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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Interesting Reel end Alarm (Page 1)

 
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Author Topic: Interesting Reel end Alarm
Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 07-25-2005 03:27 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
Here is a reel end alarm that I've not seen before. Anyone else seen them anywhere?

Mark

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Aaron Sisemore
Flaming Ribs beat Reeses Peanut Butter Cups any day!

Posts: 3061
From: Rockwall TX USA
Registered: Sep 1999


 - posted 07-25-2005 06:46 PM      Profile for Aaron Sisemore   Email Aaron Sisemore   Send New Private Message       Edit/Delete Post 
Yep, there was one of those (the part with the label on it) in a bin full of parts when I worked at the Phoenix in the 80's. When I visited the booth there (it was called the ShowCase then) in 1978 when it was still changeover they were still on the machines. IIRC, as the reel got empty, it would spin a little generator (similar to the generator one would attach to a bicycle wheel to power a headlight) inside the casing faster, and when the voltage got high enough, it would make a buzzer buzz (sounded more like an old-time car horn, only quieter) and a small light flicker.

-Aaron

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Monte L Fullmer
Film God

Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004


 - posted 07-25-2005 08:41 PM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
Holy Crap! I haven't seen one of these in years! One theatre I used to work at (which burnt down in 1980) had these oddball reel enders on the upper spindles.

What these did at this theatre, we would have a socket mounted on the wall with a lightbulb in it and with the end of the cable from the device heading towards the socket. This was so that it was a "quiet alarm" instead of hearing the one ding for a drop ding arm, which had a small wheel that would physically ride on the film itself, or the more common spindle mounted "3-dinger" type.

One didn't work, so I got the owner of this horse barn to get a pair of the real mcCoys (in which I now forget the brand name - the one with the "three ding ball drop") to replace these electrical, light flashing, oddballs.

-Monte

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Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 07-25-2005 09:56 PM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
The "three ding" model would be the "Hatke Reel Alarm"; this is the sales brochure for it circa 1970. The crossed-out price is $25 per pair.

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Dick Prather
Master Film Handler

Posts: 259
From: Portland, OR, USA
Registered: Feb 2002


 - posted 07-25-2005 10:32 PM      Profile for Dick Prather   Email Dick Prather   Send New Private Message       Edit/Delete Post 
Mark,
That was the electified version. In Portland several theatres used the mechanical versions from the same company. They had a flat hammer hitting a bell when the reel got up to a certain speed. Still have several of them in pieces.
Dick

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Monte L Fullmer
Film God

Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004


 - posted 07-25-2005 10:48 PM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
quote: Scott Norwood
Hatke Reel Alarm
..thx Scott on this info. Funny, I've ran bunches of theatres with the Hatke's - tore them apart, cleaned them, retimed them for a one minute ding until the first cue comes on the screen, but do you think now that I can remember the brand name of them until you showed this sales page?

thx again-Monte

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Jack Ondracek
Film God

Posts: 2348
From: Port Orchard, WA, USA
Registered: Oct 2002


 - posted 07-26-2005 01:29 AM      Profile for Jack Ondracek   Author's Homepage   Email Jack Ondracek   Send New Private Message       Edit/Delete Post 
The ones I worked with were by the same company, but they had a bell, mounted on the top.

Up here in Washington, SRO really liked that version. They were in most of their booths I worked in. As the film diameter got smaller (and the reel started turning faster), the alarm would start going "click, click, click...", eventually getting to the point where the hammer would actually hit the bell... "ding, ding, ding, ding,"... louder, louder... then eventually stopping. It was a sequence that allowed the projectionist more lattitude to gauge how long he had before changeover. As with the "arm on the film" alarms though, shipping reels screwed up the timing... going off far earlier than with larger-hubbed house reels.

As I recall, a very reliable & trouble-free alarm.

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Bernard Tonks
Jedi Master Film Handler

Posts: 619
From: Cranleigh, Surrey, England
Registered: Apr 2001


 - posted 07-26-2005 04:31 AM      Profile for Bernard Tonks   Email Bernard Tonks   Send New Private Message       Edit/Delete Post 
I fitted end of reel alarms to the three projectors at the Carlton Theatre, Haymarket in London. These were made by a Mr Buckley, who also supplied Westrex with Zipper changeover devices.

