Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Operations   » Digital Cinema Forum   » Fathom/TCM Screenings: Horrible black levels or just my theater?

   
Author Topic: Fathom/TCM Screenings: Horrible black levels or just my theater?
William Kucharski
Expert Film Handler

Posts: 244
From: Louisville, Colorado, United States of America
Registered: Oct 2012


 - posted 01-02-2019 06:00 PM      Profile for William Kucharski   Email William Kucharski   Send New Private Message       Edit/Delete Post 
I've noticed when I go to Fathom/TCM screenings the black levels are very poor, more of a dark grey than actual black.

Regular studio releases in this same theater don't look as bad.

Is this an issue with Fathom screenings? How TCM/Fathom are preparing content? An error somewhere in the ingestion/projection process?

 |  IP: Logged

Monte L Fullmer
Film God

Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004


 - posted 01-02-2019 06:12 PM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
Could be the processing to DCP by the studios using tired content.

Why we need maskings back to hide these presentation impurities.

 |  IP: Logged

Adam Martin
I'm not even gonna point out the irony.

Posts: 3686
From: Dallas, TX
Registered: Nov 2000


 - posted 01-02-2019 07:21 PM      Profile for Adam Martin   Author's Homepage   Email Adam Martin       Edit/Delete Post 
A lot of the Fathom/TCM stuff is satellite broadcast and not DCP. Are there any particular titles you recall not looking good?

 |  IP: Logged

Monte L Fullmer
Film God

Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004


 - posted 01-02-2019 07:46 PM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
Ours is DCP - we haven't graduated to Satellite yet.
Some of our Fathom presentations were questionable on content production.

The Die Hard Fathom screening we had prob wasn't the best.

 |  IP: Logged

William Kucharski
Expert Film Handler

Posts: 244
From: Louisville, Colorado, United States of America
Registered: Oct 2012


 - posted 01-03-2019 06:01 AM      Profile for William Kucharski   Email William Kucharski   Send New Private Message       Edit/Delete Post 
Most of the TCM series last year; The Sound of Music had pretty grey blacks as did Die Hard. White Christmas looked a bit better.

I remember from years past North By Northwest and Vertigo looked absolutely horrible.

 |  IP: Logged

Aaron Garman
Phenomenal Film Handler

Posts: 1470
From: Toledo, OH USA
Registered: Mar 2003


 - posted 01-03-2019 12:52 PM      Profile for Aaron Garman   Email Aaron Garman   Send New Private Message       Edit/Delete Post 
I know the DCP Fathoms I've gone to look great, but the satellite ones stink due to compression, black levels, everything. The black levels I'd imagine could be solved with proper configuration of a setup for alternative content. I'd hate to think it's because of the satellite feed itself.

But compression, gross at any size especially 40 feet!

AJG

 |  IP: Logged



All times are Central (GMT -6:00)  
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.