Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Exciter lamp to amp wiring (Page 1)

 
This topic comprises 2 pages: 1  2 
 
Author Topic: Exciter lamp to amp wiring
John Westlund
Expert Film Handler

Posts: 204
From: Burney, CA, USA
Registered: Jun 2001


 - posted 11-30-2002 04:46 PM      Profile for John Westlund   Email John Westlund   Send New Private Message       Edit/Delete Post 
I have a portable Simplex SP projector that I am trying to get sound on. It doesnt have the amplifier that came with it but I am trying to hook up a Peavey 400 to it. Can I go straight from the cell wiring out of the projector to the peavey? There are 2 wires that come out of the projector from the cell. Thanks guys
John

 |  IP: Logged

Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 11-30-2002 04:49 PM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
You'll need a preamp in there somewhere. Microphone preamps work fine; the solar cell can be wired to an XLR connector and connected to a mike input on a mixing board or tape recorder or something like that.

Does this have a solar cell or a phototube?

 |  IP: Logged

John Westlund
Expert Film Handler

Posts: 204
From: Burney, CA, USA
Registered: Jun 2001


 - posted 11-30-2002 04:52 PM      Profile for John Westlund   Email John Westlund   Send New Private Message       Edit/Delete Post 
I believe it does have a phototube in it. Sorry. So I could wire the phototube to an XLR connector and then plug it into an input on a stereo reciever?

 |  IP: Logged

Jeff Stricker
Master Film Handler

Posts: 481
From: Calumet, Mi USA
Registered: Nov 1999


 - posted 11-30-2002 04:56 PM      Profile for Jeff Stricker   Email Jeff Stricker   Send New Private Message       Edit/Delete Post 
Also, load the solar cell with a 680 ohm (approx) resistor, then capacitor couple it into the preamp. A 1 MFD electrolytic should be adequate (put the "+" of the cap towards the resistor.)

 |  IP: Logged

Michael Schaffer
"Where is the
Boardwalk Hotel?"

Posts: 4143
From: Boston, MA
Registered: Apr 2002


 - posted 11-30-2002 06:36 PM      Profile for Michael Schaffer   Author's Homepage   Email Michael Schaffer   Send New Private Message       Edit/Delete Post 
If you have a receiver which has Pro-Logic decoding ("Dolby Surround"), you can even have 4-channel sound like in the "real cinema". Of course, you won`t have A-type or SR-type NR as the consumer format does not perform NR decoding.

 |  IP: Logged

Bruce McGee
Phenomenal Film Handler

Posts: 1776
From: Asheville, NC USA... Nowhere in Particular.
Registered: Aug 1999


 - posted 11-30-2002 07:58 PM      Profile for Bruce McGee   Email Bruce McGee   Send New Private Message       Edit/Delete Post 
You say that the SP has a phototube. You must use an amplifier that can supply the 90 volts so that the photoelectric cell will operate. You cant just hook the wires up to a plug, and hook it to your amplifier.

It is not that hard to convert it to a solar cell.

What are you doing about the exciter lamp power supply?

Bruce

 |  IP: Logged

Bob Koch
Expert Film Handler

Posts: 183
From: williams ca
Registered: Nov 2001


 - posted 11-30-2002 08:03 PM      Profile for Bob Koch   Email Bob Koch   Send New Private Message       Edit/Delete Post 
If the SP has a photocell; 868 or similar you won`t get far into a mic input without providing a coupling cct, 90 volt supply and hz to nominal lo impedance. The details of the SP reproducer escape me as I havent seen one since 1940.

 |  IP: Logged

Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 11-30-2002 09:29 PM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
Jeff--what purpose is served by the resistor and capacitor? It seems to work fine without them, at least with my 16mm Elmos and the preamps in an Otari tape machine. I'm curious. Thanks.

 |  IP: Logged

Jeff Stricker
Master Film Handler

Posts: 481
From: Calumet, Mi USA
Registered: Nov 1999


 - posted 12-01-2002 07:40 AM      Profile for Jeff Stricker   Email Jeff Stricker   Send New Private Message       Edit/Delete Post 
Hi Scott,

Well first I didn't realize this post had to do with an old phototube. So my first comment was misdirected. Sorry for confusion.

