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Author Topic: CBG-NATO Selects AccessIT
Lyle Romer
Phenomenal Film Handler

Posts: 1400
From: Davie, FL, USA
Registered: May 2002


 - posted 04-02-2008 01:24 PM      Profile for Lyle Romer   Email Lyle Romer   Send New Private Message       Edit/Delete Post 
Any opinions about the AccessIT equipment that will be rolled out to a LOT of locations?

Link

Washington, D.C. —Apr 1, 2008

NATO’s Cinema Buying Group Selects AccessIT to Provide Digital Cinema Equipment and Service to Over 8,000 Independent North American Screens
AccessIT Offered the Winning Package of Extensive Experience, Exhibitor Choice, and Competitive Cost, Says Wayne Anderson, Managing Director of CBG-NATO

The Cinema Buying Group (CBG)—a buying program of the National Association of Theatre Owners (NATO) for small and independent theatre operators—today announced the selection of Access Integrated Technologies, Inc. (AccessIT) (NASDAQ: AIXD) as the digital integrator for the CBG’s 600+ members in the United States and Canada.

Wayne Anderson, CBG managing director, complimented the quality of submissions from all vendors in the CBG’s Request for Proposal process. In the end, he said, “AccessIT offered the winning package of extensive experience, exhibitor choice, and competitive cost. Our mission is historic: ensure that independent cinemas survive and thrive in the digital age—and AccessIT proved its skill and determination to make that happen.”

“We are pleased to receive such a ringing endorsement from CBG-NATO and from our studio partners. Everyone at AccessIT is proud to have our pioneering efforts recognized by such an important group,” said Bud Mayo, chairman and CEO of AccessIT.

Chuck Goldwater, president of AccessIT’s Media Services Group said, “We continue to be committed to bringing our digital cinema program to exhibitors large and small. We are proud to have been selected and look forward to working with NATO and the members of the Cinema Buying Group to provide the foundation for the benefits of digital cinema to their theatres throughout the country.”

The CBG has over 600 members representing over 8,000 screens in North America. The CBG had assured its members that it would, to the best of its ability, negotiate a deal that provides some access to digital equipment and service for all members in good standing before film ceases to be available.

Chuck Viane, president of distribution for Walt Disney Studios Motion Pictures said, “Today’s moviegoers want to see films projected under the best possible conditions, and digital projection provides a superior experience that adds to the enjoyment factor. Therefore we applaud the Cinema Buying Group’s efforts on behalf of the world of exhibition and their choice of AccessIT. Clearly, everyone in the industry must do its part to make going to the movies as exciting as possible. We’re thrilled to see so much interest in installing digital projection in theaters around the country, and we will continue to support and encourage the exhibition world in making this a reality.”

Julian Levin, executive vice president, Twentieth Century Fox said, “We are delighted the Cinema Buying Group has selected AccessIT to be the integrator of digital cinema projection equipment for its exhibition members. Fox has been engaged in conversation with the CBG for many months and this announcement is not only timely but will move the process forward. The efforts of the CBG in pulling together such a significant group of independent exhibitors is nothing short of amazing. The independent exhibitors are critical to the overall industry transition and with 8,000 screens strong, the CBG is a very significant group. AccessIT brings a wealth of experience in not only procuring and installing digital projection equipment but also in providing the necessary training and services required to insure a smooth transition from 35mm to a digital projection platform. Fox has existing deployment arrangements with AccessIT which includes contributing virtual print fees toward the cost of DCI-compliant digital projection systems. We look forward to discussing the addition of the exhibition members of the CBG.”

“It’s great to have the Cinema Buying Group and proven digital cinema integrator, AccessIT at the forefront of the digital integration process,” said Mark Christiansen, executive vice president of operations for Paramount Pictures. “The theatres represented by CBG will see their path to the advantages of digital cinema, including 3D feature presentations, made much easier because of AccessIT’s knowledge and experience.”

