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» Film-Tech Forum ARCHIVE   » Operations   » Feature Info, Trailer Attachments & REAL Credit Offsets   » Touching the Void (2003)

   
Author Topic: Touching the Void (2003)
Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 02-12-2004 11:49 PM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
6 reels
flat/1.85
SRD

** NO CUE MARKS ** [Mad]

IFC Films
TES Depot
Eastman 2383 print stock

appears to have been shot digitally or processed with digital intermediate; prints were made with an Arrilaser at 2k resolution (according to leaders)

leaders are poorly marked and do not have the film title and reel number prominently displayed (only one reel's leaders even contain the title!)

attached (badly, at depot): Intermission and something else I can't remember (will edit later)

no enclosures

edit: the second trailer was "Kitchen Stories"

[ 02-20-2004, 05:41 AM: Message edited by: Scott Norwood ]

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Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 03-13-2004 11:30 AM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
Bump.

*** I just ran another print of this, apparently made from a different internegative. This one does have lab cues, but they are positioned incorrectly on most (all?) reels. The distance between the cues is about 10 feet, not the proper 10 feet, 8 frames. Thread up 8 frames past normal start point if you get one of these prints. ***

[Mad]

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Ivo Noorlander
Film Handler

Posts: 20
From: Amsterdam, The Netherlands
Registered: Jun 2002


 - posted 03-13-2004 11:54 AM      Profile for Ivo Noorlander   Email Ivo Noorlander   Send New Private Message       Edit/Delete Post 
quote:
appears to have been shot digitally or processed with digital intermediate; prints were made with an Arrilaser at 2k resolution (according to leaders)

It was shot digtally AND had a DI. The interviews are HDCAM, the most difficult mountain climbing was shot on 16mm, because they needed light cameras. The rest is 35mm.

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Tom Doyle
Expert Film Handler

Posts: 176
From: Bristol, CT, USA
Registered: Nov 2002


 - posted 04-26-2004 10:16 PM      Profile for Tom Doyle   Email Tom Doyle   Send New Private Message       Edit/Delete Post 
run time 106 minutes

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