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Author Topic: External 6-channel interfacing of two sources
Michael Schaffer
"Where is the
Boardwalk Hotel?"

Posts: 4143
From: Boston, MA
Registered: Apr 2002


 - posted 05-12-2006 04:11 AM      Profile for Michael Schaffer   Author's Homepage   Email Michael Schaffer   Send New Private Message       Edit/Delete Post 
Anyone know an interface board which accepts two DB25 and features relay switching between the two inputs, routing them to one DB25 output (to go into the corresponding 6-channel in, of a CP650, for instance, or a DB25-to-terminal-strip breakout board, for the CP65)? To switch between, for instance, input from a DA20 or DTS-6D and a 6-channel out from a digital cinema server.

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 05-12-2006 06:50 AM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
Michael, Look into DTS' "CP200" interface for the XD-10. It can do just that. It requires 12VDC to power the relays and is an active-low device for switching (uses a transistor so the switching is low-current). I forget its number off-hand but it should be listed in the XD10 manual.

Steve

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 05-12-2006 08:55 AM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
If it doesn't have to be automated, just go to the computer store and purchase two DB25 switchboxes. Have your projectionist flip both to "A" for SRD or both to "B" for dts. Works like a charm...but it's manual.

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Michael Schaffer
"Where is the
Boardwalk Hotel?"

Posts: 4143
From: Boston, MA
Registered: Apr 2002


 - posted 05-12-2006 09:30 AM      Profile for Michael Schaffer   Author's Homepage   Email Michael Schaffer   Send New Private Message       Edit/Delete Post 
Thanks! I vaguely remembered there was that DTS product, but I just couldn't remember what exactly it was. What voltage levels does the "CP200" interface board need for switching? Can it also be held by a dry contact closure or does it need +4VDC and 0V?

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Frank Angel
Film God

Posts: 5305
From: Brooklyn NY USA
Registered: Dec 1999


 - posted 05-12-2006 12:45 PM      Profile for Frank Angel   Author's Homepage   Email Frank Angel   Send New Private Message       Edit/Delete Post 
FSR, Inc. also makes very sweet switching modules that are fairly inexpensive. They are pretty compact and live on a small footprint PC board. They are designed for switching stereo inputs. Get yourself three of them and you can either use automation or go manual with a single pushbutton switch (lighted too!).

You might also look into one of those KVM swithches (for switching computer keyboard, monitor and mouse between two or more computers). There should be more than enough conductors for + - and Shield for your application. You would just have to make the break-out cables, which is easy enough. Only thing you would have to check is if the isolation circuit in a KVM switch will impact the audio signal. I seem to remember the last time I opened one of those boxes up, I did see few diodes and resistors, but I believe those were just used to block any DC and to make sure there was no crosstalk between connections. If that doesn't impact the audio signal, these would be nice in that it would be a single switch instead of two for a projectionist to have to deal with. The couple we use have mechanical indication push buttons as well, i.e., a little bright thing flips up in the button to show which is active....nice.

You might also want to go with a simple multigang rotary switch -- can't get any more simple than that.

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 05-12-2006 01:50 PM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
Michael, the DTS product is the E557 board. It requires 12VDC for power. There is a 3-pin Molex KK series connector for the logic. Use your relay or switch to connect the middle pin to "ground" and the relays will pull in.

Note, the board comes with a 25pin Dsub for the output and the "B" input (normally the XD10). The A input is just the normal JM11 pins of the CP200. However, the board will accept a normal 25pin DSub connector if you are willing to solder one on.

FSR does make good products (to back up Frank)...RDL does as well (they have logic controlled relays as well as "silent switches" in their line up.

If you are interested in active solutions and the ability to deal with balanced sources, there is Panastereo's MP64s. They can be loaded with "Line Input" cards (up to 4 per unit). They are 6-channel cards so you can do a 6-channel A/B system with just two modules.

There is also Wohler but they are more pricey...then again, they go beyond even 6-channels on each input.

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Michael Schaffer
"Where is the
Boardwalk Hotel?"

Posts: 4143
From: Boston, MA
Registered: Apr 2002


 - posted 05-12-2006 11:29 PM      Profile for Michael Schaffer   Author's Homepage   Email Michael Schaffer   Send New Private Message       Edit/Delete Post 
Thanks for all the tips!

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Gustav Viem
Film Handler

Posts: 4
From: Trondheim, Norway
Registered: Apr 2006


 - posted 06-01-2006 03:05 PM      Profile for Gustav Viem   Email Gustav Viem   Send New Private Message       Edit/Delete Post 
Cine Project have a nice box called Soundguard.
It has two 6ch inputs on 25pin contacts, and one on RCA-contacts.
The inputs are marked ROWO/Server, DTS/DA20 and AUX. The output is also 25pin Dsub connector. It also has an automation in/out to control the cinema processor(also 25pin con)

We connect 6ch sound from the PC that runs the commercials on one input, and a DTS-player to the other. In another theater we connect the commercials-PC and a D-cinema server. The output of the Soundguard goes into the 6ch input on Dolby CP650.
The AUX input we use for connecting HDCAM, DVD-player or whatever we need. On the AUX input you can also adjust the level.
The automation connector will set the CP650 to input 11 (6ch input) when selecting ROWO or AUX. It is also possible to program the function of the automation.

