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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Academy Leader -- The Case of the Red X (Page 1)

 
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Author Topic: Academy Leader -- The Case of the Red X
Manny Knowles
"What are these things and WHY are they BLUE???"

Posts: 4247
From: Bloomington, IN, USA
Registered: Feb 2002


 - posted 04-07-2012 03:02 PM      Profile for Manny Knowles   Email Manny Knowles   Send New Private Message       Edit/Delete Post 
I keep getting these repertory prints with a big red "x" on the 3-foot frame, and it makes me wonder...

Who's putting these marks on the leader? What's the convention that's being followed here? Why would a projectionist care about the 3-foot mark? Is anybody really threading that close to FFOA?

I've been erasing that mark, since it has no meaning to me and I don't like having unnecessary marks that close to picture.

Unless someone can convince me that there's some wisdom in leaving it alone, I'll keep removing them.

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Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 04-07-2012 03:11 PM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
I have not seen this. I agree that it does not seem to serve any obvious purpose.

Prints with laser subtitles usually have a sticker on the picture-start frame (I assume that this is for synchronizing the subtitling machine), and Xs at and around the 8' mark are common (especially when the leader is missing frames after the 8' mark), but I cannot imagine the purpose of an X at the 3' mark. Weird.

I, too, am curious as to why anyone would do this.

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Jim Henk
Master Film Handler

Posts: 364
From: San Diego, CA
Registered: Feb 2006


 - posted 04-08-2012 02:50 AM      Profile for Jim Henk   Email Jim Henk   Send New Private Message       Edit/Delete Post 
At the Rialto in S Pasadena in the early 80s, (art house/calendar house) we used to see this at the 9 foot mark on occasional prints, and at the 3 foot mark on other occasional prints. We could only guess that somebody out there was cueing there, turning the motor on, and just throwing it open. It's been around for a long time. Gonna go be ill now...

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Manny Knowles
"What are these things and WHY are they BLUE???"

Posts: 4247
From: Bloomington, IN, USA
Registered: Feb 2002


 - posted 04-08-2012 11:53 PM      Profile for Manny Knowles   Email Manny Knowles   Send New Private Message       Edit/Delete Post 
I remember the Rialto -- I used to live in Pasadena back in the 90s -- I saw a few movies there, including "Priest," "The English Patient" and, of course, "The Rocky Horror Picture Show."

Cueing to 3-feet... Wow! [Eek!]

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Tom Sauter
Expert Film Handler

Posts: 163
From: Buffalo, NY, USA
Registered: Sep 2000


 - posted 04-09-2012 07:11 AM      Profile for Tom Sauter   Author's Homepage   Email Tom Sauter   Send New Private Message       Edit/Delete Post 
Perhaps this is someone's way of marking a cue (lights, douser) so they can kindly remove the foil after the run? At least they're removing the foil [Smile]

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Manny Knowles
"What are these things and WHY are they BLUE???"

Posts: 4247
From: Bloomington, IN, USA
Registered: Feb 2002


 - posted 04-09-2012 12:25 PM      Profile for Manny Knowles   Email Manny Knowles   Send New Private Message       Edit/Delete Post 
Nope -- just last week -- the print that prompted this very thread -- had both the big red "x" and foil cues all over the place.

And these aren't neat foil cues that I'd consider leaving in place. They're hideous dirt-catchers. Thick, unevenly applied, encroaching into picture area, and bound to make the film "jump" in the gate.

So... No, Tom... THEY'RE not "kindly removing the foil" -- I'M removing it.

It occurs to me: Either there are a lot of "projectionists" who don't read Film-Tech, and don't know any better -- or else we're all on here (surprisingly a lot of members considering the field has dried up) -- and some of us just don't give a shit.

For example: After all that's been said about it on here... How many more prints am I going to have to remove masking tape from??

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Brian Guckian
Jedi Master Film Handler

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From: Dublin, Ireland
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 - posted 04-09-2012 01:07 PM      Profile for Brian Guckian   Email Brian Guckian   Send New Private Message       Edit/Delete Post 
Are they relatively new prints? It might be possible to identify whoever's doing this. Of course these prints may well have international circulation too, complicating things.

Also, are they changeover prints, or have the leaders been cut in some or all cases?

