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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Asad day in Hawaii, all three Waikiki theatres is closed (Page 1)

 
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Author Topic: Asad day in Hawaii, all three Waikiki theatres is closed
Claude S. Ayakawa
Film God

Posts: 2738
From: Waipahu, Hawaii, USA
Registered: Aug 2002


 - posted 11-21-2002 02:40 PM      Profile for Claude S. Ayakawa   Author's Homepage   Email Claude S. Ayakawa   Send New Private Message       Edit/Delete Post 
What was expected for a very long time has finally happened. Consolidated Theatres (Pacific) has decided without any advance notice, closed all three of it's Waikiki theatres last night after their last shows. Although the new Victoria Ward 16 Theatres are wonderful theatres with state of the art picture and sound, the Waikiki theatres especially the twins (#1 & #2) were Hawaii's finest motion picture theatres in the opinion of many people who are very savvy about excellent motion picture theatre picture and sound. Althought the four largest theatres at the Ward has the same XL class HPS-4000 sound system as the Waikiki Twins, the sound at the Waikiki was much fuller and better because it had better acoustics. What a sad day! [Frown]

Here is the direct link to one of Honolulu's two major newspaper and
an extensive article about the theatre closing is reported in todays edition. The story will only be up today (11/28). Here is the direct link http://www.honoluluadvertiser,com

-Claude

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Bill Gabel
Film God

Posts: 3873
From: Technicolor / Postworks NY, USA
Registered: Jan 2002


 - posted 11-21-2002 02:50 PM      Profile for Bill Gabel   Email Bill Gabel   Send New Private Message       Edit/Delete Post 
Here is the link

http://the.honoluluadvertiser.com/article/2002/Nov/21/ln/ln01a.html

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 11-21-2002 03:02 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
[Frown]

The closing of any good theatre is a sad event, but it's especially sad for ones that were extraordinary.

Try this link:

http://the.honoluluadvertiser.com/article/2002/Nov/21/ln/ln01a.html

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William Leland III
Master Film Handler

Posts: 336
From: Charleston, SC,
Registered: Aug 2002


 - posted 11-21-2002 03:36 PM      Profile for William Leland III   Author's Homepage   Email William Leland III   Send New Private Message       Edit/Delete Post 
What Consolidated Amusement should do is turn the Waikiki 1, 2 and 3 theatres into second run theatres. I don't know anything about Hawaii's other theatres; but i think second run theatres are a good investment.

I understand what the people of Waikiki are going threw. I lost my job because we didn't have a good turn out and multiplex's put us out of business. I have worked Carmike Ultravision 4 in 1998. The Ultravision was opened in 1969 (True Grit) and was the flagship theatre in Charleston S.C.. People from 75 miles away would drive just come just for movies. It was all light up at night and huge spotlights outside. The Ultravision had 1 screen, 780 seat auditiourm. It closed with 4 screens the biggest house 250 seats. It was a great place to work and get experience with older equipment. The best part I was the last head projectionist to run a movie. The end of a line for projectionist at the Ultravision. [Frown]
[Frown] [Frown]

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 11-21-2002 03:48 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
Did the Charleston Ultravision 4 still have the original "Optiverter" that was part of the Ultra-Vision system installed by Wil-Kin and Glenn Berggren? Century projectors, correct?

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Bill Gabel
Film God

Posts: 3873
From: Technicolor / Postworks NY, USA
Registered: Jan 2002


 - posted 11-21-2002 03:50 PM      Profile for Bill Gabel   Email Bill Gabel   Send New Private Message       Edit/Delete Post 
The Waikiki Theatre opened in 1936. They added the twin in 1969.
The Hawaii Cinerama Theatre closed in 1999. It is now an auto parts
store. The Hawaii Theatre is a Performing Arts Center now. [Frown]

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Claude S. Ayakawa
Film God

Posts: 2738
From: Waipahu, Hawaii, USA
Registered: Aug 2002


 - posted 11-21-2002 04:03 PM      Profile for Claude S. Ayakawa   Author's Homepage   Email Claude S. Ayakawa   Send New Private Message       Edit/Delete Post 
William,

All three ofthe Waikiki theatres are equipped for 70mm. I do not think playing second run regular pictures at the Waikiki will work but they should do very well with special 70mm revival showings. They did very well with the exclusive re release of "APOCALYPSE NOW-REDUX". I think "LAWRENCE OF ARABIA", "PATTON", "RYAN'S DAUGHTER, "HELLO DOLLY and "LORD JIM" which are now being shown in some special 70mm venues should do very well in Waikiki.

-Claude

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Claude S. Ayakawa
Film God

Posts: 2738
From: Waipahu, Hawaii, USA
Registered: Aug 2002


 - posted 11-21-2002 04:04 PM      Profile for Claude S. Ayakawa   Author's Homepage   Email Claude S. Ayakawa   Send New Private Message       Edit/Delete Post 
William,

All three ofthe Waikiki theatres are equipped for 70mm. I do not think playing second run regular pictures at the Waikiki will work but they should do very well with special 70mm revival showings. They did very well with the exclusive re release of "APOCALYPSE NOW-REDUX". I think "LAWRENCE OF ARABIA", "PATTON", "RYAN'S DAUGHTER, "HELLO DOLLY and "LORD JIM" which are now being shown in some special 70mm venues should do very well in Waikiki.

