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Author Topic: To anyone that has built "Alone in the Dark"
Chase Hanson
Expert Film Handler

Posts: 172
From: San Diego, CA
Registered: Oct 2004


 - posted 01-27-2005 03:15 AM      Profile for Chase Hanson   Email Chase Hanson   Send New Private Message       Edit/Delete Post 
I was building this print today, instead of doing my job, and I ran into something that confused me. There was what appears to be about 1-2 seconds of black film with sound at the end of reel 5 and beginning of reel 6. How did you cut (if you platter), those reels? I left what I thought was all the film that had sound on it, because the first frame on reel 6 looks like someone is messing with a breaker. Which would logically explain why you might have no picture but sound.

We havent screened this print yet, which will probably reveal the answer...but I just wanted to get a survey of sorts.

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Greg Routenburg
Expert Film Handler

Posts: 178
From: Toronto, ON, Canada
Registered: May 2003


 - posted 01-27-2005 03:32 AM      Profile for Greg Routenburg   Email Greg Routenburg   Send New Private Message       Edit/Delete Post 
I haven't handled this particular print but did you check for Changeover cues? I can never remember the exact number of frames after the changeover cue the reel ends so I always look at a reel where the end is obvious and count back frames.

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Carl Martin
Phenomenal Film Handler

Posts: 1424
From: Oakland, CA, USA
Registered: Feb 2002


 - posted 01-27-2005 05:18 AM      Profile for Carl Martin   Author's Homepage   Email Carl Martin   Send New Private Message       Edit/Delete Post 
almost always the soundtrack will continue past the last image frame. of course you wouldn't notice this if the soundtrack in fact consisted of silence at that point, as it often does, or near enough.

if the waveform is irregular enough, you can locate your cuts so as to neither leave out nor duplicate any of the soundtrack. normally this will happen if you cut right after the last frame of one reel and right before the first frame of the next.

you might actually notice that sometimes the soundtracks will be off by a perf or two. nothing you can do about that. if they're off by a whole frame, such that sound is duplicated, leaving an id frame will take care of it. occasionally on a less "mainstream" picture you might find a complete mismatch in the soundtracks at a reel join. oh well.

most likely when you screen you will have repeated audio during the "blackout". if it's just atmospheric noise this might not be apparent. if it's dialogue it will be very apparent.

when we got "the corporation" on 6k's from another theater, there was repeated dialogue, well... monologue, over i believe the 8/9 reel change. iirc this section of the film was black by design and the builder had apparently just included everything with an active track. looking at the cue marks and countdown suggested different cuts, but the soundtracks still didn't match up. i had to cut something like 10 frames in to eliminate the repetition. sometimes you just have to make judgment calls like that.

carl

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Thomas King
Expert Film Handler

Posts: 119
From: Sheffield, Yorkshire, England
Registered: Oct 2004


 - posted 01-27-2005 06:50 AM      Profile for Thomas King   Author's Homepage   Email Thomas King   Send New Private Message       Edit/Delete Post 
I had something like that once, on another tail I counted back the number of perfs from the end of the feature to the first identifiable part of the tail, checked that it was consistent across tails, and then just counted.

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Cory Isemann
Jedi Master Film Handler

Posts: 500
From: White Plains, MD, USA
Registered: Jun 2004


 - posted 01-27-2005 07:20 AM      Profile for Cory Isemann   Author's Homepage   Email Cory Isemann   Send New Private Message       Edit/Delete Post 
I didn't notice that, but our print lacked an MPAA rating band at the end.

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Dan Lyons
Jedi Master Film Handler

Posts: 698
From: Seal Beach, CA
Registered: Sep 2002


 - posted 01-27-2005 11:01 AM      Profile for Dan Lyons   Email Dan Lyons   Send New Private Message       Edit/Delete Post 
Just use your Neumade footage/frame counter; it's that easy. [Big Grin]

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 01-27-2005 11:05 AM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
quote: Greg Routenburg
I haven't handled this particular print but did you check for Changeover cues? I can never remember the exact number of frames after the changeover cue the reel ends so I always look at a reel where the end is obvious and count back frames.

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Greg: I note your ID photo with fear for your health and safety. [uhoh] I hope that xenon lamp is a depressurized sample! If you keep handling xenon lamps without proper safety gear, an exploding lamp is likely the last thing you will ever see! [Eek!]

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Thomas Procyk
Phenomenal Film Handler

Posts: 1842
From: Royal Palm Beach, FL, USA
Registered: Feb 2002


 - posted 01-28-2005 11:14 AM      Profile for Thomas Procyk   Email Thomas Procyk   Send New Private Message       Edit/Delete Post 
That's nothing! A REAL MAN handles a bulb WITHOUT gloves...

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15,000 watt at that!
[Wink]

=TMP=

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 01-28-2005 01:41 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
But you and Dennis Losco had depressurized samples. (I hope! [Eek!] ).

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Dustin Mitchell
Phenomenal Film Handler

Posts: 1865
From: Mondovi, WI, USA
Registered: Mar 2000


 - posted 01-28-2005 02:08 PM      Profile for Dustin Mitchell   Email Dustin Mitchell   Send New Private Message       Edit/Delete Post 
Not sure if I understand the original post here as I haven't built or watched 'Alone in the Dark.' Are you talking about a fade out (probably not) or a sudden cut to black that you think wasn't the end of the reel? In either case the best way I've found to determine the proper place to cut is to take a leader from another reel and line up the 'End' mark (for tail) or '2' mark (for header) and then cut in the same place. Thanks to Wolf for the tip.

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Greg Routenburg
Expert Film Handler

Posts: 178
From: Toronto, ON, Canada
Registered: May 2003


 - posted 01-28-2005 05:12 PM      Profile for Greg Routenburg   Email Greg Routenburg   Send New Private Message       Edit/Delete Post 
Thanks for the concern John but yes the bulb was decompressed. I value my eyes too much to risk them on a forum photo. [Smile]

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