The CBG began as a small buying program for independents—but mushroomed quickly into its current size and significance when it became an advertised vehicle for independents to acquire digital cinema equipment and service. NATO’s vice president and general counsel, Kendrick Macdowell, said, “NATO’s commitment to the broadest possible digital deployment for our industry is well-known. We’re proud to have worked with a man of Wayne Anderson’s stature to ensure that the march of digital cinema does not leave behind the vital independent segment of exhibition.”

The selection of AccessIT came after an extensive Request for Proposal process that initially attracted ten vendors with substantial submissions. The CBG narrowed the list of vendors to four finalists—AccessIT, Digeserv, Kodak and Technicolor—and sought additional information before making the final selection. “All four finalists are to be commended for their dedication to independents and the quality of their submissions,” said Anderson.

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Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 04-02-2008 02:01 PM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
How will this be financed? Have any of the film distributors discussed VPFs for these exhibitors? It appears that Twentieth-Century Fox has not, according to the press release.

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Louis Bornwasser
Film God

Posts: 4441
From: prospect ky usa
Registered: Mar 2005


 - posted 04-02-2008 03:38 PM      Profile for Louis Bornwasser   Author's Homepage   Email Louis Bornwasser   Send New Private Message       Edit/Delete Post 
April Fool?? Louis

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Mike Blakesley
Film God

Posts: 12767
From: Forsyth, Montana
Registered: Jun 99


 - posted 04-02-2008 04:10 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
No, it's legit...I got the same thing this morning via email.

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 04-02-2008 04:53 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
Thinking of retiring Louis???? In just 5 short years there will be very little first run film based stuff running in the U.S.A. and not enough other screens to make a decent living if you're just film based. I think I just heard a HUGE CRASH as to the value of used projection equipment! .15 cents to .25 cents a pound or there abouts [Eek!] .

I just posted this on the Film Handlers forum before I saw it here so the mods can go ahead and delete it. The equipment list for theaters to choose from is multi vendor based... not like many theaters know which stuff is good or bad.

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 04-02-2008 06:03 PM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
Cool...I hope they don't only have DLP based projection technology...or the CRASH you heard was the sound of NLA for the projectors in digital.

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Lyle Romer
Phenomenal Film Handler

Posts: 1400
From: Davie, FL, USA
Registered: May 2002


 - posted 04-02-2008 06:10 PM      Profile for Lyle Romer   Email Lyle Romer   Send New Private Message       Edit/Delete Post 
Mark,

Have you seen any details about what vendors will be on the list and what the cost to the exibitor will be?

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Bobby Henderson
"Ask me about Trajan."

Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001


 - posted 04-02-2008 07:39 PM      Profile for Bobby Henderson   Email Bobby Henderson   Send New Private Message       Edit/Delete Post 
Does AccessIT use any other equipment besides Christie for digital projectors and Doremi for the movie servers? I thought they used Christie/Doremi stuff exclusively.

According to the press release, they'll be offering more brands of equipment. I would assume Dolby's Digital Cinema line of equipment and projectors from Barco and others would come into play. But with so many Christie/Doremi installs already out in the field I have to wonder if that won't be the default configuration.

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 04-02-2008 07:52 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
Nope, Christie/Doremi are not by default this time around. Barco, Doremi, Christie, Dolby etc. are all supposed to be on the list. I don't know about NEC though... The only thing thats not negotiable is the definate use of Access-IT's library and software... The software supposedly has to run on what ever server you select.

Yes Steve... I'm sure YOU will hear a crash as well as alot of crying as all those expensive Kinoton projectors are thrown from many multiplex's balconys for a trip to the scrap yard.

Mark

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Tristan Lane
Master Film Handler

Posts: 444
From: Nampa, Idaho
Registered: Feb 2002


 - posted 04-03-2008 04:02 AM      Profile for Tristan Lane   Email Tristan Lane   Send New Private Message       Edit/Delete Post 
I've heard through the grapevine that AccessIT may also be offering a Sony option soon. I'm unaware of the validity, but it seems to make good business sense to be able to offer a 4K option to customers who demand it.

