Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Operations   » Feature Info, Trailer Attachments & REAL Credit Offsets   » Dr. Doolittle 2

   
Author Topic: Dr. Doolittle 2
Michael Goucher
Film Handler

Posts: 34
From: New York, NY USA
Registered: Oct 1999


 - posted 06-20-2001 10:18 PM      Profile for Michael Goucher   Author's Homepage   Email Michael Goucher   Send New Private Message       Edit/Delete Post 
20th Century Fox Feature Film
Reels = 5
A/R = 2.35:1 Anamorphic "Scope"
Format = SRD, DTS, SR Analog
Trailers = (For FOX: "Planet of the Apes") other studio product trailers unknown to me at this time.
Rating: PG
Synopsis: Eddie Murphy reprises his popular role as the Doctor Doolittle who talks to, and hears, animals. In this adventure he tries to save a forest from logging and development by becoming a court-appointed catalyst for re-acclimating a trained "dancing bear" into his natural habitat. Very funny and great for pre-teen kids.

 |  IP: Logged

Michael Brown
Phenomenal Film Handler

Posts: 1522
From: Bradford, England
Registered: May 2001


 - posted 06-21-2001 07:50 AM      Profile for Michael Brown   Email Michael Brown   Send New Private Message       Edit/Delete Post 
Scope?

 |  IP: Logged

John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 06-21-2001 02:16 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
"Scope" as in CinemaScope, the original version of 2X anamorphic format introduced by 20th Century Fox in 1953 with "The Robe". It has become the generic term used for any 35mm 2X anamorphic process, including Panavision:
http://www.widescreenmuseum.com/

Standard SMPTE 195 specifies the projectable image area of "Style B" Theatrical release prints with an anamorphic image as 0.825 x 0.690 inches (20.96 x 17.53 mm). With a 2X horizontal magnification, this produces an aspect ratio of 2.39:1 on the screen.

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Eastman Kodak Company
Research Labs, Building 69, Room 7419
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion

 |  IP: Logged

Evans A Criswell
Phenomenal Film Handler

Posts: 1579
From: Huntsville, AL, USA
Registered: Mar 2000


 - posted 06-21-2001 02:55 PM      Profile for Evans A Criswell   Author's Homepage   Email Evans A Criswell   Send New Private Message       Edit/Delete Post 
Actually, I think he asked "Scope?" because the first Dr. Dolittle (June 1998) was flat, and is surprised by Dr. Dolittle 2 being scope. I'm surprised at it myself. imdb.com says flat for Dr. Dolittle 2. Someone please confirm one way or the other.


 |  IP: Logged

Jesse Skeen
Phenomenal Film Handler

Posts: 1517
From: Sacramento, CA
Registered: Aug 2000


 - posted 06-22-2001 08:16 AM      Profile for Jesse Skeen   Email Jesse Skeen   Send New Private Message       Edit/Delete Post 
It was shot in super 35- I can tell by looking at the flat trailers for this.

 |  IP: Logged

Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 06-22-2001 10:50 PM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
It's scope. Also, SR-D and DTS only. No SDDS. Did anyone else _not_ get DTS disks for this?

 |  IP: Logged

Michael Brown
Phenomenal Film Handler

Posts: 1522
From: Bradford, England
Registered: May 2001


 - posted 06-23-2001 08:29 AM      Profile for Michael Brown   Email Michael Brown   Send New Private Message       Edit/Delete Post 
lol...yes I was just suprised that it would be in scope

the first was flat.

 |  IP: Logged

John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 06-23-2001 01:41 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
Micheal Brown: Apologies for thinking you needed a definition of "scope". I wasn't sure if the same term was used in the UK.

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Eastman Kodak Company
Research Labs, Building 69, Room 7419
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion

 |  IP: Logged



All times are Central (GMT -6:00)  
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.