The alarm was a bicycle bell revolving on a pendulum. The lovely story to this was that on installation the bell rang after the changeover! [Big Grin] I had to return them to Mr Buckley for modification, as I omitted to tell him, that we always put 100 feet of protection spacing on the end of reels.

These alarm devices were 100% reliable and would sound accurate to the frame. The Carlton was the last West End cinema on 2,000’ changeovers, and almost with carbon arc lamps until closure in 1974.

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Mike Blakesley
Film God

Posts: 12767
From: Forsyth, Montana
Registered: Jun 99


 - posted 07-26-2005 11:52 AM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
The Drive-In here in town had alarms very similar to the one in Mark's post. The theatre has been replaced by a motel and a funeral home.

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Bob Koch
Expert Film Handler

Posts: 183
From: williams ca
Registered: Nov 2001


 - posted 07-26-2005 02:56 PM      Profile for Bob Koch   Email Bob Koch   Send New Private Message       Edit/Delete Post 
This is the "Cant Scratch" reel end alarm patented by Bobby Tansome an operator in the Orpheum theater in Oakland Ca about 1938-40. He got Elmer Hanks, purchasing agent for the old Fox West Coast circuit, in on the action and soon the damn things were all over the pacific coast and distributed by National Theatre Supoply. Thie first ones were strictly electric, later on he put a bycycle bell and clapper on top and did away with electric. Nobody liked the bell.

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 07-26-2005 07:42 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
Actually I thought they were prettyn cool. Sionce the Cody Theatre was built about that time line those being in there makes sense. I just thought they were unique.... heck, I thought they might also even re-charge the Western Electric batteries while the film is running.

Mark

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Bob Koch
Expert Film Handler

Posts: 183
From: williams ca
Registered: Nov 2001


 - posted 08-01-2005 08:07 PM      Profile for Bob Koch   Email Bob Koch   Send New Private Message       Edit/Delete Post 
Mark:
Leave it to you to think about charging the ERPI batteries with this damn thing. We should have had guys like you around in the old days.

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Robert E. Allen
Phenomenal Film Handler

Posts: 1078
From: Checotah, Oklahoma
Registered: Jul 2002


 - posted 08-04-2005 04:44 PM      Profile for Robert E. Allen   Email Robert E. Allen   Send New Private Message       Edit/Delete Post 
The "Can't Scratch" was intended to get out of service the old type with the arm and little metal wheel which rode on the film inside the upper magazine as they scratched a lot of prints because operators failed to keep the wheel clean and lubed. I've worked a lot of booths for Fox West Coast, Sterling and others with the "Can't Scratch" up and down the West Coast and found them very dependable.

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Frank Angel
Film God

Posts: 5305
From: Brooklyn NY USA
Registered: Dec 1999


 - posted 08-08-2005 11:38 AM      Profile for Frank Angel   Author's Homepage   Email Frank Angel   Send New Private Message       Edit/Delete Post 
Those alarm arms look so simple and deceptively benign. But the little wheels do more than just scratch film. They can be vicious little Tasmanian devils. The first theatre I worked at had them and I quickly learned what havoc they can reek. If the reel wind isn't perfectly symmetrical concentric which can easily happen in a splicy reel, as the film winds down to the point where the wheel is just about to fall, a slightly off center wind will cause the arm to jam against the film pack and tear the film. I hated them so much that I began running without any alarm, just being attentive to the end of the reels. OK, so I couldn't read the paper or do home work, but you didn't have to repair ripped film either. It was a stupid idea from the get-go and I would love to hear one of Joe's scathing reviews of one in the Reviews section.

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David Buckley
Jedi Master Film Handler

Posts: 525
From: Oxford, N. Canterbury, New Zealand
Registered: Aug 2004


 - posted 08-08-2005 02:58 PM      Profile for David Buckley   Author's Homepage   Email David Buckley   Send New Private Message       Edit/Delete Post 
You can read the patent number on Mark's photo, 2,124,084, and if you pop over to the Patent Office number search you can have a gander at the original patent...

Another Mr Buckley :-)

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