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Author Topic: Ya Ya film stock
Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 06-06-2002 02:28 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
This thread is a continuation of the FI&TA forum's discussion on "Divine secrets of the ya ya sisterhood". Apparently this movie has had some of it's prints made on Fuji film stock and others on Kodak 2383 film stock. Anyone who gets a chance, please check the edgeprint of your prints tonight and post what you have.

Now I know it will be tough to refrain from posting here how horrid this movie was and what a waste of film stock this movie was and how Freddy Got Fingered was more entertaining than this piece of muck and if there is one movie that deserves to go flying off of the platter this year that this is the one and so forth and so on, but hey that's what the Movie Review section is for!


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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 06-06-2002 02:41 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
One possibility is that several different labs made the release prints. For example, Technicolor now makes release prints at labs in Hollywood California, Mirabel Quebec Canada, London England, and Rome Italy. Some Technicolor work (mostly ads and trailers) is done at their lab in New York City.

Likewise, Deluxe Laboratories now has sites in Hollywood, Toronto, London, and Rome. There are also smaller labs worldwide (e.g., Atlab, Eclair, FotoKem, DuArt, Imagica, etc.) that make release prints.

The shipping case labels, reel bands/endtapes, or leaders may give some hint as to the lab. The magenta-colored edgeprint tells if the print film is Fuji or Kodak.

There is a comprehensive directory of worldwide labs on the Kodak website:
http://www.kodak.com/US/en/motion/industry/dyn_labs.shtml

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion


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John Scott
Master Film Handler

Posts: 252
From: Oakdale, MN, USA
Registered: Jul 2000


 - posted 06-06-2002 08:26 PM      Profile for John Scott   Email John Scott   Send New Private Message       Edit/Delete Post 
I just went to check my print, and running the risk of asking a dumb question, what is the difference that I should be looking for?

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 06-06-2002 08:40 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
Brad is just trying to find out the mix of Fuji and Kodak prints, and whether there is any pattern to where they were sent. It's unusual for a distributor to mix film types, since the "look" of the picture depends upon the film. Of course, I prefer the "look" of Kodak film.

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion

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John Scott
Master Film Handler

Posts: 252
From: Oakdale, MN, USA
Registered: Jul 2000


 - posted 06-06-2002 08:46 PM      Profile for John Scott   Email John Scott   Send New Private Message       Edit/Delete Post 
Right, and what am I looking for on my print to tell me if it is on Kodak or Fuji stock?



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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 06-06-2002 08:56 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
You are looking for tiny magenta-colored letters and numbers that include the name Kodak or Fujicolor along the edge of the film. The magenta letters should be readable, even when printed over a cyan-colored SDDS track. (The red sensitive SDDS reader does not "see" the magenta letters).

Brad, I recall that some past postings had photos of the Kodak edgeprint. Perhaps you could insert one in this thread.

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion

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John Scott
Master Film Handler

Posts: 252
From: Oakdale, MN, USA
Registered: Jul 2000


 - posted 06-06-2002 09:09 PM      Profile for John Scott   Email John Scott   Send New Private Message       Edit/Delete Post 
Thanks for the help John.

Our print is:
Fujicolor


From a Technicolor Quebec lab.


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David Whitbeck
Film Handler

Posts: 70
From: Tempe, AZ
Registered: Jun 2001


 - posted 06-07-2002 12:53 AM      Profile for David Whitbeck   Email David Whitbeck   Send New Private Message       Edit/Delete Post 
Our print is on Fuji stock also. It was kind of nice building this movie, it's been a while since all reels were head first. It's just too bad I have to watch it...

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Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 06-07-2002 02:34 AM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 

I tend to think of the "Fuji" look as being lower in contrast and color saturation than the "Kodak" look. Maybe someone else can articulate this better than I can. For most purposes I tend to prefer the "Kodak" look, although I think that this is more of a matter of conditioning (since most films are printed on Kodak stock, we as viewers tend to associate those characteristics with how those types of films ought to look) than the actual superiority of the film's characterisics.

Does Fuji have more than one type of color print stock, or is all of theirs the same thing?

(BTW, does anyone know what type of B&W stock the reissue prints of "The Third Man" wre printed on a few years ago? They looked amazing. Rumor says it was Ilford, but I haven't confirmed this.)

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 06-07-2002 06:04 AM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
AFAIK, Fuji currently offers two versions of print film, and is rumored to be working on a new version to try to compete with KODAK VISION Premier Print Film, which offers much richer blacks and more vidid color reproduction.

Although Ilford makes B&W camera films, I am not aware of an Ilford B&W print stock.

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion


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Bob Brown
Expert Film Handler

Posts: 146
From: Grand Rapids, MI
Registered: Apr 2002


 - posted 06-07-2002 09:38 AM      Profile for Bob Brown   Author's Homepage   Email Bob Brown   Send New Private Message       Edit/Delete Post 
Yep, our two prints are on Fuji Stock!

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Jason Burroughs
Jedi Master Film Handler

Posts: 654
From: Allen, TX
Registered: Jun 99


 - posted 06-07-2002 11:34 AM      Profile for Jason Burroughs   Email Jason Burroughs   Send New Private Message       Edit/Delete Post 
Print I recieved was Kodak

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 06-07-2002 01:28 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
Looks like Texas is getting all the best prints.

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion


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Joseph Pandolfi
Expert Film Handler

Posts: 213
From: Milford, CT.
Registered: Nov 1999


 - posted 06-08-2002 08:16 AM      Profile for Joseph Pandolfi   Email Joseph Pandolfi   Send New Private Message       Edit/Delete Post 
Brad: Both our prints are Fuji stock. I noticed the edge on top of our prints are very glossy in apprearance.

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