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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Shutter Timing ? (Page 1)

 
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Author Topic: Shutter Timing ?
Glenn Conatser
Film Handler

Posts: 73
From: Northern California
Registered: Aug 2001


 - posted 05-01-2002 02:39 PM      Profile for Glenn Conatser   Email Glenn Conatser   Send New Private Message       Edit/Delete Post 
Hello Everyone,
One thing i still have not learned is how to time a shutter. Can someone explain the procedure. Im having a real problem in one of my auditoriums and need to learn this.

Projector - Christie P35c
Lamphouse - Christie 2k

Thanks,
Glenn

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Paul G. Thompson
The Weenie Man

Posts: 4718
From: Mount Vernon WA USA
Registered: Nov 2000


 - posted 05-01-2002 03:00 PM      Profile for Paul G. Thompson   Email Paul G. Thompson   Send New Private Message       Edit/Delete Post 
If you have to time the shutter in a P-35, you might check the belt and the pully. Chances are,they are both shot! That is probably the reason why it jumped time.

I never timed one, but if you check the manual on how to change the belt and pully, I am certain it will step you through on how to time it.

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Glenn Conatser
Film Handler

Posts: 73
From: Northern California
Registered: Aug 2001


 - posted 05-01-2002 03:31 PM      Profile for Glenn Conatser   Email Glenn Conatser   Send New Private Message       Edit/Delete Post 
Thanks for the quick reply Paul. One of the belt tensioners came loose and my tech talked me through how to take care of tightening up the belts. Im in luck though, someone is coming by to go over this in a couple of hours. So i should be ok. My tech is on vacation and im trying to avoid calling him unless absolutely necessaary.

Thanks Again,
Glenn

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Randy Stankey
Film God

Posts: 6539
From: Erie, Pennsylvania
Registered: Jun 99


 - posted 05-01-2002 04:43 PM      Profile for Randy Stankey   Email Randy Stankey   Send New Private Message       Edit/Delete Post 
Christies aren't too hard to time-up. If you know how to change (and retension) belts you are half way home.

Take out the trap and remove the cover(s).
Check the belts for wear. Tighten or replace if necessary... OR just replace it anyway. If it's gone out of time, this is the prudent thing to do.
Turn the "timing knob" until the projector is in time, just like when you go to thread. Carefully inch the knob until you go exactly TWO sprockets past the "rest" position. (Place the tip of a pencil against the outboard bearing arm to act as a landmark.) Don't let the projector mechanism move out of this position! Have somebody hold the knob, or whatever, if you think you need to.
Loosen the shutter blade from its shaft with the long "T-Handle" Allen wrench. (Should have been included in the tool kit that came with your projector.)
Rotate the shutter on its shaft until the "cross hairs" etched onto the blade are centered EXACTLY in the aperture. (As seen from the projector, where the trap should be.)
Tighten the screws back down.
Rotate the timing knob and check the timing... Repeat steps above as necessary in case you didn't get it right the first time.
Put a couple drops of Christie (Panef) belt dressing on the shutter belt.
Buckle the projector back up and test it.

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 05-01-2002 05:03 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Randy summed it up well, but of course there are always more than one way to get the job done. There is one thing that has not been mentioned in this thread that is very important, and that is the specific belt tension.

Before you see the shutter is in time and decide your job is done, grab the holdback sprocket's knob with your right hand and hold the shutter still with your left hand. Now without the force of Arnold Schwarzenegger, but more than the projector would ever put on it, try and turn the inching knob. Does the belt jump teeth? If so, it's not tight enough. If it doesn't, is it too tight???

That being said, the easiest way I have found to time the shutter is to skip all of the prep work Randy described and just get the belt on. On the non-operator side there is a pulley that is mounted with 3 allen screws. Simply loosen those so that the pulley falls most of the way down and put the belt on. Then move that pulley back up so the belt is loose, but just barely tight enough that the teeth of the belt will mesh with the teeth in the pulley. Then tighten those allen screws just enough so that you can move the pulley up and down, but not so much that it will fall from gravity. At this point, check your timing. If it is off, just hold the inching knob still with one hand while you "bump" the shutter into time. So long as the shutter is blocking the path of light during the intermittent's pulldown, you are in time. (Of course do not have the xenon lit during this.) Now raise the pulley in the back to get the appropriate tension and do the test like I described in the first paragraph to make sure it is at the optimal tension.

Remember, you want that belt as loose as possible without it able to jump teeth, otherwise it will wear out FAST! I have several projectors running with belts I put on it over 3 years ago by using this technique. Your belts and pulleys will last a lot longer.



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Dustin Mitchell
Phenomenal Film Handler

Posts: 1865
From: Mondovi, WI, USA
Registered: Mar 2000


 - posted 05-01-2002 06:39 PM      Profile for Dustin Mitchell   Email Dustin Mitchell   Send New Private Message       Edit/Delete Post 
Does the P-35C (Glenn's projector) time any different than the P-35GP?

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Will Kutler
Phenomenal Film Handler

Posts: 1506
From: Tucson, AZ, USA
Registered: Feb 2001


 - posted 05-01-2002 09:56 PM      Profile for Will Kutler   Email Will Kutler   Send New Private Message       Edit/Delete Post 
If you really bust ass and the picture goes down, the Christie P35GPS can be retimed and up and running within a matter of a few minutes. Been there, done that!

Like Randy said, a LONG HANDLED ALLEN (T-HANDLE) WRENCH sure makes life easy!

As for correct shutter/jackshaft belt tension, the belt should barely touch itselfe when squeezed together between the jackshaft and shuttershaft.

