Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Harry Potter Quality? (Page 1)

 
This topic comprises 2 pages: 1  2 
 
Author Topic: Harry Potter Quality?
Dean Kollet
Jedi Master Film Handler

Posts: 591
From: Florida State University
Registered: Jul 2003


 - posted 06-04-2004 12:32 AM      Profile for Dean Kollet   Email Dean Kollet   Send New Private Message       Edit/Delete Post 
I don't know about everyone else, but this film (all 4 prints that we have) looks horrible on screen. It's grainy and the colors are just plain crap...I think the last movie I screened that looked like this (be it intentional) was 21 Grams...

 |  IP: Logged

Paul G. Thompson
The Weenie Man

Posts: 4718
From: Mount Vernon WA USA
Registered: Nov 2000


 - posted 06-04-2004 12:48 AM      Profile for Paul G. Thompson   Email Paul G. Thompson   Send New Private Message       Edit/Delete Post 
Yeah, Dean.

I noted basically the same thing in the trailer. I thought my eyes were going bad, because I thought the focus was crappy. It looked soft to me. I "rode the focus knob" during the preview, but after the fourth run of the trailer, I said "Poop on it."

I know that is not very professional, but I have sure seen some very poor quality on the mastering of trailers. By the way you describe, it does not surprise me. It seems as though the motto is "Get it out the door and let's worry about it later."

I will be running that movie Saturday, and I'll post some feedback on it since you opened the door.

 |  IP: Logged

Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 06-04-2004 01:29 AM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
I just installed a couple of Kinoton heads and did a side by side comparison on Shrek and during the screening of Harry Potter against a Simplex. The results were amazing and everyone, yes EVERYONE (including teenage staff members) noticed the increase in sharpness. I got a couple of compliments from people who didn't even know anything had been changed in the booth.

Potter looked quite good on that Kinoton! The slightest movement on screen really kills the resolution.

 |  IP: Logged

Dean Kollet
Jedi Master Film Handler

Posts: 591
From: Florida State University
Registered: Jul 2003


 - posted 06-04-2004 02:19 AM      Profile for Dean Kollet   Email Dean Kollet   Send New Private Message       Edit/Delete Post 
Brad,

seems like you are favoring the Kinoton's...what kind did you install? I should say that we are using Simplex 1060's :-)...but we haven't had problems with any other prints.

-Dean

 |  IP: Logged

Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 06-04-2004 02:45 AM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
PK60D on SLC console.

 |  IP: Logged

Steve Scott
Phenomenal Film Handler

Posts: 1300
From: Minneapolis, MN
Registered: Sep 2000


 - posted 06-04-2004 08:44 AM      Profile for Steve Scott   Email Steve Scott   Send New Private Message       Edit/Delete Post 
There's just different contrast qualities to it, and as a result, you may have trouble with different combinations of lenses & light. The film looked very clear on my SA's with XeTron consoles (3 or 4kW this week), schneider lenses.

 |  IP: Logged

Michael Barry
Jedi Master Film Handler

Posts: 584
From: Sydney, NSW, Australia
Registered: Nov 1999


 - posted 06-04-2004 09:34 AM      Profile for Michael Barry   Email Michael Barry   Send New Private Message       Edit/Delete Post 
Yay, Kinoton! Glad to see you liked it, Brad. I am particularly fond of their platter pay-out mechanism (no swing arm, no moving parts at all) and their new make-up table which synchronises platter and MUT transport in both make-up and break-down modes! (Does anyone else offer this?)

Here's a first - an advertising slogan that ACTUALLY HAS SUBSTANCE.

That is, Kinton's tagline is 'See The Difference'...and you actually can. No hype! [Big Grin]

 |  IP: Logged

Christian Appelt
Jedi Master Film Handler

Posts: 505
From: Frankfurt, Germany
Registered: Dec 2001


 - posted 06-04-2004 05:41 PM      Profile for Christian Appelt   Email Christian Appelt   Send New Private Message       Edit/Delete Post 
I just came from seeing HARRY POTTER, and image quality leaves much to be desired. When I compare it to the first two films, it looks slightly better because it has less grain, but except some closeups, the image is very soft, lacking details. There was quite some negative dust, picture steadiness was OK.

Contrast seems to high to me, giving the film a "dupey" look.
Not state of the art even for Super 35 photography, but better than Part 2 which looked worse than 16mm scope to me when it came out. But I heard that quality varied between prints from different labs (for the German market), like in the case of TROY.