One thing I'm curious of: If AccessIT has multiple options of players, have they successfully ported their TCC software to Dolby product, or for that matter, Sony players?

Since most of the players run on a Linux platform, I would imagine it would be possible, but proprietary hardware is everywhere in this industry and it seems to be a challenge to get anyone to cooperate with anyone else when it comes to cross compatible software.

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Lyle Romer
Phenomenal Film Handler

Posts: 1400
From: Davie, FL, USA
Registered: May 2002


 - posted 04-03-2008 08:19 AM      Profile for Lyle Romer   Email Lyle Romer   Send New Private Message       Edit/Delete Post 
A little off topic but I'm surprised that Christie or somebody else hasn't designed a 4k DLP projector using by using 12 DLP chips and using optics to create one 4k image. I'm sure it's technically possible and given the cost of the Sony 4k units should work out at least around the same price. The DLP chips themselves can't be that expensive since you can get single chip DLP TV's for under $2000. Even if the chips were $2000 a piece that would only be $18,000 more plus whatever the additional cost to the optics are.

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 04-03-2008 08:24 AM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
Lyle,

If you read the do-do on that teenie weenie CD-Rom Sony was handing out at the show there is a section on the 4K Sony chips... you'll find that they are no more than 4 chips integrated onto one substrate... If you physically see one of the chips it will be immediately obvious thats what they did.

I think it'll be up to the individual equipment vendors to adapt their servers to run on the Access-IT software. So much for the nice Dolby oerating system.

Mark

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Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 04-03-2008 08:35 AM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
What is so great about the AccessIT software and why would they care if their customers use it? What does it do that the Dolby (etc.) software doesn't?

In any case, this whole thing seems like vaporware at this point, considering that VPFs have apparently not been determined and that there has been no discussion of the cost to the exhibitor (if any). Also, AccessIT isn't exactly a hugely successful business (check the stock price), which may present problems down the line.

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David Zylstra
Master Film Handler

Posts: 432
From: Novi, MI, USA
Registered: Mar 2007


 - posted 04-04-2008 08:46 AM      Profile for David Zylstra   Email David Zylstra   Send New Private Message       Edit/Delete Post 
quote: Tristan Lane
One thing I'm curious of: If AccessIT has multiple options of players, have they successfully ported their TCC software to Dolby product, or for that matter, Sony players?
AccessIT had 3 servers at ShoWest - GDC, Dolby and of course DoReMi. Both the DoReMi and GDC used the TCC interface but if I'm not mistaken the Dolby still retained it's GUI.

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Ron Funderburg
Jedi Master Film Handler

Posts: 814
From: Chickasha, Oklahoma, USA
Registered: Nov 2007


 - posted 04-04-2008 04:30 PM      Profile for Ron Funderburg   Author's Homepage   Email Ron Funderburg   Send New Private Message       Edit/Delete Post 
Okay Adam I'm in the right thread now! So here goes my question again. 4,000 screens already digital, 8,000 more for NATO and 14,000 for the big boys that means in 2 years or so you are going to have 24,000 or more screens digital.

What does that do to the cost of a film print? When does the scale tip to be digital or you will not be in the business? 2 years, 3 years maybe 4 years for larger towns.

The small towns that don't make the transition will lose product first how long for them. I say 2 years and small towns (under 30,000 lets say) will not be able to get film prints.

That scares me with the people I work for!

I wonder if AccessIT was the low bidder or the bidder with most cost efficient plan those are two separate issues.

Steve it appears to me that TI is pushing the home theater market for DLP really hard. I wonder if that is just a natural outgrowth of the work on Cinema, the larger market for home or because the Cinema part just isn't working out!

[ 04-04-2008, 05:34 PM: Message edited by: Ron Funderburg ]

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