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» Film-Tech Forum ARCHIVE   » Operations   » Feature Info, Trailer Attachments & REAL Credit Offsets   » Mary Poppins (1964)

   
Author Topic: Mary Poppins (1964)
Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 09-02-2012 10:39 PM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
8 reels
flat/1.66 (hard matte)

the print that I got (00006, supposedly the only one in the Disney inventory) is a mix of two prints--R5 is faded Eastmancolor with a mono track; the rest is LPP with a Dolby A track from a 1989 reissue (according to the leaders); if you play the whole thing in mono (as I did), there is a singnificant fader change for R5

overall condition is actually OK, but the color shifts annoyingly from reel to reel and scene to scene (and not just the faded reel, either); also, the first four reels are starting to suffer from VS and have some warpage

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Bill Gabel
Film God

Posts: 3873
From: Technicolor / Postworks NY, USA
Registered: Jan 2002


 - posted 09-03-2012 09:41 AM      Profile for Bill Gabel   Email Bill Gabel   Send New Private Message       Edit/Delete Post 
Original First Run prints were IB Technicolor and 4-Track Magnetic Stereo.

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Melanie Loggins
Expert Film Handler

Posts: 154
From: Wayne, NE, USA
Registered: Aug 2011


 - posted 12-07-2012 05:29 PM      Profile for Melanie Loggins   Author's Homepage   Email Melanie Loggins   Send New Private Message       Edit/Delete Post 
Has anyone shown a DCP of this? I'm showing it tomorrow at 3pm, and my key unlocks it at 1pm. The movie info indicates it's in academy and the drive says it's flat. So what I'm wondering is, is it going to look right if I shoot it in flat? By 1pm I'm going to be busy getting ready to sell concessions! (Wow, thanks Swank/Disney! Way to look out for the people showing your product.)

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Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 12-07-2012 07:09 PM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
It shouldn't be Academy, as the 35mm prints are hard matted to about 1.66:1. The only way to get Academy from that would be to do a pan-and-scan version, which I hope is not what they did. It looks too tight when projected at 1.85 (I tried it). I would hope that the DCP would be a 1.85 frame with the image pillarboxed to 1.66, but who knows.

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Jack Theakston
Master Film Handler

Posts: 411
From: New York, USA
Registered: Sep 2007


 - posted 12-07-2012 09:35 PM      Profile for Jack Theakston   Email Jack Theakston   Send New Private Message       Edit/Delete Post 
The original pressbook claims the AR is 1.75-1. We're running the Disney/Swank 35mm in April so I'll report back.

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Melanie Loggins
Expert Film Handler

Posts: 154
From: Wayne, NE, USA
Registered: Aug 2011


 - posted 12-08-2012 07:47 PM      Profile for Melanie Loggins   Author's Homepage   Email Melanie Loggins   Send New Private Message       Edit/Delete Post 
Scott was right. It looked and sounded great. Worries for nothing!

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