Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Prints of "Benjamin Button" to be locked...Here we go again... (Page 1)

 
This topic comprises 5 pages: 1  2  3  4  5 
 
Author Topic: Prints of "Benjamin Button" to be locked...Here we go again...
Blaine Young
Master Film Handler

Posts: 477
From: Kirkland, WA, USA
Registered: Sep 2006


 - posted 12-15-2008 11:19 AM      Profile for Blaine Young   Email Blaine Young   Send New Private Message       Edit/Delete Post 
Received this last week...

quote:
Dear Theatre Manager/Projectionist,

Paramount Pictures “THE CURIOUS CASE OF BENJAMIN BUTTON” will be delivered to your theatre by Wednesday December 24.

Special security precautions are in place to protect the film from any possible piracy issues.

Can #1; enclosure trailers, Reels 1,2, 3 projectionist letter, and this instruction letter.
Can #2; Reels 4, 5, 6 & 7
Locked Can #3; Reels 8, 9, & 10

Combination Code available beginning and not prior to Wednesday December 24, 2008 at 12pm (EST), in the following options:

 From your home office. (The code will be delivered to them at 12pm EST of the 24th)
 Calling Deluxe Film services at 1-866-524-3456 (FILM)
 Sending an e-mail with your theatre name, and print numbers to unlockcode@etsdirect.com
 Visiting the following website: www.unlockcode.bydeluxe.com
 Via Fax (if we have a valid fax number for you it will be broadcast at 12pm EST of the 24th).

The systems will be deactivated 48 hours after activation.

To unlock the combination lock:
1) Set combination code
2) Press down silver handle
3) Lift up silver handle

Please return locks with the feature print. Place lock and secure on handle of the film cans when returning prints. All locks are the property of Paramount Pictures. Any locks not returned or altered in any way will be documented and given to the appropriate authorities for piracy investigation.

Thank you in advance for your cooperation.

How exactly do they expect us to inspection screen a 10 reel print and get replacement reels on Christmas Eve? I wish Paramount would stop doing this...

 |  IP: Logged

Bernie Anderson Jr
Master Film Handler

Posts: 435
From: Woodbridge, New Jersey
Registered: Apr 2000


 - posted 12-15-2008 12:14 PM      Profile for Bernie Anderson Jr   Author's Homepage   Email Bernie Anderson Jr   Send New Private Message       Edit/Delete Post 
Well, at least if they have to do it, they're doing it right and finally listening to us: hold the last couple reel and let us build the first half. Its better than this "hold reel 1 crap". At least this way half of its on the platter.

I'll give you one better. I had a screening of Valkyrie this past week. Print showed up at 4pm for a 7pm show. Both cans were locked and they wouldn't give us the code until 5pm. And on top of it, the print was used! No clue to the condition of the print, no chance to run it. I've had reels show up here that the film was sticking to its self because they didn't process it correctly. I had 500 people coming to see that film too. Its crazy the chances they take with these shows and if you complain, they don't really care.

 |  IP: Logged

Joe Redifer
You need a beating today

Posts: 12859
From: Denver, Colorado
Registered: May 99


 - posted 12-15-2008 01:37 PM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
If someone would have a problem with an unrunable reel, then maybe they would start to care.

 |  IP: Logged

Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 12-15-2008 02:15 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Agreed, at least they paid attention and are locking the LAST can of the movie. The only issue with this one is that, ummm, did they forget that NOBODY WANTS TO DEAL WITH THEIR MOVIE ON CHRISTMAS EVE!!!

I wish NATO would grow a pair and put their foot down with this silliness. Had it not been a holiday, this would've been fine.

 |  IP: Logged

Stephen Furley
Film God

Posts: 3059
From: Coulsdon, Croydon, England
Registered: May 2002


 - posted 12-15-2008 02:22 PM      Profile for Stephen Furley   Email Stephen Furley   Send New Private Message       Edit/Delete Post 
10 reels, how long is this thing; or have they gone back to sending out prints on 1000 foot reels?

 |  IP: Logged

John Wilson
Film God

Posts: 5438
From: Sydney, Australia.
Registered: Dec 1999


 - posted 12-15-2008 02:38 PM      Profile for John Wilson   Email John Wilson   Send New Private Message       Edit/Delete Post 
159 minutes.

No, that's not a typo. [eyes]

 |  IP: Logged

Stephen Furley
Film God

Posts: 3059
From: Coulsdon, Croydon, England
Registered: May 2002


 - posted 12-15-2008 02:51 PM      Profile for Stephen Furley   Email Stephen Furley   Send New Private Message       Edit/Delete Post 
Then it should fit onto eight reels. I've noticed in the last couple of years that reels seem to be getting shorter; I don't know why. These days, with polyester prints, and no mag stripes, they should be able to make them longer, not shorter.

 |  IP: Logged

Blaine Young
Master Film Handler

Posts: 477
From: Kirkland, WA, USA
Registered: Sep 2006


 - posted 12-15-2008 03:19 PM      Profile for Blaine Young   Email Blaine Young   Send New Private Message       Edit/Delete Post 
Is 159 minutes verified? I've seen the running time as 166 in some places.

BTW, 159 would actually fit on 7. "The Dark Knight" was 7 reels at 153 minutes.

 |  IP: Logged

Bernie Anderson Jr
Master Film Handler

Posts: 435
From: Woodbridge, New Jersey
Registered: Apr 2000


 - posted 12-15-2008 04:01 PM      Profile for Bernie Anderson Jr   Author's Homepage   Email Bernie Anderson Jr   Send New Private Message       Edit/Delete Post 
Nope! Nope! The best was "Arthur and the Invisible" 8 reels and less than 90 mins.

