Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Operations   » Digital Cinema Forum   » How to fix low contrast/milky blacks on HDMI input (christie series 2)?

   
Author Topic: How to fix low contrast/milky blacks on HDMI input (christie series 2)?
Andrew Thomas
Master Film Handler

Posts: 273
From: Pearland, TX, USA
Registered: Jun 2012


 - posted 04-13-2014 01:43 PM      Profile for Andrew Thomas   Email Andrew Thomas   Send New Private Message       Edit/Delete Post 
Hi guys,

I've noticed that all my sources on the HDMI (well, HDMI over DVI) inputs has really poor contrast and elevated black levels compared to DCP material. This is even the case when playing stuff like ad content from a USB stick on my blu-ray player vs. the same ad converted to DCP.

Any settings I can change to improve this?

 |  IP: Logged

Carsten Kurz
Film God

Posts: 4340
From: Cologne, NRW, Germany
Registered: Aug 2009


 - posted 04-13-2014 02:13 PM      Profile for Carsten Kurz   Email Carsten Kurz   Send New Private Message       Edit/Delete Post 
Christie/DVI defaults to 'extended range' (0-255), while most HDMI sources default to standard range, 16-235.
To be picky, 'extended' or 'standard' is referenced to HDMI, because for DVI aka computer signaling, 0-255 should be considered 'normal range'.

Check the setup menu of your BluRay Player for adjustment options.

You can also set it in the Christie channel setup. Best is probably to have one DVI set to 0-255 and the other to 16-235. Typical choices are 0-255 4:4:4 RGB for DVI/RGB sources ('computers') and 16-235/YCbCr 4:2:2 for HDMI consumer entertainment devices.

http://www.audioholics.com/home-theater-calibration/hdmi-black-levels-xvycc-rgb

- Carsten

 |  IP: Logged

Marco Giustini
Film God

Posts: 2713
From: Reading, UK
Registered: Nov 2007


 - posted 04-13-2014 02:49 PM      Profile for Marco Giustini   Email Marco Giustini   Send New Private Message       Edit/Delete Post 
Hi Carsten

I have asked the question before, I believe someone said it could be done but never said how.
Are you sure that YCbCr implies "video" levels?

 |  IP: Logged

Carsten Kurz
Film God

Posts: 4340
From: Cologne, NRW, Germany
Registered: Aug 2009


 - posted 04-13-2014 03:14 PM      Profile for Carsten Kurz   Email Carsten Kurz   Send New Private Message       Edit/Delete Post 
I can only say 'usually'. RGB defaults to 4:4:4 RGB 0-255 and YCbCr to 4:2:2 16-235

I have seen separate extended/normal range and RGB/YCbCr settings on some few devices. Though I am guilty of not investigating into it further ;-)

I understand that for practical reasons, BluRay player manufacturers need to find simple options to connect a player to 'proper' HDMI sinks like TVs, but also HDCP enabled DVI inputs on computer monitors. To simplify this, YCbCr should default to 16-235 and RGB to 0-255. At least that's what I found out when I tried various computer monitors on BluRay players.

- Carsten

 |  IP: Logged

Andrew Thomas
Master Film Handler

Posts: 273
From: Pearland, TX, USA
Registered: Jun 2012


 - posted 04-13-2014 07:52 PM      Profile for Andrew Thomas   Email Andrew Thomas   Send New Private Message       Edit/Delete Post 
I figured it was along those lines. Thanks, I'll try once our last shows end.

 |  IP: Logged

Andrew Thomas
Master Film Handler

Posts: 273
From: Pearland, TX, USA
Registered: Jun 2012


 - posted 04-13-2014 09:31 PM      Profile for Andrew Thomas   Email Andrew Thomas   Send New Private Message       Edit/Delete Post 
Hmmm, there is no option besides RGB on the DVI inputs.

 |  IP: Logged

Carsten Kurz
Film God

Posts: 4340
From: Cologne, NRW, Germany
Registered: Aug 2009


 - posted 04-14-2014 07:44 AM      Profile for Carsten Kurz   Email Carsten Kurz   Send New Private Message       Edit/Delete Post 
That's right for series I and series II 'native' DVI inputs (means: no IMB/IMS).

In this case, you either need to find a proper RGB-full setting on the player, or use a scaler with that functionality.

- Carsten

 |  IP: Logged

Marco Giustini
Film God

Posts: 2713
From: Reading, UK
Registered: Nov 2007


 - posted 04-14-2014 03:17 PM      Profile for Marco Giustini   Email Marco Giustini   Send New Private Message       Edit/Delete Post 
I'll give it a go, thanks. I believe you can still select the proper colour space by using the TI software.

 |  IP: Logged

Carsten Kurz
Film God

Posts: 4340
From: Cologne, NRW, Germany
Registered: Aug 2009


 - posted 04-14-2014 04:16 PM      Profile for Carsten Kurz   Email Carsten Kurz   Send New Private Message       Edit/Delete Post 
I don't know. Regarding 16-235 I have no idea how they deal with it and wether TI DC software supports that mode.

- Carsten

 |  IP: Logged

Marco Giustini
Film God

Posts: 2713
From: Reading, UK
Registered: Nov 2007


 - posted 04-15-2014 03:45 PM      Profile for Marco Giustini   Email Marco Giustini   Send New Private Message       Edit/Delete Post 
It doesn't, but you should still be able to select YCbCr on a Barco - even though I'm not sure about it.

 |  IP: Logged



All times are Central (GMT -6:00)  
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.