DUTIES FOR CASUAL PROJECTIONISTS
GENERAL Clean/Vacuum Floor, Clean/tidy rewind bench, Ads/trailers to be topped tailed as soon as possible. (as required/needed)
SHIFTLY Clean Lenses, Clean projector film path, Use the tape to clean the ptr rollers when possible between sessions.
DAILY Check Projector oil levels, check/replace isle lights
NIGHTLY Check/replace foyer lighting. Map Cinema lights out, Clean ptr's before last session - leave to dry on lamphouse.
MONDAY Day Shift - Clean ports, Fax popcorn machine report. Night shift - Put new movies to 6000's (If they arrive!!)
TUESDAY Day shift - Put new movies to plate, Fax Print reports. Night shift - remove all ads (box head out)
WEDNESDAY Day shift - replace all ads and trailers (email H/O if trailers differ to list). Night shift - Do Marqee, Program Textlite, Program Ezymation
THURSDAY Day shift - Put out going movie to 6000's. Night Shift - Break down outgoing movies to flats or 2000's
FRIDAY Day Shift * Night Shift - Mop/Vacuum Bio Floor areas (as required/requested)
SATURDAY Day Shift* Night Shift *
SUNDAY Day Shift * Night Shift - Empty Bins as required
WEEKLY Wipe down entire projector, including base. Remove gate AND trap, clean runners and aperture area.
BI-WEEKLY Check seats and arm rests for being loose/bent, replace as required.
MONTHY Clean inside projector motor/shutter area. Check projector drive belts and/or clean.
SIX MONTH Check Dolby levels(even if DTS/SRD machine), clean mirrors, clean plates, dust/clean amps fans, rectifiers
YEARLY *

TRAILER TRACKING
While I'm at it, does anyone have a way of tracking trailers that are on hand and screening? (in i.e excel?)
(Im not going to send the lame attempt at how I'm doing it, its worse than the Duties List above)

BILL.

What sound format is currently selected in all auditoria? Are the fader settings where they should be? Are the rectifiers at full current or standby current? Is the light steady and bright? Is everything in frame or are those anamorphic features displaying edit flashes or showing a slight frameline? Is the film path threaded correctly or is the film rubbing over something it shouldn't? Are the media pads rewound properly and still moist with FilmGuard? Is the masking/aperture/lens correctly set for the feature? Are there soft edges on the screen anywhere? Is the focus dead-on or could it be improved? How are the dolby digital error rates for each print? Which DD readers could use an alignment? Are the correct DTS discs loaded for each feature?

If the projectionist is confident about all these points (and many more) then the theatre in question is already doing better than the vast majority of theatres out there and the public will appreciate it. However, most theatres fail to do these basic checks each session (evidently).

If the projectionist doesn't pay attention to these things, no-one else will. Don't rely on the automation - check everything twice, then check again. If everything is going fine, do something else, but keep checking everything periodically!

I also strongly believe in doing things as the need arises rather than dogmatically sticking to some schedule that tells you when to do things. In other words, be an intelligent, observant individual rather than an automaton. Constantly look for abnormalities in the course of projecting - this will inform you better than anything else as to what actually needs doing.

Don't become one of those theatres that is busy cleaning a portglass (due to some schedule) thereby failing to notice that an entire print is running out of focus next door.

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"Don't become one of those theatres that is busy cleaning a portglass (due to some schedule) thereby failing to notice that an entire print is running out of focus next door."

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Finally, someone else agrees with me! Every booth that I have been in that has lists of things to be done daily is in dire need of presentation help. I wholeheartedly agree with Michael, a GOOD projectionist keeps a close watch on everything and corrects what needs to be done as it occurs. For example, let's say a 10 plex says that on the 1st, 11th and 21st day of each month that projector #1's port glass is to be cleaned. Then projector #2's port glass is to be cleaned on the 2nd, 12th and 22nd day of each month, and so on. That's fine and dandy...ON PAPER, but in the real world, what happens when the #1 auditorium's port glass gets a smudge on it on the 12th of the month? You guessed it, that auditorium runs that way for 9 more days because "that window isn't supposed to be cleaned today". I know that someone will come after me and say "projectionists should follow the schedule and do anything extra that needs to be done", but in reality if you run your booth like that your "projectionists" will end up doing the bare minimum. Also, I firmly believe that certain things like lenses and port glass should not be touched unless they need it. 9 times out of 10 a perfectly clean port glass will look worse after cleaning, because the projectionists are too busy worrying about what tasks they HAVE TO COMPLETE during their shift. It's foolish and that kind of nonsense is created by well-intending corporate personnel, but it just doesn't work. The solution is to get rid of ANYONE who doesn't do a stellar job. Don't be afraid to boot people back to the floor and bring someone else up. At the same time, give pats on the back, respect and pay raises to those who do put on a good show. Unless you are in your own zone and there are no other theaters within a reasonable driving distance, your customers WILL go to the competition and leave your theater empty.

We train in groups of 10 or so and the ones who pass their exams get the higher-paying gig as projectionist.

Our projectionists don't have a whole lot to do. They only run the movies and they are required to do a tour of all machines every 10-20mins and check for focus and frame and to ensure that the platters are spinning right.

They have a very simple form that they can fill out if they notice anything and it has my fax number on it. I go in to each complex once a week even if I don't get any irregularity reports from them. Once in a while, I will actually run shows because that's the best way to find the little problems like loose or missing screws.

The more experienced operators are assigned the build-up/tear-down and trailer duties. All projectionists are required (as a group effort) to keep the booth in ship shape. At our newer cinemas, there is a special place for EVERYTHING.

I've never had a machine with a serious oil leak, but these are century type projectors and the oil tends to stay in the intermittent, so my once-a-week check is adequate.

Dolby tone - About once per quarter. If I have to do one, then I'll just do them all.

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Also, I firmly believe that certain things like lenses and port glass should not be touched unless they need it.

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Finally, someone else agrees with ME!

I was walking through the 35mm booth the other day and saw the opening projectionist cleaning a lens (among other opening duties). Swirly-swirly-wet, swirly-swirly-dry. That's about how long it took.

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Unless you are in your own zone and there are no other theaters within a reasonable driving distance, your customers WILL go to the competition and leave your theater empty.

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