dts.com and Karen will take care of the trailer discs. Never had a problem getting them started.

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Dennis Benjamin
Phenomenal Film Handler

Posts: 1445
From: Denton, MD
Registered: Feb 2002


 - posted 07-10-2007 02:16 PM      Profile for Dennis Benjamin   Author's Homepage   Email Dennis Benjamin   Send New Private Message       Edit/Delete Post 
I don't want to take a chance with playing music that may cause a problem (with royalties, copyrights, or whatever).

Thats why I am interested in Movietunes.

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Mark J. Marshall
Film God

Posts: 3188
From: New Castle, DE, USA
Registered: Aug 2002


 - posted 07-10-2007 02:19 PM      Profile for Mark J. Marshall     Send New Private Message       Edit/Delete Post 
Why on earth would you want to receive Movie Tunes disks?? Dead silence adds more class to your theater than Movie Tunes (or Cinema Sounds or whatever it is) does.

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Mike Blakesley
Film God

Posts: 12767
From: Forsyth, Montana
Registered: Jun 99


 - posted 07-10-2007 06:57 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
quote: Mark J. Marshall
Dead silence adds more class to your theater
Not in my book. Having a little background music raises the comfort level of any room. Mainly because if the room is dead silent, everyone feels as if they have to whisper or else the whole room will hear what they're saying.

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Monte L Fullmer
Film God

Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004


 - posted 07-10-2007 07:12 PM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
Same here. Sitting in a dead quiet room is so uncomfortable that you can hear the 'sighs' when the movie begins when the public can now relax and not be intimidated by the silence.

BUT, don't play junk (like rap or hip-hop) for intermission music and don't play it so loud that it conflicts with normal conversation where the patron feels that they're being intruded by the music as if they feel that they are forced into listening.

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 07-10-2007 07:17 PM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
Well I don't let our theatres use disks for trailors
In fact we have our own little interface that doesn't permit any digital or stero function to kick in until after the feature presentation

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Marc Hansen
Film Handler

Posts: 93
From: Seattle, WA, USA
Registered: Dec 2000


 - posted 07-10-2007 09:38 PM      Profile for Marc Hansen   Email Marc Hansen   Send New Private Message       Edit/Delete Post 
Gordon-
What would be the reason for that?
Marc

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Anslem Rayburn
Master Film Handler

Posts: 476
From: Yuma, AZ, USA
Registered: May 2002


 - posted 07-10-2007 11:58 PM      Profile for Anslem Rayburn   Email Anslem Rayburn   Send New Private Message       Edit/Delete Post 
Movie Tunes

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Mark J. Marshall
Film God

Posts: 3188
From: New Castle, DE, USA
Registered: Aug 2002


 - posted 07-11-2007 06:48 AM      Profile for Mark J. Marshall     Send New Private Message       Edit/Delete Post 
quote: Monte L Fullmer
BUT, don't play junk (like rap or hip-hop)
Which, coincidentally, is featured on every single MovieTunes disk at least once. So, back to my original statement... which adds more class? Playing "junk" or playing nothing at all?

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Anslem Rayburn
Master Film Handler

Posts: 476
From: Yuma, AZ, USA
Registered: May 2002


 - posted 07-11-2007 07:26 AM      Profile for Anslem Rayburn   Email Anslem Rayburn   Send New Private Message       Edit/Delete Post 
I guess it depends on your audience, and not on your personal opinion. The "junk" you describe is a huge amount of the music that the teens listen to. They might not like the "music" you listen to, Mark. I guess it all comes down to knowing the people that frequent your place, and not taking random advice from a website, huh?

We play MovieTunes, and while some people don't like a particular song, they enjoy the overall presentation. A 20 year old won't like the first song, and a 60 year old won't like the next one. But they all seem to understand that it's a balance and we do the best we can. It's akin to listening to a juke box, and they all seem to understand that.

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Dennis Benjamin
Phenomenal Film Handler

Posts: 1445
From: Denton, MD
Registered: Feb 2002


 - posted 07-11-2007 08:39 AM      Profile for Dennis Benjamin   Author's Homepage   Email Dennis Benjamin   Send New Private Message       Edit/Delete Post 
You see - I knew I'd get the answers quicker off of here.

Thank you to those who helped get me the contact info I needed.

[Cool]

Dennis

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Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 07-11-2007 08:47 AM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
I disagree. A theatre isn't a jukebox or a radio station and doesn't exist to play popular music. The purpose of non-sync music is, as mentioned above, to mask conversation and set the mood for the film.

As such, I feel strongly that non-sync music should be primarily instrumental and have a fairly narrow dynamic range. Ideally, it should suit the mood of the film being shown. Current popular music doesn't usually work. I will admit to having played '80s hits before midnight shows featuring films from that era and also have played music from particular bands before documentaries about those bands, but those are special cases. Normally, if the film isn't actually about music and isn't strongly tied to a particular era, I stick to film scores (if the mood suits the feature) and classical piano recordings.

In multiplexes which play the same non-sync music in every auditorium, it is particularly important to choose something generic and soothing. Movietunes doesn't suit this purpose since it sounds exactly like a top-40 Clear Channel radio station, which isn't really conducive to setting the mood for any type of film. It also makes the theatre experience less personal and more corporate. And it has advertising, which is exactly what theatres need less of at this point.

I can understand the ASCAP/BMI concerns, but my personal opinion is screw 'em. If you aren't charging people to come in and listen to music and aren't advertsing that you are playing music, I have no ethical problem with playing legitimately purchased recordings as background music in a public setting. I might feel differently about this if I worked in high-profile venues, but I don't and have never heard of any issues. In any case, I'm pretty sure that the ASCAP license (extortion fee) isn't terribly expensive if you want to be entirely legitimate. ood suits the feature) and classical piano recordings.

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 07-11-2007 08:48 AM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
Marc the reason is that trailors should not take away from the effect of the feature

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