Anyway, with a modern solar cell, the cell wants to drive a resistor. I think that is because the cell sort of acts like a current source. Pumping current through the resistor, converts to current to a voltage signal which is what the input of a preamp wants to "see". I didn't know all this when I first started tinkering a few years back, until the learned folks here enlightened me. So I hooked up a resistor, voila! MUCH improvement in distortion, etc. I've used resistor values anywhere from 300 ohm to 1K-ohm and all work fine. I believe Paul Thompson has also experimentd with the same resistance values and has same good results. (Some of the commercial amp schematics I've seen, show a 680 ohm resistor at the solar cell input)

As to the capacitor, it is only needed if your preamp doesn't already have a blocking capacitor on it's input. The purpose is to keep DC voltage from getting on the first stage of amplification and upsetting the bias conditions, causing distortion. More than likely any mic preamp, etc. already has a built in blocking capacitor, so another would be redundant. Jeff

 |  IP: Logged

Adam Fraser
Master Film Handler

Posts: 499
From: Houghton Lake, MI, USA
Registered: Dec 2001


 - posted 12-01-2002 09:44 AM      Profile for Adam Fraser   Author's Homepage   Email Adam Fraser   Send New Private Message       Edit/Delete Post 
John W.,
Could you upload a picture of the sound part of this projector? I just converted my Simplex Sh-1000 to a solar cell and is very easy. I found a pair of them in the attic of the theatre from our led conversion. I looked over my options and getting power to the phototube was more work than I wanted. And a brand new solar cell would only run you about $100.00

 |  IP: Logged

Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 12-01-2002 12:53 PM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
Thanks, Jeff. Will I damage anything if I omit the resistor? I haven't had any problems with sound quality (distortion, etc.), so I'm tempted to leave things as they are if it won't cause any problems. (Actually it sounds much better than the built-in amp.)

Does anyone know if the preamps in an Otari MX-5050BII-2 tape recorder have blocking capacitors in them?

 |  IP: Logged

Jeff Stricker
Master Film Handler

Posts: 481
From: Calumet, Mi USA
Registered: Nov 1999


 - posted 12-01-2002 02:34 PM      Profile for Jeff Stricker   Email Jeff Stricker   Send New Private Message       Edit/Delete Post 
Scott, not loading the solar cell will not damage a thing. [Smile] I'm sure your tape machine has blocking capacitors at it's input - I've never seen one that didn't. If you want to experiment, drop me an email and I'll send you a couple of resistors. Jeff

 |  IP: Logged

Frank Angel
Film God

Posts: 5305
From: Brooklyn NY USA
Registered: Dec 1999


 - posted 12-01-2002 02:47 PM      Profile for Frank Angel   Author's Homepage   Email Frank Angel   Send New Private Message       Edit/Delete Post 
Scott, my experience is the same as yours, for years before I got a real Dolby processor, I installed the Kelmar solar cells and connected the outputs directly to a Shure ProSeries stereo mixer with balanced inputs. It worked splendedly. Perhaps the need for the added coupling circuitry comes when inputing to consumer products.

This bastardized system outputed the mixer to an old Dolby A studio codec, then to a Sansui VarioMatrix II Studio decoder to derive the 4 channels, rear channels then going into Dolby B decoders and then to digital delay units. Then the whole thing going into a 24 channel console which also derived a center channel and processed it thru a Aphex Aural Exciter which helped out with dialog in a big 2500 seat room. The left and right channels were also processed through a psychoacoustical enhancer that spread the sound a bit outside the speaker clusters. It was a good thing we had a recording studio in our complex that I could canibalize. Then along came a Dolby CP 50 and that freed up half the soundrack! We still use the Aural and spacial enhancer plus a dbx bass enhancer for the subs.

What would we do without all these toys?! [sleep]
Frank

 |  IP: Logged

Gerard S. Cohen
Jedi Master Film Handler

Posts: 975
From: Forest Hills, NY, USA
Registered: Sep 2001


 - posted 12-01-2002 03:15 PM      Profile for Gerard S. Cohen   Email Gerard S. Cohen   Send New Private Message       Edit/Delete Post 
Coming down from the stratospheric heights of hi-tech sound to cost-free level, I made a serviceable exciter lamp supply by using the plug-in power supply from a junked Walkman or other consumer appliance
(which usually outlasts the appliance itself) to restore a 16mm projector donated by a friend. Seems some dummy had soldered both leads from the amplifier to the brass shell of the exciter lamp socket, shorting it and blowing the original amp exciter supply.
I simply chose an AC to DC power supply within the voltage range of the exciter lamp, and plugged it into the projector's 110V accessory outlet. Any electronics store sells these, as well as variable voltage models, which are handy to have around.
Seems this should work for 35mm as well.

 |  IP: Logged

Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 12-01-2002 04:20 PM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
Professional mixers are typically a low impedance input on the mic lines so the resistor is not needed and if it is a balanced input then a cap is usually not needed as there is either a balancing transformer or caps to block optional phantom powering for condensor mics

 |  IP: Logged



All times are Central (GMT -6:00)
This topic comprises 2 pages: 1  2 
 
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.