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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » GOLDLINE DSP30 MIC

   
Author Topic: GOLDLINE DSP30 MIC
V.V.Tushit Vijay
Film Handler

Posts: 54
From: Tenali, Andhra Pradesh, India
Registered: Oct 2009


 - posted 09-14-2010 03:00 PM      Profile for V.V.Tushit Vijay   Email V.V.Tushit Vijay   Send New Private Message       Edit/Delete Post 
Hi friends. I am Using Gold line DSP30 Real time analyzer With MK8C. But i had a problem with my mic. I am replace it with BEHRINGER ECM8000 i heard that it is also an omnidirectional mic. Can i Use it Will it measure the frequency in correct way.

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Tony Bandiera Jr
Film God

Posts: 3067
From: Moreland Idaho
Registered: Apr 2004


 - posted 09-14-2010 04:02 PM      Profile for Tony Bandiera Jr   Email Tony Bandiera Jr   Send New Private Message       Edit/Delete Post 
No you cannot, it will NOT be accurate. ANY mic used with an RTA MUST be calibrated to that specific RTA so that it will give the proper readings.

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 09-14-2010 05:57 PM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
actually that is not completely true
the mic input of a RTA is flat response and a calibrated mic will normally have a flat response usually measured against a BK reference
When the choice is made to use non calibrated microphones such as countryman then offset files are used to correct for them

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Tony Bandiera Jr
Film God

Posts: 3067
From: Moreland Idaho
Registered: Apr 2004


 - posted 09-14-2010 06:04 PM      Profile for Tony Bandiera Jr   Email Tony Bandiera Jr   Send New Private Message       Edit/Delete Post 
Thank you Gordon.

But would it not be true that a given "flat" mic's impedance must be matched to the input impedance (or input's impedance range) to ensure flat response?

Otherwise I would think that RTA manufacturers would simply give a range of model #s for all mics that will work with a given RTA.

In any event I do know that when I sent my RTA to be calibrated I had to send the mic too.

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 09-14-2010 08:33 PM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
it is best to send the mic
the standard for years was a capsule by AKG and one by B&K as was listed in Dolbys older manuals
Also electret condensor mics typically have very similar impedences

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Sam D. Chavez
Film God

Posts: 2153
From: Martinez, CA USA
Registered: Aug 2003


 - posted 09-15-2010 09:00 AM      Profile for Sam D. Chavez   Author's Homepage     Send New Private Message       Edit/Delete Post 
The AKG was the standard only becuase Dolby picked it as an "affordable" mic. with good and known characteristics.

It's best to send the mic. back with the RTA so it can be checked for accuracy of response and so the SPL display can be set to be accurate.

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 09-15-2010 07:42 PM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
AKG would also send a printout of the response of your mic too.

I know with the R2 and D2 we send out mics back annually for calibration. Then again, we also send our light/color meters back for calibration too (not to THX [Wink] )

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