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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Experiment: Replacing Xenon lamps with a LED array in an old 35mm projector (Page 1)

 
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Author Topic: Experiment: Replacing Xenon lamps with a LED array in an old 35mm projector
Marcel Birgelen
Film God

Posts: 3357
From: Maastricht, Limburg, Netherlands
Registered: Feb 2012


 - posted 08-10-2012 01:24 PM      Profile for Marcel Birgelen   Email Marcel Birgelen   Send New Private Message       Edit/Delete Post 
I recently had a discussion with an owner of an arthouse cinema. He was complaining about the costs of replacing the Xenon Arc lamps in his old 35mm projectors.

I guess, for a small scale operation like many arthouse cinemas are, those costs can take quite a bite out of their exploitation.

During this discussion, the debate about replacing those lamps with high powered LED arrays came up. Neither of us could come to any definitive conclusion if this would lead to a satisfactory result.

LED seems to have many advantages over more traditional Xenon lamps:
- At least in theory, they should far outlive Xenon Arc lamps.
- They are far more efficient, so they consume less energy and produce less heat.
- They don't look all that expensive.

If you look at current offers, you will find all sorts of LED technology, like LED arrays that should be able to produce the same amount of light as e.g. a 5 kW Xenon Arc lamp. Also, they're available in many different color temperatures.

But, if you look at the professional projector market, nobody seems to offer any kind of LED based solution. The only LED based projectors you will find, is a limited section of home-cinema projectors.

So, what am I missing here? Why is nobody really embracing LED as a new light source? LED is the new shiny toy that gets broad application almost everywhere right now, but not in professional projection technology.

Is it because the companies that are in the game are afraid of killing the goose with the golden eggs? Just like Gillette will never ever offer any razor blades with a decent life span? Or HP that will never ever offer you an ink cartridge that prints twice as long, for the same price?

Or, am I missing something else. Is the technology not fit for professional use yet? Are there concerns about the light temperature or the brightness? Or are there any other problems I didn't think about?

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Victor Liorentas
Jedi Master Film Handler

Posts: 800
From: london ontario canada
Registered: May 2009


 - posted 08-10-2012 02:02 PM      Profile for Victor Liorentas   Email Victor Liorentas   Send New Private Message       Edit/Delete Post 
Pretty sure the light output in these great home theater projectors is already maxed out with current LED technology.
They can only get them bright enough for smaller screens so far.
It's laser light sources which we will be seeing on big theater screens!
Also I don't know if it's possible to make LED or laser work with film?

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Rick Raskin
Phenomenal Film Handler

Posts: 1100
From: Manassas Virginia
Registered: Jan 2003


 - posted 08-10-2012 03:45 PM      Profile for Rick Raskin   Email Rick Raskin   Send New Private Message       Edit/Delete Post 
Years ago there was an engineer in the Washington DC area by the name of Russ Claggett who had experimented with mounting a bulb in a Peerless Magnarc. The experiment was implemented at the Plaza theater in downtown DC and from what I can recall was somewhat promising. The modification was known locally as "Claggett's bulb" and I did see it in operation. The light was a little warm on the screen but overall looked good.

Maybe someone from old Local 224 has a better memory and can shed more light on this, and what became of it all. But from what I can remember, it did offer a cost effective way for a small theater to light their screen.

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Kevin Fairchild
Expert Film Handler

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From: Kennewick, WA, USA
Registered: Oct 2008


 - posted 08-10-2012 03:48 PM      Profile for Kevin Fairchild   Email Kevin Fairchild   Send New Private Message       Edit/Delete Post 
I've always been curious to put one of these in a projector.

http://gizmodo.com/5880609/this-15000-lumens-led-light-cannon-will-turn-night-to-day

This 15,000 Lumens LED Light Cannon Will Turn Night to Day
You can forget about hanging it from your belt, because this miniature sun—masquerading as a flashlight—is heavy enough to need two hands to operate. And with 15,000 lumens, the XM18 is bright enough to illuminate a small planet.

