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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Are all brain wraps preventable? (Page 1)

 
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Author Topic: Are all brain wraps preventable?
Blake Zaugg
Film Handler

Posts: 57
From: Lafayette, LA
Registered: Sep 2002


 - posted 01-09-2004 01:15 PM      Profile for Blake Zaugg   Email Blake Zaugg   Send New Private Message       Edit/Delete Post 
Are most brain wraps are due to film-handler error, incorrect threading etc... or are there some wraps that just happen?
And the next question is how often should the prints/platters/projectors be checked while the show is running? (10min, 15 min, etc...) Thanks.

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Paul Konen
Jedi Master Film Handler

Posts: 981
From: Frisco, TX. (North of Dallas)
Registered: Jun 99


 - posted 01-09-2004 02:01 PM      Profile for Paul Konen   Email Paul Konen   Send New Private Message       Edit/Delete Post 
Some can happen during threading errors on Christies if the clear leader gets caught around a white post on the brain. Otherwise, they run fairly clean.

Speco's on the other hand can happen out of the blue. Static is a particular problem because it (static) will cause two layers of film to get into the brain causing the payout fingers to max out causing the wrap.

I expect my staff to check every thirty minutes but it is essentially more because they have to pass projectors multiple times during a normal start schedule.

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Brad Allen
Jedi Master Film Handler

Posts: 688
From: Evansville, IN, USA
Registered: May 2000


 - posted 01-09-2004 02:10 PM      Profile for Brad Allen   Email Brad Allen   Send New Private Message       Edit/Delete Post 
I've had Pott's platters have brain wraps out of the blue as well. Sometimes caused by static, and sometimes caused by a stuck micro switch. Even when checking every 15 minutes, it seems it knows to happen between checks. [Smile]

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 01-09-2004 02:19 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
The only brain wrap I've ever had in my booths is from someone misthreading, usually something stupid like the example Paul gave. Even changing tons of trailers every week and relying on start timers 95% of the time, it just doesn't happen. Sure it sounds like a sales pitch, but the truth of the matter is that if you use FilmGuard it eliminates the static and sticky spots on the film (from cheap splicing tape and such) and the brain wraps DO stop because there is nothing left to trigger them except a physical malfunction of the platter, such as a stuck microswitch on a Strong platter. Otherwise yes they ARE preventable. Anyone who has used the product knows this to be true.

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R. Andrew Diercks
Expert Film Handler

Posts: 232
From: Marion, Iowa (In the middle of everywhere)
Registered: May 2003


 - posted 01-09-2004 02:34 PM      Profile for R. Andrew Diercks   Email R. Andrew Diercks   Send New Private Message       Edit/Delete Post 
I have used Potts/Strong platters for most of my career and it's a good idea to replace the micro every 18 mos. or so, even if it's working. I don't remember one that has made 2 years. We date the bottom of the brain as to how old they are to keep track. Otherwise all brain wraps have been human error. Static hasn't ever caused a brain wrap, we will babysit if there is static. I do wish I had film guard though. Our theatres are slowly getting them.

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Manny Knowles
"What are these things and WHY are they BLUE???"

Posts: 4247
From: Bloomington, IN, USA
Registered: Feb 2002


 - posted 01-09-2004 02:34 PM      Profile for Manny Knowles   Email Manny Knowles   Send New Private Message       Edit/Delete Post 
I witnessed a dramatic OVERNIGHT decrease in the incidence of brain wraps when I got rid of ORC platters and switched to Christie. They are wonderful machines, so long as you keep them maintained.

The few brain wraps that have happened with the Christies have been due to either human error or sudden equipment malfunction (dead card, motor, etc) so while most are avoidable, it would be wrong to say that you can eliminate them completely.

dCinema will end this problem once and for all. [evil]

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Dustin Mitchell
Phenomenal Film Handler

Posts: 1865
From: Mondovi, WI, USA
Registered: Mar 2000


 - posted 01-09-2004 02:46 PM      Profile for Dustin Mitchell   Email Dustin Mitchell   Send New Private Message       Edit/Delete Post 
Andrew, what model of Strong platters are you using? I have six AP3's with a total of 12 brains that were all installed in Ocotober of 1997. To date I've had two micros go bad.

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Paul G. Thompson
The Weenie Man

Posts: 4718
From: Mount Vernon WA USA
Registered: Nov 2000


 - posted 01-09-2004 03:50 PM      Profile for Paul G. Thompson   Email Paul G. Thompson   Send New Private Message       Edit/Delete Post 
If you have the Potts or CFS platters that have that 3-amp microswitch you can expect them to fail especially if the ballast resistor in the motor that shunt the switch burns up. Most of those resistor failures are due to someone having the switch on the motor in the wrong position during make-up.