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Scott Norwood
Film God

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From: Boston, MA. USA (1774.21 miles northeast of Dallas)
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 - posted 04-09-2012 01:15 PM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
I should start marking "X"es on the 4' frame, just to irritate Manny. [evil]

I am not sure about anyone else, but I have run into a surprising number of people who read this forum, but who are not registered and never post. Even so, they have recognized me by my name and picture. Weird. And I haven't done regular theatre projection work in a while (by choice, thankfully)...I only really do film festivals and the occasional one-off event now.

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Martin McCaffery
Film God

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 - posted 04-09-2012 01:30 PM      Profile for Martin McCaffery   Author's Homepage   Email Martin McCaffery   Send New Private Message       Edit/Delete Post 
Manny, back when I was projectioning all over the place, I'd run into all sorts of marked up leaders. Yes, there were plenty of people who threaded on 3- and were very proud that they never missed a changeover. That their changeovers were crap is another story.

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Brent Francis
Film Handler

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From: Toronto Ontario Canada
Registered: Nov 2008


 - posted 04-09-2012 03:29 PM      Profile for Brent Francis   Author's Homepage   Email Brent Francis   Send New Private Message       Edit/Delete Post 
Threaded on the THREE??? Wish my car could go from 0 to 60 that fast.

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Manny Knowles
"What are these things and WHY are they BLUE???"

Posts: 4247
From: Bloomington, IN, USA
Registered: Feb 2002


 - posted 04-09-2012 07:58 PM      Profile for Manny Knowles   Email Manny Knowles   Send New Private Message       Edit/Delete Post 
quote: Brian Guckian
Also, are they changeover prints, or have the leaders been cut in some or all cases?
These have been plattered. Almost every print I get has had the leaders cut for plattering. I'm curious...what difference does that make?

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Brad Miller
Administrator

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From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 04-09-2012 10:54 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
quote: Brent Francis
Threaded on the THREE??? Wish my car could go from 0 to 60 that fast.
Some projectors DO go to full speed in about 1/2 of a second. Christie P35GP and Cinemeccannica V5 come to mind.

My GUESS here is that the red X is either:

A. Someone threading with 3 in the gate, watching for the first frame of picture to enter the penthouse/projector at a certain spot so they can fire up the second motor (on one of those instant starting types of projectors), having no idea that they are actually scratching the first part of every reel because the sounddrum is not up to speed yet. (Well, not on the V5.)

B. Someone threads with X entering the penthouse or something, but it is more like 6, 7 or 8 "in the gate".

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Manny Knowles
"What are these things and WHY are they BLUE???"

Posts: 4247
From: Bloomington, IN, USA
Registered: Feb 2002


 - posted 04-10-2012 12:56 PM      Profile for Manny Knowles   Email Manny Knowles   Send New Private Message       Edit/Delete Post 
Interesting. What would the 2nd motor do? I've never had a projector with 2 motors.

Any why would there be a concern about film position in a penthouse if these prints only carry optical tracks?

I guess my point is simply this: isn't the fact that it's a "3" frame be enough of a mark? Why add a mark to a frame that's already unique? Even if they're dealing with SMPTE leader, the 3-foot position corresponds to the "2" frame -- unique on that leader too.

I suspect this is pure mindless habit with no "real" reason behind it. If the leader's markings are faulty, I will add "tape numbers" to indicate the commonly-used marks. But I never mark all the way down to "3" and I never re-mark frames that are "good" as-is.

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Brent Francis
Film Handler

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From: Toronto Ontario Canada
Registered: Nov 2008


 - posted 04-10-2012 04:12 PM      Profile for Brent Francis   Author's Homepage   Email Brent Francis   Send New Private Message       Edit/Delete Post 
I used Cinemeccanica V5's for changeovers for years and usually laced up the 3rd "6" in the gate. No problem. When you say two motors, do you mean a motor running two speeds? We had to start the motor, wait until it got up to full speed (you heard it clunk) then switch to "2nd gear" (the sound speed setting). We had a model that did it automatically but manual was OK for this booth monkey.

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Brian Guckian
Jedi Master Film Handler

Posts: 594
From: Dublin, Ireland
Registered: Apr 2003


 - posted 04-10-2012 06:10 PM      Profile for Brian Guckian   Email Brian Guckian   Send New Private Message       Edit/Delete Post 
quote: Manny Knowles
I'm curious...what difference does that make?

Well if you were getting prints where the leaders hadn't been cut, one would expect them also not to be marked up like that, festooned with foil cues, etc. Generalising of course, but kind of goes with the territory. [Frown]

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