I liked the picture much more than 1&2, but why can't they get it really sharp. Oh, and I did see it on Kinoton machines... [Wink]

 |  IP: Logged

Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 06-04-2004 10:28 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Michael, Kinoton is on the right track to a magnificent platter design, but until they listen to the problems with it and fix them, I'm not going to install one.

 |  IP: Logged

Michael Barry
Jedi Master Film Handler

Posts: 584
From: Sydney, NSW, Australia
Registered: Nov 1999


 - posted 06-04-2004 10:35 PM      Profile for Michael Barry   Email Michael Barry   Send New Private Message       Edit/Delete Post 
I know that the payout angle is too narrow to allow another layer of film to be placed on top - is this your main concern with its design? I know that some people don't like how you must match the height of your film return from the projector to the platter.

 |  IP: Logged

Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 06-05-2004 01:28 AM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
The return height of the film on takeup is an issue, yes. That's just insanely moronic.

The layering of film isn't that big of an issue, but an arm that could be flipped over to cover the opening as the film enters the brain would solve that issue for anyone with it. (Look at a new AW3 center ring with the latch to see the concept.)

There are many other issues with it though. I know I've gone over it on the forums before and I brought it up to Kinoton at ShoWest. A few quick ones off the top of my head...

Needs a platter mount film cleaner bracket no higher than 4 feet off the floor. Big Sky and MiT mount theirs at the top of the tree, apparently because they think everyone using their equipment is at least 9 1/2 feet tall. It needs to be somewhere around waist level for ease of use.

True swivel rollers for feed and return, not the way Kinoton designed it with the feed one having 180 degrees of travel and the takeup one having the *other* 180 degrees of travel. That's stupid and accomplishes nothing, because the projector STILL has to be at that exact 90 degree angle to the platter!

Each platter should payout and takeup individually. If I have two ST-200 platters and I want to feed from one and takeup on the other, I should be able to do that! (I have not verified that this is indeed an issue, but was told that it was.)

Automation should not have to *tell* the platter when the projector is started. The platter should be able to figure this out on it's own like all others.

The platter should also be smart enough to be able to leave 3 brains mounted at all times and figure out which platter is the payout via the sensors and which platter is the takeup by which arm has been pulled. Duh!

User-adjustable ramp speeds on payout is also desired. I've never met an "auto adjusting" platter that I liked, and the Kinoton is no different. No two platter decks are alike in speed. If I want the platter to take 10 seconds to ramp from full stop to full on at the start of the show, I should be able to set that. Likewise if I wanted it to reach full speed in 1.5 seconds, I should be able to set that. (Obviously the more sluggish the better.)

As you can see, none of this is anything that would require Kinoton to junk the design. It just needs a few modifications to be really great. Until then, it's the Christie AW3 all the way.

Let's take this elsewhere if someone else feels the need to comment. This topic is getting too far off track.

 |  IP: Logged

Michael Barry
Jedi Master Film Handler

Posts: 584
From: Sydney, NSW, Australia
Registered: Nov 1999


 - posted 06-05-2004 06:41 AM      Profile for Michael Barry   Email Michael Barry   Send New Private Message       Edit/Delete Post 
I'd like to respond - please go ahead and move this discussion where appropriate (then let me know where!)

Thanks! [Smile]

 |  IP: Logged

Antonio Marcheselli
Phenomenal Film Handler

Posts: 1260
From: Florence, Italy
Registered: Mar 2000


 - posted 06-05-2004 06:47 PM      Profile for Antonio Marcheselli   Author's Homepage   Email Antonio Marcheselli   Send New Private Message       Edit/Delete Post 
Hi

Our copy of HP came in very good shape, bright and detailed image, wonderful colors, crear and amazing sound.

Bye
A

 |  IP: Logged

Paul G. Thompson
The Weenie Man

Posts: 4718
From: Mount Vernon WA USA
Registered: Nov 2000


 - posted 06-05-2004 09:20 PM      Profile for Paul G. Thompson   Email Paul G. Thompson   Send New Private Message       Edit/Delete Post 
Ran it today, didn't have any quality problems. Looked fine to me, and nobody lodged any complaints.

 |  IP: Logged

Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 06-05-2004 09:48 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Michael, just start a new thread and link back to this one. [Smile]

 |  IP: Logged



All times are Central (GMT -6:00)
This topic comprises 2 pages: 1  2 
 
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.