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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » First "Reel" Booth Disaster (Page 1)

 
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Author Topic: First "Reel" Booth Disaster
Matt Hollis
Film Handler

Posts: 49
From: Paragould / Jonesboro, AR, USA
Registered: Jan 2005


 - posted 08-03-2005 10:01 AM      Profile for Matt Hollis   Author's Homepage   Email Matt Hollis   Send New Private Message       Edit/Delete Post 
Well, everything started off like a regular night until I stepped out of the upstairs office and realized that #1 had a serious problem. The tail of the film had untucked itself somehow and got underneath the platter (LP-270) where there it began to wrap itself around the shaft that holds the platter deck to the tree. It was a mess! I finally got the film all untangled, but it is in horrible shape. At least it only affected the credits, but that is really still part of the movie. Wish me luck on getting this straightened out.

Thanks,

Matt

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Dominic Espinosa
Phenomenal Film Handler

Posts: 1172
From: Boulder Creek, CA.
Registered: Jan 2004


 - posted 08-03-2005 11:06 AM      Profile for Dominic Espinosa   Email Dominic Espinosa   Send New Private Message       Edit/Delete Post 
Good luck.
You'll also be lucky if it didn't cause cinch marks on the picture.

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Mike Blakesley
Film God

Posts: 12767
From: Forsyth, Montana
Registered: Jun 99


 - posted 08-03-2005 12:38 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
Use the Film-Tech Platter Ring and you'll never have that problem again. It's the best cheap insurance you can buy. I can't even tell you how much peace of mind it's given me.

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Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 08-03-2005 01:04 PM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
Unfortunately, he has SPECO platters, which won't work with the F-T platter ring, since the motor needs to be able to come into contact with the edge of the deck in order to drive it.

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Thomas Dieter
Expert Film Handler

Posts: 234
From: Yakima, WA
Registered: Jun 2004


 - posted 08-03-2005 01:22 PM      Profile for Thomas Dieter   Email Thomas Dieter   Send New Private Message       Edit/Delete Post 
quote: Mike Blakesley
Use the Film-Tech Platter Ring and you'll never have that problem again. It's the best cheap insurance you can buy. I can't even tell you how much peace of mind it's given me.
Or you can take some old film, and wrap it around the tail (tail wrap) loosely and it will never happen.

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 08-03-2005 01:33 PM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
I am sure steve g would agree the only fool proof way to prevent this type of mishap is to have two machines and run on reels [Big Grin]

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Monte L Fullmer
Film God

Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004


 - posted 08-03-2005 01:46 PM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
I had that happened as well with a LP-270 with "Mad Max". had two reels find its way to go under the deck. So, I took apart the brain to remove the brainplate, then removed the deck off the arm to where all I had to do was slide that mess off the arm. Then it was the fun chore of winding that mess back on a 6k reel. Luckilly, I only had to make 4 splices in that acetate print (who ever heard of poly film in 1987?).

What happened was the print shifted to where the magnet that keeps the end of the roll against the print was actally shoved to the edge of the deck and pushed off completely causing the end to start wrapping underneath.

What happened to that LP-270 that the magnet that swings over that reed switch device underneath came loose on the end of the payout arm causing the platter to operate irratically.

I had this happen using a AW-2 as well, but that was my fault due to tucking the end of the leader completely under the wind. Doing this, the end managed to snag itself on the inside of the payout roll and pulled the print completely off the deck by sending the film going under the deck. That was also quite a mess to clean up as well. But, I remembered my trick of removing the brain and deck to ease up film cleanup.

The irony of it all is that this second incident happened in a booth that had the CINE V-18 setup that has the BIG reel setup in fully operational condition. Just that the third movie was mounted on the big 13k reel, whereas this insident was with the 2nd movie.

-Monte

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 08-03-2005 02:30 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Are your print labeled with tape on the very last couple of feet of the tail leader, or do you place your label at least 5 feet back from the end of the tail? I see most of these incidents happen because people put a piece of tape to label the print at the absolute tail end, and that doesn't tuck well, plus it can cause the payout convolutions to snag as Monte described.

For those of you with SPECO platters, throw those stupid magnet things in the trash and go to your local pizza place and get some business card magnets. Lay the film flat down on the platter away from the film roll, then lay the business card magnet at a 90 degree angle to the tail of the film across it.