As you can see, it's actually composed of 18 smaller LED flashlight components, all wrapped in a custom housing powered by 32 lithium batteries and cooled with its own fan. LEDs are definitely more efficient than incandescents, but 15,000 lumens worth still produces a lot of excess heat.

What's even crazier is that the $2,500 photon cannon (built only as a custom order) is shaped like a hexagon so multiple units can be easily mounted together. Because apparently the company is worried that 15,000 lumens might not be enough for their most discerning customers who need to blind entire herds of deer at once.

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Stephen Furley
Film God

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From: Coulsdon, Croydon, England
Registered: May 2002


 - posted 08-11-2012 04:17 PM      Profile for Stephen Furley   Email Stephen Furley   Send New Private Message       Edit/Delete Post 
I've seen a video of this thing. It is indeed very bright for LEDs, but 15,000 lm is only about half the light output of a very ordinary 400 W metal halide lamp. It's not much more than the 150 W ceramic metal hides in the street lamps on the main road at the end of my road.

The luminous efficacy of xenon short arc lamps is rather low, around 40 lm/W for this 1960's 2 kW three electrode one from a tank:

web page

I doubt if modern xenons have an efficacy much greater than this, but even this one puts out 80,000 lm.

This lamp looks very similar to the ones which were used in early film projector xenon conversions.

I suppose that you could design a huge array of LED lamps and some sort of optical system to concentrate the light into a projector, but it would probably be several times the size of the projector, and cooling would be a problem; LEDs don't like getting hot.

Philips make a LED replacement for the 12 V 20 W halogen capsule lamp. It's only 1.5 W, but the light output is only half that of the halogen. It really needs to be about 2.5 W as a minimum, but at the moment they can't deal with the heat in such a small lamp.

Metal halide lamps have a considerably higher efficacy than xenons, that's the reason why the old GE Marc 300 put out more light than a xenon of the same Wattage in 16 mm portable machines, but the light quality was not as good, and the lamp life was much shorter.

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Randy Stankey
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From: Erie, Pennsylvania
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 - posted 08-11-2012 09:15 PM      Profile for Randy Stankey   Email Randy Stankey   Send New Private Message       Edit/Delete Post 
The harder you drive an LED the shorter it's life span. It only makes sense. Right? It's the same as with an ordinary light bulb.

As far as I know, we are already driving LEDs as hard as we can and, as you mentioned, they are already generating a lot of heat.

It is my bet that, in order to produce enough light to project a movie in a theater, we'd have to have an array of several of those LED units which, itself, is an array of LED elements. We'd end up with array upon array of LEDs with has as much current being shoved through them as they can possibly take. I'm betting that would be an expensive and troublesome job to engineer in the first place and just as expensive to maintain.

As much as the idea sounds good, I don't think it's ready for Prime Time yet.

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Louis Bornwasser
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From: prospect ky usa
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 - posted 08-11-2012 10:15 PM      Profile for Louis Bornwasser   Author's Homepage   Email Louis Bornwasser   Send New Private Message       Edit/Delete Post 
You will find that LEDs rate out at 15ma per unit. You will need a lot of units to have enough to fill even a 10 ft screen.

Even the Dolby red LED is 24 segments at an absolute max of 15ma each. They are not overly bright in the scheme of things. Louis

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Monte L Fullmer
Film God

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From: Nampa, Idaho, USA
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 - posted 08-11-2012 11:00 PM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
...along with the Kelvin temperature being up in the 8K area .. you'd have to color time your prints to compensate..

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Jeff Stricker
Master Film Handler

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From: Calumet, Mi USA
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 - posted 08-12-2012 06:34 AM      Profile for Jeff Stricker   Email Jeff Stricker   Send New Private Message       Edit/Delete Post 
I wonder how you could focus an array of LEDs such that all (or most) of the light energy is concentrated on the aperature?

