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Author Topic: Anamorphic Centers
Neil Fish
Film Handler

Posts: 16
From: Norwalk, Ct
Registered: Dec 2000


 - posted 02-25-2005 03:52 PM      Profile for Neil Fish   Author's Homepage   Email Neil Fish   Send New Private Message       Edit/Delete Post 
I recently did some image correction work (plates, masking, etc...) on single lens Simplex 35s, and had lots of difficulty getting flat and scope to match centers, or more importantly to get .825 centered on the maskings. These were Schneider Super series anamorphics, and I discovered by rotating this lens 180 degrees, I could match the scope center with flat. The flat lens (also a Schneider) kept its' center regardless of orientation. This activity was moving the image .005- .010. Not so with Isco lenses that were purchased and installed where required to correct images. Anyone have similar experience?

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 02-25-2005 07:50 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
Yes, on quite a regular basis over the years. Both the lens mount and lens bushings should be checked to be sure they are concentric and not distorted. Lens mounts do stretch over the years, especially the old Simplex's as thay are basically just made from pot metal(die castings). I've had so much trouble with lens bushings over the years that I now check each one before it leaves the shop. Many are incorrectly machined off axis and its common to find the older Simplex ones distorted(again pot metal die castings!). Its also imperative that all adaptors be the same I.D. and O.D. or problems in centering will arise from any that are not exactly the same in those dimensions. You can't mix the old with the new or Simplex with Century, etc and still expect to be aligned in all formats.

Lenses can also have their optical centers off, this is common and more typical on anamorphs because the 2X expansion tends to magnify any amount the lens is off optical center one way or the other.

The other method which is a bit extreme and expensive is to use all offset correctors instead of the standard 4" adaptors. This way every format can be adjusted to exact screen center.

All in all it gets somewhat complicated to discern exactly what the real problem is but careful testing of components definately weeds out any bad parts before they can get into a booth.

Mark @ CLACO

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Sam D. Chavez
Film God

Posts: 2153
From: Martinez, CA USA
Registered: Aug 2003


 - posted 02-25-2005 09:06 PM      Profile for Sam D. Chavez   Author's Homepage     Send New Private Message       Edit/Delete Post 
Assuming you are not using turrets,

There is always a bit of out of roundness somewhere and you can use this to your advantage. It's simply a matter of identifying and getting the scope and the flat to line up on a given vertical line.

It's even more difficult to get two projectors lined up perfectly on all lenses without using undersized plates.

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Michael Schaffer
"Where is the
Boardwalk Hotel?"

Posts: 4143
From: Boston, MA
Registered: Apr 2002


 - posted 02-25-2005 09:39 PM      Profile for Michael Schaffer   Author's Homepage   Email Michael Schaffer   Send New Private Message       Edit/Delete Post 
Why would you need undersized plates to line them up?

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Neil Fish
Film Handler

Posts: 16
From: Norwalk, Ct
Registered: Dec 2000


 - posted 03-01-2005 02:16 PM      Profile for Neil Fish   Author's Homepage   Email Neil Fish   Send New Private Message       Edit/Delete Post 
Sorry for the couple days absence here- out in the field.

The eccentric or worn lens collars do not apply here as they were left in their original orientation while the anamorphic was rotated within, so the shift in center was definitely in the lens (in the anamorphic only- the flat and scope primary were OK). It did occur to me to rotate the collar to take advantage of any tolerance differences, but I discovered the lens part first. It does not seem to be an issue with something loose or defective in the lens as the focus is even side to side, and within SMPTE specs. It is sort of academic at this point, I just wondered if this was common.

Hey Sam, I haven't spoken with you since your Dolby days.

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 03-01-2005 07:44 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
I've had to cheat on single lens projectors many times before by placing a strip of tape on one side of the lens before inserting it into the lens collar. Often I am only missing the dead centerline by a square on PA35, but I'm too picky to let that slide. It works quite well. Give it a shot.

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Neil Fish
Film Handler

Posts: 16
From: Norwalk, Ct
Registered: Dec 2000


 - posted 03-02-2005 02:23 PM      Profile for Neil Fish   Author's Homepage   Email Neil Fish   Send New Private Message       Edit/Delete Post 
Thanks Brad- Once I read your suggestion, it occurred to me I could have used shim stock of various thicknesses to get a more precise adjustment, and it would not compress over time or temperature.

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 03-02-2005 11:14 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
quote: Neil Fish
Thanks Brad- Once I read your suggestion, it occurred to me I could have used shim stock of various thicknesses to get a more precise adjustment, and it would not compress over time or temperature.

I use Brass shim stock. It can be cut with scissors.

Mark @ CLACO

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