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Monte L Fullmer
Film God

Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004


 - posted 08-04-2005 04:18 AM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
quote: Brad Miller
Lay the film flat down on the platter away from the film roll, then lay the business card magnet at a 90 degree angle to the tail of the film across it.

That's an interesting tip to hear.

Head on over to "Little Squeezers, er Caesars" and grab a handful of those business card magnets that are advertising their 5 buck pizza deals to do this trick for the folks with those sheet steel plated SPECO LP-270 platters.

quote: Mike Blakesley
Use the Film-Tech Platter Ring and you'll never have that problem again. It's the best cheap insurance you can buy. I can't even tell you how much peace of mind it's given me.
I agree, but a real no-cost way that works as close, is to cut off a good length old trailer that can be wrapped a length and a quarter around the print. Then take the end of that wrap and secure with the first wind of the wrap with a paper clip, or clothspin. End of the print isn't going anywhere, and when the print is on the other deck, all you have is just this ring of wrap on the previous deck.

-Monte

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Daniel Burns
Film Handler

Posts: 52
From: dallas, TX, USA
Registered: Jan 2003


 - posted 08-14-2005 03:22 AM      Profile for Daniel Burns   Email Daniel Burns   Send New Private Message       Edit/Delete Post 
Monte L Fullmer, you said you had to take apart the brain plate, I'm curious, the Speeco platters I learned on at AMC had removable brains, but when I went to work at Cinemark they were all stationary in the platter deck. These problems were a lot easier to start to fix with it being removable. Are they most commonly non-removable?

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Dustin Mitchell
Phenomenal Film Handler

Posts: 1865
From: Mondovi, WI, USA
Registered: Mar 2000


 - posted 08-14-2005 04:05 AM      Profile for Dustin Mitchell   Email Dustin Mitchell   Send New Private Message       Edit/Delete Post 
Older model platters have the non-removable brains. I believe most platter models have kits to retrofit the brains to the removable variety.

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Monte L Fullmer
Film God

Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004


 - posted 08-15-2005 03:33 AM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
Yea, These Lp-270's were installed in this 4-plex back in 1979. Almost, some the first bunch of LP's to come out of the "Drive-In" company - long before the name change to SPECO.

Yea, that was fun that night disassembling that brain to get the deck off of the spindle to fix the mess that I had... (LOL)

Like STRONG's A-3 "Alpha" platters,which was a drastic revision of the old BALCO platters that came out in the mid to later 80's - with removable and updated brains with better microswitch layout, or a better constant payout called the phase control over the carbon switch.

-Monte

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 08-15-2005 06:56 AM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
The next best cure for that is to splice up a ring of junk film thats just barely larger than the made up print itself and place it around the print. This way the tail can't become untucked.... I never liked tucking tails in anyway.... there's nothing definate about it staying tucked in. Sorry Monte, the clothes pin method is not a definate thing either, a ring of film should be spliced up for each print thats made up..... Only takes 30 seconds to do it.

Mark

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Mike Blakesley
Film God

Posts: 12767
From: Forsyth, Montana
Registered: Jun 99


 - posted 08-15-2005 01:21 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
Using the ring'o'film solution, I had a long print get thrown during the credits once. The ring did not prevent the throw (which was caused by static electricity) but did keep the film from going all over the place.

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Joseph Pandolfi
Expert Film Handler

Posts: 213
From: Milford, CT.
Registered: Nov 1999


 - posted 08-15-2005 10:57 PM      Profile for Joseph Pandolfi   Email Joseph Pandolfi   Send New Private Message       Edit/Delete Post 
When I worked at my old theatre. One of the guys came up with an adjustable clear film belt made up of two strips of clear film spliced only on one side and we would have velcro tape to secure the ends of the belt. As films come and go the belt would be adjusted by undoing the splice and either take "in or out" on the shorter strip of the clear film. When it was the end of the show we would unfasten the velco loop and as you wind the tail on the platter place it three feet from the end, and then continue to wind the clear belt on and fasten the velco ends. And for those of you who like myself stick ID labels on the tail we would put them on the belt. Therefore the tail will never get damaged. We would have two different sizes made up. One for normal prints and the other for 3+ hour prints. Even though it saves the "tail wraps" we would use the "hula hoops" made by our former head man for long prints and prints the we payout from carboard "donuts" after being moved.

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