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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » K19 on silver nitrate? (Page 1)

 
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Author Topic: K19 on silver nitrate?
Mike Jones
Expert Film Handler

Posts: 108
From: Birmingham, MI, USA
Registered: Jul 2000


 - posted 07-16-2002 12:20 PM      Profile for Mike Jones   Email Mike Jones   Send New Private Message       Edit/Delete Post 
i hear we're getting a print of K19 on silver nitrate film stock. anybody know anything about this? regardless, its cooler than your mom.

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Paul G. Thompson
The Weenie Man

Posts: 4718
From: Mount Vernon WA USA
Registered: Nov 2000


 - posted 07-16-2002 01:00 PM      Profile for Paul G. Thompson   Email Paul G. Thompson   Send New Private Message       Edit/Delete Post 
If you are referring to nitrate stock, I don't think that will happen.

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Leo Enticknap
Film God

Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000


 - posted 07-16-2002 02:10 PM      Profile for Leo Enticknap   Author's Homepage   Email Leo Enticknap   Send New Private Message       Edit/Delete Post 
I haven't heard of K19. Searching under that on IMDB came up with 119 (1984) and K-9 (1989).

If this film exists and was produced in the US after February 1950 (when Eastman Kodak discontinued nitrate print stock), no nitrate prints will have been made.

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David Stambaugh
Film God

Posts: 4021
From: Eugene, Oregon
Registered: Jan 2002


 - posted 07-16-2002 02:32 PM      Profile for David Stambaugh   Author's Homepage   Email David Stambaugh   Send New Private Message       Edit/Delete Post 
It's the new Harrison Ford movie opening this weekend.
K-19: The Widowmaker


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Stephen Furley
Film God

Posts: 3059
From: Coulsdon, Croydon, England
Registered: May 2002


 - posted 07-16-2002 04:45 PM      Profile for Stephen Furley   Email Stephen Furley   Send New Private Message       Edit/Delete Post 
Silver nitrate is used in making photographic emulsions, it is used to form the silver halide, mainly bromide, but sometimes also containing chloride or iodide. It is normally obtained as white crystals, which can be disolved in distilled water to give a clear solution. Both crystals and solution will produce brown stains on skin, which are difficult to remove.

Since silver nitrate is used in making just about all film stock, except spacing and mag recording stock, but almost none should remain in the finished emulsion, the term 'silver nitrate film stock' doesn't really make any sense. Where did you hear/read this? The only thing I can think of would be either a print on black and white stock, or a colour print using one of the processes where not all of the silver is removed in the bleaching stage. The silver in these prints would have been produced indirectly from silver nitrate, but it still doesn't seem to be a very meaningful name.

For anybody who wants to play with silver nitrate, it is easy to make salt prints, similar to those made by Fox Talbot. Make a solution on sodium chloride, common salt, soak white writing paper in it, and dry. In subdued light, brush on a solution of silver nitrate, and dry again in the dark. Do not put the brush back in the nitrate solution after it has touched the paper, as it will contaminate the solution, forming a white precipitate. This precipitate is what you want to form on the paper, but not in the bottle, it is silver chloride. When the paper is dry, expose it in a printing frame, or under a sheet of glass, through a negative, or various objects, leaves, lace etc. several minutes exposure to a source rich in ultra violet will turn the exposed areas brown, I use either sunlight, or the inside of a carbon arc lamphouse. The print can be fixed by washing in several changes of slightly warm water, untill there is no cloudyness in the water. You should now have a salt print - and brown stains on your fingers for the next week or so!

Silver nitrate is toxic, and obviously excessive exposure to ultra violet radiation is something to avoid, but with reasonable care, the process is pretty safe.

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 07-16-2002 05:00 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
The print is probably that silver retention process that bleaches colors, like Sleepy Hollow had. I haven't had my hands on a print, so I can't say this for sure yet.

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Steve Kraus
Film God

Posts: 4094
From: Chicago, IL, USA
Registered: May 2000


 - posted 07-16-2002 05:08 PM      Profile for Steve Kraus     Send New Private Message       Edit/Delete Post 
It had that look so in all likelyhood that's what the O.P. heard.

