Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Projector/Console Ventilation (Page 1)

 
This topic comprises 2 pages: 1  2 
 
Author Topic: Projector/Console Ventilation
Andrew McCrea
Jedi Master Film Handler

Posts: 645
From: Winnipeg, Manitoba, Canada
Registered: Nov 2000


 - posted 03-18-2001 09:12 AM      Profile for Andrew McCrea   Author's Homepage   Email Andrew McCrea   Send New Private Message       Edit/Delete Post 
One quick question...

The ventilation pipe on to of the console/projector... is it air conditioning or exaust?

------------------
Andrew McCrea

"I'm Not Bad, I'm Just Drawn That Way!" - Jessica Rabbit

Ken Layton
Phenomenal Film Handler

Posts: 1452
From: Olympia, Wash. USA
Registered: Sep 1999


 - posted 03-18-2001 10:52 AM      Profile for Ken Layton   Email Ken Layton   Send New Private Message       Edit/Delete Post 
Exhaust. It usually is either a 6" or 8" diameter duct.

Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 03-18-2001 10:59 AM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
exhaust with 150 -700 cfm at 6 or 8" opening
In most areas in Canada it is legally required to be vented directly to the outside enviroment

John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 03-18-2001 07:13 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
Even "ozone free" xenon lamps produce a bit of ozone (the high voltage ignition and ultraviolet energy break down oxygen molecules that then recombine into ozone), which is not good for your health. So all lamps should be vented. The large amounts of heat also need to be vented outside, or the projection room quickly becomes hot and dry.

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Eastman Kodak Company
Research Labs, Building 69, Room 7419
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion


Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 03-18-2001 08:09 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
If you are running 2KW or above go with the largest blower you can. I reccomend the higher CFM around at least 700.Even larger lamps require more. This will allow you to get maximum life, plus more out of the lamp.
Mark

Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 03-19-2001 07:29 AM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
Actually you can over cool xenon lamps and as such always follow the manufacturers recomendations for the exhaust requirements
Overcooling can cause thorium migration quartz blacking and unstability

Barry Floyd
Phenomenal Film Handler

Posts: 1079
From: Lebanon, Tennessee, USA
Registered: Mar 2000


 - posted 02-24-2003 05:31 PM      Profile for Barry Floyd   Author's Homepage   Email Barry Floyd   Send New Private Message       Edit/Delete Post 
Am I out of line by telling the HVAC engineer to provide for 900 CFM on the exhaust stack for my 4kw Xenex II lamphouse?

Finding an exhaust fan to pull that kind of CFM's is not hard, but increasing the size of the HVAC unit to compensate for the amount of air exhausted from the room is expensive?

Does anybody know of a better way to provide "make-up" air to the projection booth? What about "outside air"?

 |  IP: Logged

Will Kutler
Phenomenal Film Handler

Posts: 1506
From: Tucson, AZ, USA
Registered: Feb 2001


 - posted 02-24-2003 06:00 PM      Profile for Will Kutler   Email Will Kutler   Send New Private Message       Edit/Delete Post 
As for lamp exhaust, follow the manufacturer's recommendation. I do believe that both Christie and Strong provide all of the tech info regarding proper equipment recommendations/usages in their product brocheures.

 |  IP: Logged

Bernard Tonks
Jedi Master Film Handler

Posts: 619
From: Cranleigh, Surrey, England
Registered: Apr 2001


 - posted 02-24-2003 06:08 PM      Profile for Bernard Tonks   Email Bernard Tonks   Send New Private Message       Edit/Delete Post 
Havn't seen this method of ventilation since carbon days. Any advantages?

Picture taken from Kinepolis Switzerland 8 by Mike Baer.
 -

 |  IP: Logged

Richard Fowler
Film God

Posts: 2392
From: Ft. Lauderdale, FL, USA
Registered: Jun 2001


 - posted 02-24-2003 06:46 PM      Profile for Richard Fowler   Email Richard Fowler   Send New Private Message       Edit/Delete Post 
I have done the same situation on some of my multiplex projects with the booster fan and negative exhaust...easier to balance out and no chance of dumping hot exhaust into a console that is not on or situated at the end of the run.
Richard Fowler
Kinoton America Inc.

 |  IP: Logged

David Stambaugh
Film God

Posts: 4021
From: Eugene, Oregon
Registered: Jan 2002


 - posted 02-24-2003 06:53 PM      Profile for David Stambaugh   Author's Homepage   Email David Stambaugh   Send New Private Message       Edit/Delete Post 
Are you saying that each lamphouse exhaust in a typical multiplex may share common ductwork with other lamphouses? Like "X" number of lamphouse exhausts converge in 1 vent outside? Maybe I'm misunderstanding. [Confused]

[For a second there I thought Andrew McCrea was back! [Wink] ]

 |  IP: Logged

Daryl C. W. O'Shea
Film God

Posts: 3977
From: Midland Ontario Canada (where Panavision & IMAX lenses come from)
Registered: Jun 2002


 - posted 02-24-2003 07:17 PM      Profile for Daryl C. W. O'Shea   Author's Homepage   Email Daryl C. W. O'Shea   Send New Private Message       Edit/Delete Post 
Yeah Dave, I've seen some installations with only one outside stack. It's probably a carry over from change-over booths which normally only had a single outside stack.

Personally I don't like having only one outside stack in a multiplex. If your outside motor dies you might end up with a booth full of hot lamphouses, whereas with individual stacks, if one dies only one lamphouse gets hot. Of course, with one outside stack you have a lot less snow to shovel when the snow drift gets too deep. [Smile]

Barry, I've always wanted to try (in a fairly warm climate -- certainly not in Canada during the winter) having an outside airduct fed into the bottom of the console to reduce the amount of air drawn from the room. You'd have to be careful about not having really cold drafts though.

 |  IP: Logged

David Favel
Jedi Master Film Handler

Posts: 764
From: Ashburton, New Zealand
Registered: Feb 2002


 - posted 02-24-2003 07:59 PM      Profile for David Favel   Email David Favel   Send New Private Message       Edit/Delete Post 
Yea, I was about to wish Andrew a happy birthday...

 |  IP: Logged

David Stambaugh
Film God

Posts: 4021
From: Eugene, Oregon
Registered: Jan 2002


 - posted 02-24-2003 08:07 PM      Profile for David Stambaugh   Author's Homepage   Email David Stambaugh   Send New Private Message       Edit/Delete Post 
So if 1 stack is shared by, say, 6 lamphouses, you're saying there's possibly only 1 exhaust fan for all 6 (presumably at the stack)? Well, I gotta say, even to a dumb-as-a-bag-of-hammers, non-film-handler like me, that just sounds like a wrong-headed way to design a cooling system that's protecting a lot of expensive equipment. [Eek!] Are those exhaust fans typically belt-driven? Belt breaks, nobody's paying attention... Sounds like a recipe for a costly "incident".

 |  IP: Logged

Daryl C. W. O'Shea
Film God

Posts: 3977
From: Midland Ontario Canada (where Panavision & IMAX lenses come from)
Registered: Jun 2002


 - posted 02-24-2003 08:10 PM      Profile for Daryl C. W. O'Shea   Author's Homepage   Email Daryl C. W. O'Shea   Send New Private Message       Edit/Delete Post 
Usually you would have a motor/fan above each projector and one at the end, outside.

Some older ones use belts, most new ones use direct drive fans.

 |  IP: Logged



All times are Central (GMT -6:00)
This topic comprises 2 pages: 1  2 
 
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.