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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » "Up" is flat...bummer (Page 1)

 
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Author Topic: "Up" is flat...bummer
Mike Blakesley
Film God

Posts: 12767
From: Forsyth, Montana
Registered: Jun 99


 - posted 05-13-2009 08:49 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
Too bad, after the last 3 Pixar films have been in scope, that they've gone back to flat for "Up." Director's choice maybe? I'm sad about it but still looking forward to the film. Yes, even after "Wall-E" was not to my taste, I'm giving Pixar another chance. "Monsters Inc." was cool and this has the same director.

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 05-13-2009 08:55 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Wow, that totally sucks. Booooo Pixar!

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Caleb Johnstone-Cowan
Jedi Master Film Handler

Posts: 593
From: London, UK
Registered: Mar 2006


 - posted 05-13-2009 09:13 PM      Profile for Caleb Johnstone-Cowan   Email Caleb Johnstone-Cowan   Send New Private Message       Edit/Delete Post 
Is it anything to do with the film being in 3-D?

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Joe Redifer
You need a beating today

Posts: 12859
From: Denver, Colorado
Registered: May 99


 - posted 05-13-2009 10:36 PM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
There have been scope 3D films. "UP" doesn't look very interesting to me, but it's just gotta be better than "Cars".

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Monte L Fullmer
Film God

Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004


 - posted 05-14-2009 02:20 AM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
"Monsters and Aliens" was Scope/3D. Yea, noticed that on the trailers of "UP" being in Flat.

Would look kinda tacky on a 'floating screen' with no adj. maskings...esp in a digital house.

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Jack Ondracek
Film God

Posts: 2348
From: Port Orchard, WA, USA
Registered: Oct 2002


 - posted 05-14-2009 03:21 AM      Profile for Jack Ondracek   Author's Homepage   Email Jack Ondracek   Send New Private Message       Edit/Delete Post 
Geez... you guys are jaded.

Wall-E was great.

Cars was Awesome.

Both films kicked A$$ out here.

More, please!

[Big Grin] [Razz] [beer]

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Greg Anderson
Jedi Master Film Handler

Posts: 766
From: Ogden Valley, Utah
Registered: Nov 1999


 - posted 05-14-2009 09:24 AM      Profile for Greg Anderson   Author's Homepage   Email Greg Anderson   Send New Private Message       Edit/Delete Post 
Maybe they thought that a "taller" image would be better for a movie about vertical movement. Spielberg's excuse for doing Jurassic Park flat was that the dinosaurs were so tall.

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Mike Blakesley
Film God

Posts: 12767
From: Forsyth, Montana
Registered: Jun 99


 - posted 05-14-2009 09:42 AM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
My guess is, it's a cost cutting move. I can just hear the suits at Disney saying 'it won't make any difference to the grosses.'

It's too bad...the nice big scope picture was one of the things that set Pixar animation apart from the rest...now they are "retreating." I would think THIS movie would really benefit from nice wide vistas!

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Lyle Romer
Phenomenal Film Handler

Posts: 1400
From: Davie, FL, USA
Registered: May 2002


 - posted 05-14-2009 10:02 AM      Profile for Lyle Romer   Email Lyle Romer   Send New Private Message       Edit/Delete Post 
I doubt it was cost cutting. There are more pixels to render in flat since I doubt that the older scope pixars were rendered in anamorphic to take full advantage of the 35mm negative. I'm sure they were rendered in cropped 2.39:1 and then that was processed anamorphically for the print production.

For this movie, I would tend to think it was an artistic decision probably since you have a house hanging from a bunch of balloons as the main visual which would benefit from a taller frame.

PS - Discounting the quality of the animation, Wall-E was probably one of the worst animated movies I've ever seen. If that were made by Fox animation or Dreamworks (or anybody but Pixar) everybody would have hated it.

Cars was good but about 20 minutes too long especially for Kids. Monsters Inc. and Finding Nemo were definitely the best two Pixar movies. I just hope that wasn't the top of the pixar mountain like Little Mermaid - Aladdin - Beauty and the Beast - Lion King were for modern Disney animation. It was all down hill for them after Lion King and so far it's been down hill for Pixar since Finding Nemo (hopefully bottoming out with the craptacular Wall-E.........Wall-E, EVA, Wall-E, EVA, Wall-E, EVA......download freaking speak synthesizer software you dumb robots).

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Greg Anderson
Jedi Master Film Handler

Posts: 766
From: Ogden Valley, Utah
Registered: Nov 1999


 - posted 05-14-2009 10:06 AM      Profile for Greg Anderson   Author's Homepage   Email Greg Anderson   Send New Private Message       Edit/Delete Post 
Isn't there a chance that, as an artistic choice, the 1.85 aspect ratio might be better for some movies? Why is it assumed that 2.4 is always right? And why would 1.85 on a Pixar movie cost less? It's not like they saved money on lens rentals.

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Randy Stankey
Film God

Posts: 6539
From: Erie, Pennsylvania
Registered: Jun 99


 - posted 05-14-2009 10:53 AM      Profile for Randy Stankey   Email Randy Stankey   Send New Private Message       Edit/Delete Post 
1.85 is close to 16:9. (It comes out to 1.78.)
That makes it easier to transfer to video.

That's probably why they chose flat. :roll:

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Michael Hossen
Expert Film Handler

Posts: 136
From: Perth, Australia
Registered: Apr 2007


 - posted 05-14-2009 10:56 AM      Profile for Michael Hossen   Author's Homepage   Email Michael Hossen   Send New Private Message       Edit/Delete Post 
Ohh, come on. That's pretty lame.

Greg, I can't see how it would cost more either to do it in Scope rather than Flat. Maybe the choice has been made for aesthetic purposes. Who knows?

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 05-14-2009 11:47 AM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
From what I was told from one of the local optical houses that processing time of the cgi effects cost more because of the larger frame area of the release print when converted to anamorphic

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Louis Bornwasser
Film God

Posts: 4441
From: prospect ky usa
Registered: Mar 2005


 - posted 05-14-2009 12:03 PM      Profile for Louis Bornwasser   Author's Homepage   Email Louis Bornwasser   Send New Private Message       Edit/Delete Post 
BV almost never used scope or 70mm. Flat being cheaper, historically. When they released Fantasia in 1.37 there was an outcry because no one had those lenses. It was proposed to release the next old film in scope, because we HAD those lenses and scope would work well. Imagine my shock when Pinochio was released in 1.37, inside the 1.85 box. The image was very good, but it was .445 high and about .609 wide, not too far off of 16mm. Way to go, BV. Louis

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Sam Graham
AKA: "The Evil Sam Graham". Wackiness ensues.

Posts: 1431
From: Waukee, IA
Registered: Dec 2004


 - posted 05-14-2009 12:23 PM      Profile for Sam Graham   Author's Homepage   Email Sam Graham   Send New Private Message       Edit/Delete Post 
See the review thread for "Monsters vs Aliens" where I inadvertently opened the "3-D scope letterboxed" can of worms.

Maybe they went flat because they saw wide potential of this happening with "Up", and thought they'd be better off this way.

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