Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Dolby Analog sound track reader to L+R line level outputs

   
Author Topic: Dolby Analog sound track reader to L+R line level outputs
Gavin Lewarne
Master Film Handler

Posts: 278
From: Plymouth, UK
Registered: Aug 2009


 - posted 05-04-2013 04:51 AM      Profile for Gavin Lewarne   Email Gavin Lewarne   Send New Private Message       Edit/Delete Post 
Is it possible to convert the output from a dolby analog reader to basic L+R line level outputs to feed into another processor?

Basically we have a 35mm machine and a CP45 that is currently tied in to the analog inputs of our CP750.

Since we haven't played a 35mm film in over 6 months now I dont think that spending money on repairing or replacing our CP45 (center channel gone) is really viable for us, so was wondering if I can somehow convert the output of the reader into basic line level L+R to feed into the non-sync input of the 750. I dont see us playing anything other than restored or archive prints of really old films on the 35mm any more - and most of the ones we have had have been mono anyway.

Do i just need a preamp and a bit of soldering? I believe that the dolby reader outputs are balanced (red,black and shield on each channel)

is this even possible? I am aware we would lose channels but am not really sure if the L+R tracks on the film itself make a viable sound themselves without going through a processor...

Thanks!

 |  IP: Logged

Bajsic Bojan
Expert Film Handler

Posts: 190
From: Ljubljana, Si, Eu
Registered: Aug 2008


 - posted 05-04-2013 05:22 AM      Profile for Bajsic Bojan   Email Bajsic Bojan   Send New Private Message       Edit/Delete Post 
you can, it is always 2 channels that go to the CP, they sound decent, this has been done alot so don't worry.

you can solder on som xlrs or 1/4" and feed a mixer if need be. there is no processing or noise removal tho, so it will sound a bit harsh (as in agressive, with pronounced highs), and older prints with scratches to the track will sound full of hiss and pop, just like playing vinyl.

 |  IP: Logged

Sean McKinnon
Phenomenal Film Handler

Posts: 1712
From: Peabody Massachusetts
Registered: Sep 2000


 - posted 05-04-2013 09:43 AM      Profile for Sean McKinnon   Author's Homepage   Email Sean McKinnon   Send New Private Message       Edit/Delete Post 
If you had a decent reverse scan led reader and a decent pre-amp where you could set the output to the correct level using Dolby tone (300mv?) would the non-sync input decode 2:4 if you set up the format for it?

 |  IP: Logged

Louis Bornwasser
Film God

Posts: 4441
From: prospect ky usa
Registered: Mar 2005


 - posted 05-04-2013 01:23 PM      Profile for Louis Bornwasser   Author's Homepage   Email Louis Bornwasser   Send New Private Message       Edit/Delete Post 
I'm with Sean. Please consider how much noise reduction helps your quality if not in Mono. I would consider either repairing the cp45 or just buying another on ebay or used; should be cheap. louis

 |  IP: Logged

Alban Birch
Film Handler

Posts: 63
From: Luxembourg-city , Luxembourg
Registered: Jan 2007


 - posted 05-04-2013 03:39 PM      Profile for Alban Birch   Author's Homepage   Email Alban Birch   Send New Private Message       Edit/Delete Post 
Or get a CP55/SRA5 or CP65, they have a post-NR output which you can hook to the NS-in of your CP750 with Pro-Logic decoding

 |  IP: Logged

Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 05-06-2013 10:13 AM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
Another option would be a standalone NR unit (e.g. Dolby 363 with cat. 300 cards).

 |  IP: Logged

Richard Hamilton
Phenomenal Film Handler

Posts: 1341
From: Evansville, Indiana
Registered: Jan 2000


 - posted 05-06-2013 12:24 PM      Profile for Richard Hamilton   Email Richard Hamilton   Send New Private Message       Edit/Delete Post 
What about just putting the CP45 in bypass, then you get a summed mono mix to all three stage Channels. If you have no center output from the CP45, then just take left or right output and send it to the center analog input of the CP750. You'll have a mono signal which it sounds like is all you want.

Rick

 |  IP: Logged

Gavin Lewarne
Master Film Handler

Posts: 278
From: Plymouth, UK
Registered: Aug 2009


 - posted 05-06-2013 12:32 PM      Profile for Gavin Lewarne   Email Gavin Lewarne   Send New Private Message       Edit/Delete Post 
Thanks for the replies everyone. I will speak to the boss and see what money (ha!) is available, but now I know there are other options that can be explored.

Ta!

 |  IP: Logged

Gavin Lewarne
Master Film Handler

Posts: 278
From: Plymouth, UK
Registered: Aug 2009


 - posted 05-07-2013 08:41 AM      Profile for Gavin Lewarne   Email Gavin Lewarne   Send New Private Message       Edit/Delete Post 
Ok had another thought before i write off the center channel on the cp45 as completely gone.....

Curently the cp750 is getting the signal from the phoenix connector ouptuts on the back of the 45. Is the 25 pin D-Plug "Booth Monitor" output on the back an exact replica of the phoenix connector outputs? as in level is adjusted by the fader and EQ dials on the front panel?

I might solder up a temporary cable to see if the center channel works on that connector.

I have the schematic and output diagram but it makes no mention of whether the signal going through it is the same as the phoenix connectors.....and I dont want to waste my time soldering if that is completely not going to work

 |  IP: Logged

Louis Bornwasser
Film God

Posts: 4441
From: prospect ky usa
Registered: Mar 2005


 - posted 05-07-2013 01:01 PM      Profile for Louis Bornwasser   Author's Homepage   Email Louis Bornwasser   Send New Private Message       Edit/Delete Post 
Probably. A used cp45 is prob 4-600 dollars in the USA. The offending board might be in an SA-10 adapter which should be even cheaper. (CP45s were scuttled into the SA-10 initially so a lot of the boards are the same.) This means repair could be very cheap.

 |  IP: Logged



All times are Central (GMT -6:00)  
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.