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» Film-Tech Forum ARCHIVE   » Operations   » Feature Info, Trailer Attachments & REAL Credit Offsets   » The Man Who Wasn't There

   
Author Topic: The Man Who Wasn't There
Paul Konen
Jedi Master Film Handler

Posts: 981
From: Frisco, TX. (North of Dallas)
Registered: Jun 99


 - posted 11-13-2001 11:18 PM      Profile for Paul Konen   Email Paul Konen   Send New Private Message       Edit/Delete Post 
Format: Flat
Reels: 6
Sound: Quad
Dist: USA Films
Depot: Technicolor

B/W print on Kodak 2393 Film Stock

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 11-14-2001 08:40 AM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
There have been some comments about seeing a "tint" in the B&W images. Some theatres did get true B&W silver-image prints. But others evidently are getting B&W prints made on color print film (2393). Color print film is optimized for color images, so a B&W image will tend to have slightly warm highlights and slightly cool shadows. Even a one printer light difference in color balance may give a slight tint to the overall B&W image:
http://www.cinematographer.com/article/mainv/0,,30961,00.html

Labs usually have only one B&W (D-97) machine, with limited capacity. In the past, some labs have temporarily converted one or two high speed color print machines (ECP-2D) to B&W to handle large volume B&W release print orders.

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion


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Charles Everett
Phenomenal Film Handler

Posts: 1470
From: New Jersey
Registered: May 2001


 - posted 11-14-2001 01:42 PM      Profile for Charles Everett   Email Charles Everett   Send New Private Message       Edit/Delete Post 
BOOTH ALERT: The R1 > R2 changeover is a fadeout > smash cut in.

John P: All the Manhattan theaters running The Man Who Wasn't There have "true B&W" prints AFAIK. This includes the AMC Empire, Loews Lincoln Square, Loews 34th Street and Loews Village VII.


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Joseph Pandolfi
Expert Film Handler

Posts: 213
From: Milford, CT.
Registered: Nov 1999


 - posted 11-20-2001 04:37 PM      Profile for Joseph Pandolfi   Email Joseph Pandolfi   Send New Private Message       Edit/Delete Post 
Ours is also true B/W Print.

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