http://www.cine-project.de/118.0.html?&L=1

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Alban Birch
Film Handler

Posts: 63
From: Luxembourg-city , Luxembourg
Registered: Jan 2007


 - posted 01-24-2007 12:54 PM      Profile for Alban Birch   Author's Homepage   Email Alban Birch   Send New Private Message       Edit/Delete Post 
Hello
I found a cheaper and maybe better Switch
It is from FTT in Germany , it is called MA-6 witch 2 inputs and MA-6 MkII with 3 inputs. Inputs and Outputs are DB25. They have isolating Transformers to avoid Groundloops. The Input 3 has a single trimpot to match levels of none cinemamaterial.
There is even a relay to cut the SR-sensing/pulse-Line on a DA-20.
Switching is done by pulsed or permanent 12V. There is one multicolour-LED to show the Status.
The Unit is 1U high, weighs 2,5 kg and 265 mm deep.
Pricetag 595€ for the MA-6
and 795€ for the MA-6 MkII
I don't know the price of this one but sounds interesting too, it is non-cinema-material

Edited
Sorry, my bad

[ 01-24-2007, 07:18 PM: Message edited by: Alban Birch ]

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 01-24-2007 04:46 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
Alban,
Neither of those links are working....

MArk

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Frank Angel
Film God

Posts: 5305
From: Brooklyn NY USA
Registered: Dec 1999


 - posted 01-26-2007 09:39 AM      Profile for Frank Angel   Author's Homepage   Email Frank Angel   Send New Private Message       Edit/Delete Post 
Wow, that Zector sounds like it might be a solution for switching 4trk mag head signals between two projectors. Our original mag system was an Altec tube preamp which used a single preamp using 12AX7 tubes -- the preamp was very well matched to the heads and had a sweet, rather warm sound. BUT the system did change-overs with relays rather than using dual preamps. Switching very low level mag head signals is a BAD idea -- it's almost impossible to avoid noise. Even though the system had a mute-before-make relay which actually shorted all inputs while the four audio signals were being switched to the other projector, you still heard a big THUMP -- you might as well have been shouting out the booth port "CHANGE-OVER!"

We switched to an Inovonics solid state preamp that was orginally designed for 4 track Ampex and Scully tape transports. It was better, but no cigar -- the thud was reduced, but the sound was harsh, probably because it was not perfectly matched to the mag heads. And that preamp picked up hum from motors.

The Zector switch might have been a good solution. Now we've junked the single preamp idea and use two SMART mag preamps -- no problems. That switch would have been a cheaper solution.

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Joel N. Weber II
Expert Film Handler

Posts: 115
From: Somerville, MA, USA
Registered: Dec 2005


 - posted 01-27-2007 01:49 AM      Profile for Joel N. Weber II   Email Joel N. Weber II   Send New Private Message       Edit/Delete Post 
quote: Frank Angel
You might also look into one of those KVM swithches (for switching computer keyboard, monitor and mouse between two or more computers). There should be more than enough conductors for + - and Shield for your application. You would just have to make the break-out cables, which is easy enough. Only thing you would have to check is if the isolation circuit in a KVM switch will impact the audio signal. I seem to remember the last time I opened one of those boxes up, I did see few diodes and resistors, but I believe those were just used to block any DC and to make sure there was no crosstalk between connections. If that doesn't impact the audio signal, these would be nice in that it would be a single switch instead of two for a projectionist to have to deal with. The couple we use have mechanical indication push buttons as well, i.e., a little bright thing flips up in the button to show which is active....nice.
Analog video cards typically have 8 bit DACs. The keyboard and mouse signals are purely digital.

Whereas good digital audio is typically at least 16 bits.

So the tolerable noise floor for video is probably substantially higher than for high quality audio.

The frequencies used might also be an issue. A single cycle of a sine wave going to a subwoofer can take longer than 1/60th of a second, whereas the less frequently updated monitors typically have hundreds of thousands of pixels redrawn in the space of 1/60th of a second.

When you ``block DC'', you are actually picking some appropriate cutoff frequency, and even if you're just repurposing a PA microphone mixer to mix subwoofer signals, I think you might need to watch out for what the cutoff frequency on the DC blocking is.

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Eric Robinson
Jedi Master Film Handler

Posts: 538
From: Santa Rosa, CA
Registered: Jan 2005


 - posted 01-27-2007 01:56 AM      Profile for Eric Robinson   Email Eric Robinson   Send New Private Message       Edit/Delete Post 
Here's a very versatile product:

From Agilent URL:
Agilent 3499 switch control unit

quote:
Ideal for mid-sized systems, the Agilent 3499A can accommodate up to five plug-in modules, routing up to 200 channels in a test system. With various switch modules, it can scan at rates up to 350 channels per second, or open/close 200 channels in less than 0.1 second. The 3499A is compact, requiring only 2U height in a full rack width mainframe unit.


Or you can go for the 3488a which is discontinued but is available on EBay from about 50 to 200 bucks.

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 02-05-2007 04:11 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
quote: Steve Guttag
the DTS product is the E557 board
Steve, Are you thinking of the D-567 board instead???

Mark

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