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Ian Parfrey
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From: Imbil Australia 26 deg 27' 42.66" S 152 deg 42' 23.40" E
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 - posted 08-12-2012 07:01 AM      Profile for Ian Parfrey   Email Ian Parfrey   Send New Private Message       Edit/Delete Post 
I've seen this idea a million times and it just won't cut it.
There are reasons why this has not taken off with the professional lamphouse manufacturers.

First off, the ideal light source is a point source. There is no way a stack of over-run led's will ever achieve this aim.

Second, in the event of a led failure (when, not if), trying to change that when compared to changing a xenon bulb will be a nightmare.

Three, in order to get anywhere near the output of a xenon bulb, the amount of led's would be huge - and this along with the associated led supplies would result in a tangled mess.

Four, for an equivalent light output, the heat thrown out from the led's and the heatsinks would rival the xenon's heat output.

Five, the number of led's would in total rival the cost of a xenon lamp.

Six, experience dictates that led's rarely live to their advertised lifespan... and if you have a dirty supply, it won't take much to fry the whole bunch.

I have looked into led's for a 16mm Debrie D16 conversion I am doing for a 20' cinema screen and the led's are a non-starter.

For the reasons listed above, I found the led conversion to be a waste of time and money - but if you want to do it for shits and giggles then give it a whirl.

But the ultimate concern I have is that if they were an effective replacement, xenons would have been replaced long ago and that just hasn't happened.(and won't in the near future)

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Marcel Birgelen
Film God

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From: Maastricht, Limburg, Netherlands
Registered: Feb 2012


 - posted 08-12-2012 02:19 PM      Profile for Marcel Birgelen   Email Marcel Birgelen   Send New Private Message       Edit/Delete Post 
Thanks for all the answers so far. Well, it was obvious it wasn't just as simple as putting some big "LED bulb" into the lamp house, but after looking around a bit, I'm still not sure it is entirely unworkable.

quote:
The luminous efficacy of xenon short arc lamps is rather low, around 40 lm/W for this 1960's 2 kW three electrode one from a tank:
According to information on-line, an average LED will achieve about 80 lm/W. A modern, high-end LED could go as far as 150 lm/W. I've even found manufacturers that claim 180 lm/W, but I doubt that's accurate. So, an average LED is about twice as efficient as Xenon, at least on paper.

quote: Monte L Fullmer
...along with the Kelvin temperature being up in the 8K area .. you'd have to color time your prints to compensate..
Well, that doesn't really seem to be a problem anymore. I've done a bit of research (read: Googling around) and LEDs are available in almost all color temperatures you could wish for. So, 6500K for example, seems to be no problem.

quote: Jeff Stricker
I wonder how you could focus an array of LEDs such that all (or most) of the light energy is concentrated on the aperature?
It depends of course, on how big your array or array of arrays will be in the end, but if it gets really big, you will need a very big lens, which is quite expensive of course. Maybe it's a stupid idea, but why not put a Fresnel lens in front of it? [Smile]

Sure, you would need a Fresnel lens that could cope with the heat.

quote: Ian Parfrey
First off, the ideal light source is a point source. There is no way a stack of over-run led's will ever achieve this aim.
Maybe I'm mistaken here, but wouldn't be the ideal light source a rectangle with equal light intensity across the surface with exactly the same aspect ratio as the aperture?

quote: Ian Parfrey
Three, in order to get anywhere near the output of a xenon bulb, the amount of led's would be huge - and this along with the associated led supplies would result in a tangled mess.
I've found some suppliers that offer single-chip LED arrays that claim to achieve 500W or even up to 900W. Those modules are just a few square inch in size. Of course, I don't know if those are any good, but to achieve the same output as a small Xenon bulb you, in theory, would only need a single one of them or maybe just two or three.

quote: Ian Parfrey
Four, for an equivalent light output, the heat thrown out from the led's and the heatsinks would rival the xenon's heat output.
Sure, where there is a lot of energy, there is almost certainly a lot of heat. But still, the amount of heat emitted by those LEDs should be still quite a lot less than that of Xenon bulbs. Still, it isn't a problem to cool the Xenon lamps, so it should be no problem to cool LEDs, given the heat-sinks offer sufficient surface.

