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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » CP-50 card question (Page 1)

 
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Author Topic: CP-50 card question
Matt Close
Expert Film Handler

Posts: 226
From: Hervey Bay, QLD, Australia
Registered: Sep 2001


 - posted 06-18-2002 11:42 PM      Profile for Matt Close   Author's Homepage   Email Matt Close   Send New Private Message       Edit/Delete Post 
I have just purchased an old CP-50 with the SRA5 SR adaptor.... Don't laugh! In a CP-50, can I just pull out the Cat22 Dolby A cards, and slot in the Cat280 Dolby SR cards from the SRA5 in their place, thus doing away with SRA5 and inter-connects? I did a search of the forums and found a thread from a couple of years back where somebody suggested doing the card swap..... However, the Cat280 cards have extra pins at one end connected to a 3-way 'mode' switch ??? Will the cards lose their 'magic smoke' and cease to function if I try this?

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Steve Kraus
Film God

Posts: 4094
From: Chicago, IL, USA
Registered: May 2000


 - posted 06-19-2002 01:19 AM      Profile for Steve Kraus     Send New Private Message       Edit/Delete Post 
Yes, you can put them in place of the Cat.22's. You will need to turn up your main fader a bit as SR tracks are at a lower level than A. This assumes your cards are Cat.280T's. The standard 280 will go into encode mode when placed in a CP. Cutting a jumper makes them playback only and gives them the T designation. IIRC, the mode switch has no effect on CP usage.


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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 06-19-2002 02:08 AM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Yup, ditto to what Steve said.

FYI, there are people who are seeking SRA5 units. You might want to consider posting that unit in the EQ&FS forum and make some of your money back.

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 06-19-2002 06:33 AM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
Presumming your CP-50 is modified for the SRA-5 you will also have to link your "preamp out" to your "To surround adapter" barrier strips to restore the signal path. Personally, I'd keep the SRA-5, but that's just me...it is the right way to do SR on that unit and a CP-200.

Steve

------------------
"Old projectionists never die, they just changeover!"

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Jamie Sanson
Film Handler

Posts: 33
From: Port Macquarie,NSW, Australia
Registered: Feb 2002


 - posted 06-19-2002 07:54 AM      Profile for Jamie Sanson   Email Jamie Sanson   Send New Private Message       Edit/Delete Post 
Hi matt
I have been after a SRA-5 SR adaptor for years.
If you have rack space I would put the hole unit in, That way if someing goes wrong you can bypass the SR unit back to DOLBY-A.A great way to upgrade to DOLBY-SR.Good luck.

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Matt Close
Expert Film Handler

Posts: 226
From: Hervey Bay, QLD, Australia
Registered: Sep 2001


 - posted 06-19-2002 04:59 PM      Profile for Matt Close   Author's Homepage   Email Matt Close   Send New Private Message       Edit/Delete Post 
Do they even 'make' Dolby A prints anymore?

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 06-19-2002 06:22 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
You should keep the SRA5 adapter especially if you are using it at home for a film collecting sort of thing. Its very possible you could end up with some type A tracks that you would want to play back correctly. Also, the CP-50 is not all that bad of unit for analog playback. It still holds its own quite well against other analog processors, especially if you have any of the later cards in it. Also the cat 280T's are a huge drain on the feeble CP-50 power supply!! I had to change mine out to a more modern switching supply as when I added a 108C optical preamp the rails sank too low for things to operate properly.
Mark @ GTS


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Pete Lawrence
Expert Film Handler

Posts: 192
From: Middleburg, PA
Registered: Aug 1999


 - posted 06-19-2002 09:13 PM      Profile for Pete Lawrence   Email Pete Lawrence   Send New Private Message       Edit/Delete Post 
Does all this mean that a CP-50 with 280T cards can't decode Dolby A? Stated another way, cat. 280T cards can't emulate Cat. 22 cards? Both sets of cards, and a SRA5, are required?

The CP-50 I have (with 280T cards) has a stick on label around the format push-buttons that shows format 04 and format 05 (as 'Future Format'). Does this mean format 04 isn't really Dolby A?

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 06-19-2002 09:27 PM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
The cat 280 is a SR only card so if it is inside the cp50 that is all it can do

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Manny Knowles
"What are these things and WHY are they BLUE???"

Posts: 4247
From: Bloomington, IN, USA
Registered: Feb 2002


 - posted 06-21-2002 12:11 AM      Profile for Manny Knowles   Email Manny Knowles   Send New Private Message       Edit/Delete Post 
It's an ugly, clunky unit, but I have to agree that the CP-50 sounds better than the newer CP-45.

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Matt Close
Expert Film Handler

Posts: 226
From: Hervey Bay, QLD, Australia
Registered: Sep 2001


 - posted 06-21-2002 01:02 AM      Profile for Matt Close   Author's Homepage   Email Matt Close   Send New Private Message       Edit/Delete Post 
Well I hope it sounds good .... So I guess the best idea is to keep the SRA5 with it's cards as is due to power supply issues ... I have another question also ... before I power this thing up, someone has modified the back panel ???



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Manny Knowles
"What are these things and WHY are they BLUE???"

Posts: 4247
From: Bloomington, IN, USA
Registered: Feb 2002


 - posted 06-21-2002 05:54 PM      Profile for Manny Knowles   Email Manny Knowles   Send New Private Message       Edit/Delete Post 
I'll check mine but I don't recall seeing that wire there on any of them. I have three CP-50's in service.

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Matt Close
Expert Film Handler

Posts: 226
From: Hervey Bay, QLD, Australia
Registered: Sep 2001


 - posted 06-21-2002 08:12 PM      Profile for Matt Close   Author's Homepage   Email Matt Close   Send New Private Message       Edit/Delete Post 
( just bumpin' it up ) ... any ideas.... anyone? I'd hate to see it go out in a blaze of glory....

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 06-22-2002 10:14 AM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
The jumpers are for bypassing the old surround adapter and using a 150 card

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 06-22-2002 05:05 PM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
The Cat. 280Ts should have negligable affect on the power supply. It The NR cards run off of the +24 volt rail, not the +/- 12 volt rails. There are other cards that will indeed suck down the CP-50's power supply as Mark stated...and the newer cards have LEDs on them to add yet further drain.

The wires on the backplane are where the signal path is broken (just prior to the Cat. 160 slot so the Lt and Rt signals can be sent to the SRA-5 (via the preamp out) and back in from the SRA-5 (output to surround adapter).

You might want to download the SRA-5 maunual, presumming it is in the library (which it should be by now...it has the modifications that were supposed to be done).

Steve

------------------
"Old projectionists never die, they just changeover!"

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