If the platter pay-out heads are equipped with the huge micro switches, generally the switch should last a long time. However, if the ballast resistor is still burned out, the platter is subject to whipping which could toss the print on the deck.

Some of the pay-out head wraps I have seen with any platter is poorly made splices or poor quality splicing tape that sticks to the convolution before the splice or after the splice.

Other than that, most I have seen were due to mis-threading.

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Jason Black
Phenomenal Film Handler

Posts: 1723
From: Myrtle Beach, SC, USA
Registered: Nov 2000


 - posted 01-09-2004 03:55 PM      Profile for Jason Black   Author's Homepage   Email Jason Black   Send New Private Message       Edit/Delete Post 
Dustin,

Consider yourself lucky. I have 32 of them (AP3's) and my micro's have to be chnaged out every 2 years or so. I find that when you have one go bad, it's best to start the round of changeouts. At $12.50/switch, it's cheaper to ensure that a bad switch doesn't cause a show to go down where you'd lose more moeny and piss plenty of people off.

I've had three go bad in the last week. I can't prove that they were bad, but there simply is no other reason that the decks show have hung wide open (continual feed mode) to the point of a "fast-wrap". I just ordered another dozen for changeout and will order another dozen once those are used.

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David Favel
Jedi Master Film Handler

Posts: 764
From: Ashburton, New Zealand
Registered: Feb 2002


 - posted 01-09-2004 05:05 PM      Profile for David Favel   Email David Favel   Send New Private Message       Edit/Delete Post 
Agreed, There is no reason for wraps on Speco's. In reality, an improperly threaded AW/CNR should be apparant before the movie starts. I have gotten into the habit of checking all splices going thru the first play on the Speco.

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 01-09-2004 07:09 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
It is absolutely true that Strong/Potts micros should be changed out at least every 18 months to two years even if they are still working......da...don't wait [uhoh] for them to fail! Waiting for them to fail is about as stupid as giving your car an oil change when it runs out of oil [Eek!] . Also those micros are available in .5 oz internal spring tension instead of the standard 1 oz internal spring tension.

Hey Brad, using the above mentioned .5 oz tension micros is our secret to making a Strong/Potts run very, very smooth. The .5 oz switch performs far better and is almost mandatory with estar film. There is no hint of the platter wrapping the film back around unlike when the standard 1 oz. switch, which seems to need 1/2 to 1 turn wrap to pull the arm over and activate the switch! The switches the factory sends out are the standard 1 oz internal tension!

I will post the actual Honeywell Microswitch part number for the .5oz switch next time I'm in the office and can check to see what it is.
Mark @ CLACO

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Dominic Espinosa
Phenomenal Film Handler

Posts: 1172
From: Boulder Creek, CA.
Registered: Jan 2004


 - posted 01-09-2004 08:58 PM      Profile for Dominic Espinosa   Email Dominic Espinosa   Send New Private Message       Edit/Delete Post 
Mark is correct.
Lower tension makes all the difference in the world.
One operator error that wasn't pointed out, probably because it's stupid obvious, but I'll metion because I've seen it...
Someone forgetting to set the payout platter to ... PAYOUT!
If you're new to the booth, or new to a Potts/Strong platter, double check your work.
Also, beware when adjusting your payout speeds. A tech once set one of my Christies and the thing speed wrapped because it was way too high, off wasn't truly off.

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John McConnel
Expert Film Handler

Posts: 118
From: Okmulgee, OK USA
Registered: Nov 2003


 - posted 01-09-2004 11:24 PM      Profile for John McConnel   Author's Homepage   Email John McConnel   Send New Private Message       Edit/Delete Post 
We use old Kinotone platters, and don't have many brain wraps. But to prevent damage when there is a brain wrap, we installed Kinotone's tension safety switch as a retrofit. They work well. Since installing them, we've had no film damage.

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Manny Knowles
"What are these things and WHY are they BLUE???"

Posts: 4247
From: Bloomington, IN, USA
Registered: Feb 2002


 - posted 01-10-2004 09:26 AM      Profile for Manny Knowles   Email Manny Knowles   Send New Private Message       Edit/Delete Post 
One really terrific aspect of the Christie platter system is that there is no need to switch each deck to payout or rewind. It just "knows." [thumbsup] [Cool]

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Peter Mork
Expert Film Handler

Posts: 181
From: Newton, MA, USA
Registered: Jun 2002


 - posted 01-10-2004 02:16 PM      Profile for Peter Mork   Email Peter Mork   Send New Private Message       Edit/Delete Post 
I built my own tension sensors, out of junk that was lying around (the springs used to stretch screens worked very nicely as counter-tension providers) to use in our two Speco houses. They have really helped stop film damage in brainwrap situations. Unfortunately if a brain jams (due to static or whatever) it happens so quickly that tension sensors don't help - they will shut down the film but you still get damage in the form of ripped perfs at the projector.

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