When you tighten up the shutter, make sure that it is not too far forward or aft on the shutter shaft otherwise it will interfere (hit) the projector.

Should you decide to replace the old style aluminum pulleys with the newer style steeel ones..BEWARE..many of the set screws are Lock-Tighted in and can be a BEAR to remove!

Finally, remove the gate at least once a week for cleaning! At the same time remove that little belt cover on top of the gate and clean the belt and pulleys! A couple of fresh drops of belt dressing once a week after cleaning---and I said just a couple of drops---DO NOT FLOOD! will really help out! Apply the belt lube with the machine off, and gently/slowly rotate the machine through via the pull down knob to distribute the dressing...then reattach the gate...

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Randy Stankey
Film God

Posts: 6539
From: Erie, Pennsylvania
Registered: Jun 99


 - posted 05-01-2002 10:55 PM      Profile for Randy Stankey   Email Randy Stankey   Send New Private Message       Edit/Delete Post 
I don't know how many times I would go into a booth, ostensibly to do a quick "10 minute" job, and spend an hour simply because I couldn't find the right tools! Those "T-Handles" really change the way you look at making repairs like this. You'll wonder why you ever farted around with regular Allen wrenches all this time. I liked them so much I went out and bought myself a set of those babies.

You SHOULD have a set of every type of Allen wrench needed to fix a Christie projector... T-Handles, Metrics and Ball-Drivers.

Here's what I did... I went into the cash office and "borrowed" one of the blue zipper bags that they keep their money in. It's just the perfect size to hold the dozen or so wrenches in your "Christie Kit". Toss in a couple of screwdrivers, etc and you have just about everything you'll ever need! Keep these babies in a safe place and treat them like gold! If you you are in a pinch and need a certain wrench you'll be glad you have them!

Back on the subject...

I agree about the belt tension. The way I did it was the way you did it, Will. Pinch the belt together. If you are just able to touch them together you have it right.


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Leo Enticknap
Film God

Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000


 - posted 05-02-2002 07:17 AM      Profile for Leo Enticknap   Author's Homepage   Email Leo Enticknap   Send New Private Message       Edit/Delete Post 
Yet another word of agreement! I've never used one of these projectors, but on the only 'rubber band machine' I had any serious experience with (the Vic 5), then (i) the appearance of ghosting was symptomatic of the belt being knackered, and (ii) getting the belt tension right made a big difference to the useful life of both the drive belt and the shutter gearbox.

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Pete Naples
Phenomenal Film Handler

Posts: 1565
From: Dunfermline, Scotland
Registered: Feb 2001


 - posted 05-02-2002 12:28 PM      Profile for Pete Naples   Email Pete Naples   Send New Private Message       Edit/Delete Post 
The same holds true for the Westrex 7000, another rubber band machine(actually it's a steel-reinforced timing belt), whilst it hasn't got that money spinning shutter gearbox to wear out, correct belt tension is vital if the thing is to run without slipping a tooth or two.

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Will Kutler
Phenomenal Film Handler

Posts: 1506
From: Tucson, AZ, USA
Registered: Feb 2001


 - posted 05-02-2002 05:35 PM      Profile for Will Kutler   Email Will Kutler   Send New Private Message       Edit/Delete Post 
Randy...

At the theater where I worked, it was a 20 screen with two booths. In each booth I constructed a large "shadow board" for tools. Each tool had its own outlined place. What I do recommend is that the boards be inspected (and all tools accounted for) during shift change-over--military style!

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Randy Stankey
Film God

Posts: 6539
From: Erie, Pennsylvania
Registered: Jun 99


 - posted 05-02-2002 09:08 PM      Profile for Randy Stankey   Email Randy Stankey   Send New Private Message       Edit/Delete Post 
I had one theatre that had a peg board like that for its tools and parts. They were quite well organized. In fact, if I got a call from them I knew they had a REAL problem. So much so that when the phone rang and I saw the caller ID I would say, "Oh, Shit!"

I wish more theatres were like that.

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Michael Gonzalez
Jedi Master Film Handler

Posts: 790
From: Grand Island , NE USA
Registered: Sep 2000


 - posted 10-10-2002 08:44 PM      Profile for Michael Gonzalez   Email Michael Gonzalez   Send New Private Message       Edit/Delete Post 
When installing a new timing belt, does it matter which direction you twist the belt (either toward the screen or away from the screen)? If so why? I can't see how this would make a difference but other people seem to think so (though they can never seem remember which way they are "suppose" to twist it).

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Dustin Mitchell
Phenomenal Film Handler

Posts: 1865
From: Mondovi, WI, USA
Registered: Mar 2000


 - posted 10-10-2002 10:03 PM      Profile for Dustin Mitchell   Email Dustin Mitchell   Send New Private Message       Edit/Delete Post 
If the belt is twisted incorrectly the shutter will spin in the opposite direction. Best way to remember which way to twist the belt is to look at the way the old one is twisted before you take it off, or if the old one broke look at one on another machine.

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Michael Gonzalez
Jedi Master Film Handler

Posts: 790
From: Grand Island , NE USA
Registered: Sep 2000


 - posted 10-10-2002 11:17 PM      Profile for Michael Gonzalez   Email Michael Gonzalez   Send New Private Message       Edit/Delete Post 
OK but now what does it matter which way the fan spins? Whether it spins clockwise or counter-clockwise the timing is still going to be the same and thus not effect the presentation. Now it was suggusted that if it is turned in the wrong direction (the belt) it will rub against the film-gate and thus wear out quicker. Does anyone know if thats the case?

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