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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Align-O-Tron – Tips & Tricks

   
Author Topic: Align-O-Tron – Tips & Tricks
Manny Knowles
"What are these things and WHY are they BLUE???"

Posts: 4247
From: Bloomington, IN, USA
Registered: Feb 2002


 - posted 06-14-2002 09:01 PM      Profile for Manny Knowles   Email Manny Knowles   Send New Private Message       Edit/Delete Post 
First things first...

If you don't know about the Align-O-Tron. It is a laser-equipped device for doing optomechanical alignments.

Visit the website for a detailed description:
http://www.muellersatomics.com/alignotron.htm

I got my kit some time ago and I finally made a special trip to the cinemas just to try it out. I think it's great but it took me a few tries to get the hang of it.

I always ended up having to readjust the height of the anode for some reason...

...and then it hit me...

...How do I know that the lenses are centred to the aperture?

Seems to me that what I need is a special "dummy" aperture plate with a hole drilled dead-centre of the picture area.

I took a new aperture plate and got the local aluminum shop to cut a matching piece (with no apertures cut into it) and now what I need is an idea of how to locate the absolute centre of the picture area.

I inserted it into the film trap and scribed the shape of the opening onto the blank plate.

Next I made corner-to-corner crosshairs to locate dead-centre.

However...that exposes the soundtrack too...so centre of the picture area would be slightly to one side of that. A piece of RP-40 revealed how far off-centre to drill.

I just did this today, so I haven't tried this as part of an actual alignment yet.

I'll post a pic when my camera is working again.


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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 06-14-2002 09:25 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
A pinhole aperture works well for this. Don't underestimate the effectiveness of the Align-O-Tron. It should be in every tech's toolcase.


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Manny Knowles
"What are these things and WHY are they BLUE???"

Posts: 4247
From: Bloomington, IN, USA
Registered: Feb 2002


 - posted 06-14-2002 09:30 PM      Profile for Manny Knowles   Email Manny Knowles   Send New Private Message       Edit/Delete Post 
What's a pinhole aperture plate?

I mean, I get the idea...It's what I've been making by hand, right?

But is this something I can purchase ready-made from Kelmar instead of reinventing the wheel?

Note to Greg: Let us know if/when you make a model that points from the reflector out to the lens...hint hint.


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Manny Knowles
"What are these things and WHY are they BLUE???"

Posts: 4247
From: Bloomington, IN, USA
Registered: Feb 2002


 - posted 06-15-2002 12:18 AM      Profile for Manny Knowles   Email Manny Knowles   Send New Private Message       Edit/Delete Post 
I suppose I should say that I've got about 5 times the light output as I had before

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Frank Angel
Film God

Posts: 5305
From: Brooklyn NY USA
Registered: Dec 1999


 - posted 06-15-2002 02:09 PM      Profile for Frank Angel   Author's Homepage   Email Frank Angel   Send New Private Message       Edit/Delete Post 
Manny,

Pinhole apeture plates are a standard plate that can be ordered from your cinema supply house. It's for the poor tech who's plate geometry is so far off any of the standard size plates that he has to file down from a hole in the center of the plate, out to exactly where he needs it.

Frank

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 06-17-2002 12:36 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
A pinhole aperture can also be used to project an image of the light distribution from the lamphouse mirror ("bullseye pattern") to aid in the alignment of the lamp. If used to aid alignment, the pinhole aperture is used without a lens.

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion

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