Note that this sort of processing is controllable as to degree as the bleaching step that removes the silver can be eliminated or reduced in varying degrees.

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Frank Angel
Film God

Posts: 5305
From: Brooklyn NY USA
Registered: Dec 1999


 - posted 07-17-2002 12:18 AM      Profile for Frank Angel   Author's Homepage   Email Frank Angel   Send New Private Message       Edit/Delete Post 
And the purpose of leaving some silver in the print is to produce a certain look? Deeper blacks or something?

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Les Brock
Film Handler

Posts: 42
From: Basingstoke, Hamshire, UK
Registered: Nov 2001


 - posted 07-17-2002 02:24 AM      Profile for Les Brock   Author's Homepage   Email Les Brock   Send New Private Message       Edit/Delete Post 
Silver enhancement is used to give deeper blacks and higher contrast.

I am sure when John Pytlak sees this subject he will direct you to the Kodak knowledge database link on the subject.

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Les Brock
Film Handler

Posts: 42
From: Basingstoke, Hamshire, UK
Registered: Nov 2001


 - posted 07-17-2002 05:27 AM      Profile for Les Brock   Author's Homepage   Email Les Brock   Send New Private Message       Edit/Delete Post 
In film labs the process is called ENR.

Further info at
www.kodak.com/country/us/en/motion/support/processing/skip.shtml

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 07-17-2002 11:26 AM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
Here are some additional links:
http://cameraguild.com/technology/testing_limits.htm
http://www.cinematographer.com/article/mainv/0,7220,34805,00.html

The second link is to an excellent article about special process techniques in American Cinematographer called "Soup du Jour". Unfortunately, it may not be accessable as Creative Planet / American Cinematographer upgrade their websites.

Recall that the prints of "Minority Report" used both silver retention and Kodak VISION Premier Color Print Film 2393 to achieve their unique look and very rich black level.

Here are some additional Kodak articles:
http://www.kodak.com/country/US/en/motion/support/processing/skip.shtml
http://www.kodak.com/country/US/en/motion/newsletters/inCamera/july2000/dark.shtml
http://www.kodak.com/country/US/en/motion/newsletters/inCamera/april2002/ktP.shtml
http://www.kodak.com/country/US/en/motion/newsletters/inCamera/fall98/preview.shtml
http://www.kodak.com/country/US/en/motion/newsletters/inCamera/oct2000/jubaku.shtml

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion


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John Hawkinson
Film God

Posts: 2273
From: Cambridge, MA, USA
Registered: Feb 2002


 - posted 07-17-2002 02:48 PM      Profile for John Hawkinson   Email John Hawkinson   Send New Private Message       Edit/Delete Post 
I believe that "ENR" is Technicolor's proprietary bleach-bypass process (named after Ernesto Novelli-Raimond), and that the term "ENR" shouldn't be used to refer to other labs' bleach-bypass.

--jhawk

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 07-17-2002 02:58 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
"ENR" is Technicolor's tradename for their proprietary silver-retention process, which can control the amount of silver left in the film.
http://www.theasc.com/magazine/nov98/soupdujour/pg1.htm (ASC "Soup du Jour" article)
http://www.theasc.com/magazine/feb01/storaro/pg1.htm
http://www.cameraguild.com/interviews/chat_storaro/storaro_bulworth.htm

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion


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Mike Jones
Expert Film Handler

Posts: 108
From: Birmingham, MI, USA
Registered: Jul 2000


 - posted 07-18-2002 02:01 PM      Profile for Mike Jones   Email Mike Jones   Send New Private Message       Edit/Delete Post 
I was told second hand that our booker said we were getting "silver nitrate" blah blah. so, thanks to everyone for their input.

mike

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 07-19-2002 09:40 AM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
Remember that retained silver prints will absorb more heat than from the lamp than regular dye prints so as such it is import to prevent blistering to have the lamp system properly focused and cooled

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