-Claude

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William Leland III
Master Film Handler

Posts: 336
From: Charleston, SC,
Registered: Aug 2002


 - posted 11-21-2002 04:10 PM      Profile for William Leland III   Author's Homepage   Email William Leland III   Send New Private Message       Edit/Delete Post 
John, Yes we had Century heads our platters where "blue" and white rollers that could use both 35mm and 70mm. I do know that our heads did have gates for 70mm film. I'm not a very technical guy. I have no idea what an "Optiverter" is. We also had 3 port windows and on the floor you could see where they had mounts for the projectors. I do know they use to do reel changes because of the toilet in both. We had switchs in between our projectots that would motor both projectors. I have never worked with reel changes, but I would love to. I believe the orginal screen had 3 sections. If you have any more questions I "might" be able answer. [Smile]

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 11-21-2002 08:41 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
AFAIK, the Ultra-Vision "Optiverter" was a mirror arrangement that let the beams from two projectors go through a single port on the center optical axis of the theatre, minimizing keystone distortion. The two projectors were "toed in" toward the center port. Lenses and gates were specially selected, and optical alignment was optimized. Superior image quality was claimed, and it was the subject of an SMPTE paper in the late 1960's. The old SMPTE Projection Manual has a discussion and a photo of the setup.

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Chris Markiewicz
Expert Film Handler

Posts: 209
From: Glenaviegh, County Tipperary, Ireland
Registered: Aug 2002


 - posted 11-21-2002 09:18 PM      Profile for Chris Markiewicz   Email Chris Markiewicz   Send New Private Message       Edit/Delete Post 
A sad day indeed. I remember seeing Aliens at Waikiki 2, absolutely awesome on that huge screen. I got to see the booths when my dad was doing repairs on the auditorium dimmers in the 70s; 35/70 changeovers and non-sync on 8-track(!). Also saw many films at Waikiki 3, but I had left Honolulu before the 30s palm trees were removed. An ocean of seats stretching off into the distance, and an army of uniformed usherettes. NOBODY misbehaved with those ladies patrolling the house. All of those theatres always had great presentation with curtains, and on weekends the organ played before shows at Waikiki 3.

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Paul G. Thompson
The Weenie Man

Posts: 4718
From: Mount Vernon WA USA
Registered: Nov 2000


 - posted 11-21-2002 10:22 PM      Profile for Paul G. Thompson   Email Paul G. Thompson   Send New Private Message       Edit/Delete Post 
It has been 30 years since I was in Hawaii, and I remember some of the theaters in Waikiki. They were nice, and it seemed they cared about picture presentation, clean auditoriums, etc.

If the theatres that were just closed were making a profit, I am sure someone will re-open them. I hope so, anyway.

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Paul Cassidy
Jedi Master Film Handler

Posts: 549
From: Auckland, New Zealand
Registered: Aug 2001


 - posted 11-21-2002 11:51 PM      Profile for Paul Cassidy   Author's Homepage   Email Paul Cassidy   Send New Private Message       Edit/Delete Post 
WOW I missed out [Confused] I hope they don't pull them down ???

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Claude S. Ayakawa
Film God

Posts: 2738
From: Waipahu, Hawaii, USA
Registered: Aug 2002


 - posted 11-22-2002 12:38 AM      Profile for Claude S. Ayakawa   Author's Homepage   Email Claude S. Ayakawa   Send New Private Message       Edit/Delete Post 
Yes Paul, you did indeed missed out. I was planning to take you to the twins when you come during the Christmas holidays but it is not to be. The Waikiki theatres are no longer in operation but Thank God, the Waikiki IMAX will continue to operate. Now that the Waikiki's are history, Hawaii's best theatres are now the Victoria Ward 16. The best houses are #7,#8, #9 and #10. They all have 60 foot screens like the Waikiki twins with SRD and SDDS-8 digital sound processors. One or two of them also has DTS. They also have John Allen's awesome XL class HPS-4000 sound systems which I consider much better than the THX systems at the DOLE Cannery you visited during your last visit to Honolulu last year.

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Steve Kraus
Film God

Posts: 4094
From: Chicago, IL, USA
Registered: May 2000


 - posted 11-22-2002 07:10 AM      Profile for Steve Kraus     Send New Private Message       Edit/Delete Post 
There is a picture of an Optiverter installation on P.8 of the old SMPTE Motion Picture Projection and Theatre Presentation Manual. I'm told they did not have any moving parts (no flipping mirrors) so if that's the case then both beams cannot come from exactly the same spot, not with 100% reflective mirrors anyway.

BTW, Wil-Kin went on to become the wholly owned supply unit of Cineplex Odeon.

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