NATO ain't never gonna get a set of balls. They're just as bad as the studios these days.

 |  IP: Logged

Tristan Lane
Master Film Handler

Posts: 444
From: Nampa, Idaho
Registered: Feb 2002


 - posted 12-15-2008 05:14 PM      Profile for Tristan Lane   Email Tristan Lane   Send New Private Message       Edit/Delete Post 
Quite the opposite thing is happening with Bedtime Stories.
Disney informed us that we would be receiving our digital hard drives on Dec 22, with Keys valid that day as well. They specifically said that they were doing this so that the content could be QC'd early since there is so much new product coming out on Christmas.

Horray for Disney, Boo for Paramount.

 |  IP: Logged

John Hawkinson
Film God

Posts: 2273
From: Cambridge, MA, USA
Registered: Feb 2002


 - posted 12-15-2008 07:12 PM      Profile for John Hawkinson   Email John Hawkinson   Send New Private Message       Edit/Delete Post 
Bernie wrote, "I'll give you one better. I had a screening of Valkyrie this past week. Print showed up at 4pm for a 7pm show. Both cans were locked and they wouldn't give us the code until 5pm."

I don't know, Bernie. I think it's par for the course for advance screenings. Print shows up right before the show, or under security, and there's not time to do much, and certainly not to preview it. Since there are only a handful of prerelease prints typically, it's not surprising that you'll get a used one. I think it's basically what you sign up for when you agree to do an advance screening.

I bet people like Bill Gabel can give us their best story of the least amount of prep time before having a print on-screen. My question is whether that number is measured in seconds or minutes [Big Grin] [*]

------------------------------

As for Benjamin Button, well...huh.
Has anyone bugged Paramount about this? Or the Paramount people at DFS? I'm curious what they say. It really seems like a strategy that would make sense for a movie opening the Friday after Christmas (like, say, Revolutionary Road or Valkyrie)...

-----------------------------

In re reel breaks, you guys do know that the reel breaks are set relatively early in the editing process, and then they're locked down. (I'm not exactly sure why that is...perhaps it is in part because they are properly placed on scene cuts there the sound and picture change together, which are not always common.) So it's often possible to get a movie down smaller, but it is rarely a priority.

--------------------------

re NATO...we know NATO is ineffective, we know the studios know it. What would be more effective? Well, I'd bet if 100 projectionists signed a letter and sent it to the Distribution VPs at the studios, they'd read it and think about it. Do we care enough?

--jhawk

[*] ok, I'm kidding a little bit here. But if you're in a must-rush and willing to take the risk, I can see skipping the hand-check of R1 and just threading-it-up-and-GO! and handchecking R2 while R1 is running, and that can be under 60sec. I'm sure its happened. Of course this doesn't work if you can't run changeover...

 |  IP: Logged

Joe Redifer
You need a beating today

Posts: 12859
From: Denver, Colorado
Registered: May 99


 - posted 12-15-2008 07:17 PM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
I'm just annoyed that I am opening movies on Christmas day AND the day after. Pick a day, folks!

 |  IP: Logged

Andy Muirhead
Master Film Handler

Posts: 323
From: Galashiels, Scotland
Registered: Dec 2000


 - posted 12-15-2008 08:14 PM      Profile for Andy Muirhead   Email Andy Muirhead   Send New Private Message       Edit/Delete Post 
quote: John Hawkinson
I bet people like Bill Gabel can give us their best story of the least amount of prep time before having a print on-screen. My question is whether that number is measured in seconds or minutes
I don't want to hijack the thread but the best I did was 17 minutes, was a 6 reeler and the audience were coming in at the same time the print arrived.

 |  IP: Logged

Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 12-15-2008 08:40 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
If your show just HAS to start and you only have 10 minutes prep time on a platter system, you can rip 2 reels of a movie to a platter reel (or overload a Goldberg "trailer drop" reel like I did), drop it on the platter, thread up and start the show.

Then with a simple modification of the MUT and a few tricks, splice on the next reels while it is running and let the spinning of the payout pull the last reels on. [Big Grin]

I've only done this once and it was back in the late 80s. I think the movie was Father of the Bride. Regardless, the show went off without a hitch. Not sure if I just got really lucky or if I'm just good. I'm sure Phil will chime in to clarify. [Razz]

 |  IP: Logged

John Wilson
Film God

Posts: 5438
From: Sydney, Australia.
Registered: Dec 1999


 - posted 12-15-2008 09:18 PM      Profile for John Wilson   Email John Wilson   Send New Private Message       Edit/Delete Post 
quote: Blaine Young
Is 159 minutes verified? I've seen the running time as 166 in some places.
From our classification board...

THE CURIOUS CASE OF BENJAMIN BUTTON Film (35 mm)

Classification M
Consumer Advice Sexual references and coarse language
Category Film - Pub Exh
Version ORIGINAL
Duration 159 minute(s)
Date of Classification 10 December 2008
Author DAVID FINCHER
Publisher CEAN CHAFFIN, KATHLEEN KENEDY, FRANK MARSHALL
Production Company KENNEDY/ THE MARSHALL COMPANY
Country of Origin USA

 |  IP: Logged



All times are Central (GMT -6:00)
This topic comprises 5 pages: 1  2  3  4  5 
 
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.