quote: Ian Parfrey
Six, experience dictates that led's rarely live to their advertised lifespan... and if you have a dirty supply, it won't take much to fry the whole bunch.
The most LED arrays I've found advertise with a lifespan of about 50.000 hours. Well, if they even could achieve 1/5th of that, it would far outperform Xenon.

quote: Ian Parfrey
But the ultimate concern I have is that if they were an effective replacement, xenons would have been replaced long ago and that just hasn't happened.(and won't in the near future)
Yeah, I share that concern. But I'm still not entirely sure that's because the technology doesn't work, or simply because selling the actual lamps is like selling those refill ink cartridges: quite a profitable business.

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Scott Norwood
Film God

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From: Boston, MA. USA (1774.21 miles northeast of Dallas)
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 - posted 08-12-2012 04:08 PM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
Do full-spectrum LEDs exist now? Last time I looked into such things, "white" LEDs did not provide reasonably consistent output across the entire spectrum of visible light, which would make color prints look odd.

Xenon looks expensive, but it really isn't, when the cost per hour of operation is considered.

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Marcel Birgelen
Film God

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From: Maastricht, Limburg, Netherlands
Registered: Feb 2012


 - posted 08-12-2012 06:19 PM      Profile for Marcel Birgelen   Email Marcel Birgelen   Send New Private Message       Edit/Delete Post 
quote: Scott Norwood
Do full-spectrum LEDs exist now? Last time I looked into such things, "white" LEDs did not provide reasonably consistent output across the entire spectrum of visible light, which would make color prints look odd.
I guess they don't, but the result is "close enough" for the human eye, But that's the bit I'm a little bit "afraid" of.

But, on the other hand, LEDs are being used for LCD/TFT backlight purposes too those days and that seems to work pretty well. The first LED driven backlights looked far to blue, but I'm currently looking at one and the color temperature is adjustable and OK.

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Gary Wachter
Film Handler

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From: Coppell, TX, USA
Registered: Jul 2010


 - posted 08-23-2012 12:42 AM      Profile for Gary Wachter   Email Gary Wachter   Send New Private Message       Edit/Delete Post 
I actually experimented with a 100 element LED array last year. The results were less than spectacular. Pretty much of what the earlier posts state is true.

 -

The LED array required a sizeable heatsink and was attached to a liquid CPU cooler with radiator. It was easily moved around on an improvised Panavise stand.

 -

The LED light is not a point source and was difficult to focus. It also has a dispersion angle of 170 degrees. The mirror is designed to gather and focus light from a very small area. A LOT of light gets wasted. The brightest output from the array is also lost to the center hole in the reflector.

 -

The color temperature is also very much on the blue side, even though it was rated "warm". I also tried direct illumination of the gate, bypassing the mirror altogether. The light output was even lower. Probably with a custom designed condensor lens, more of the light can be recaptured and directed forward.

Bottom line. A lot of fun to play with, but not practical (at this time!).

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Carsten Kurz
Film God

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From: Cologne, NRW, Germany
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 - posted 08-23-2012 05:57 AM      Profile for Carsten Kurz   Email Carsten Kurz   Send New Private Message       Edit/Delete Post 
It doesn't make sense to use LEDs the same way as a xenon, that is, through the existing mirror.

The light output of an LED does not need to be even a fraction of a xenon if used properly - because with an optimal lightpath, a lot less light is wasted.

See how existing LED projectors create up to 3000 lumens from LEDs.

Also, with LEDs you don't need the mechanical shutter, and instead flash the LED. That also allows you to get closer access to the film-gate.

Barco created nearly 60.000 Lumens projector output from only 600 watts optical power.

Conventional Xenon lamphouses waste more then 90% of the lamp optical output (not even to mention total energy efficiency).

The problem is to find an LED with the right etendue and then create a suitable light path.

- Carsten

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