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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Best Lamphouse (Page 1)

 
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Author Topic: Best Lamphouse
Greg Mueller
Phenomenal Film Handler

Posts: 1687
From: Port Gamble, WA
Registered: Jun 99


 - posted 01-08-2000 11:12 AM      Profile for Greg Mueller   Author's Homepage   Email Greg Mueller   Send New Private Message       Edit/Delete Post 
I don't remember if we've had this topic before, but.... What, in your opnion, is the best lamphouse?

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 01-08-2000 12:12 PM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
>>"I don't remember if we've had this topic before, but.... What, in your
opnion, is the best lamphouse?"<<

We have had this discussion, as I recall.

The best lamphouses are Kinoton. Best light, best color, least heat. They use glass reflectors to achieve the above so keep a spare handy.

As far as American equipment, Strong Super Lume-X and Ultra-80 are pretty good bang for the buck.

Christie is way ahead of others when it comes to rectification though.

Steve

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"Old projectionists never die, they just changeover!"

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 01-08-2000 10:03 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Christie SLC lamps are fantastic in my book! Although I do prefer the "portable" version as the console tends to shake and isn't quite steady enough for a blower fan that's just a tad off balance or a large projector with a stack of digital penthouses on it.

Strong Super Lume X and Ultra 80s are great too.

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Ken Layton
Phenomenal Film Handler

Posts: 1452
From: Olympia, Wash. USA
Registered: Sep 1999


 - posted 01-08-2000 10:28 PM      Profile for Ken Layton   Email Ken Layton   Send New Private Message       Edit/Delete Post 
Strong Super Lume-x and Strong X-60-C.

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Stephen Jones
Master Film Handler

Posts: 314
From: Geelong Victoria Australia
Registered: Jun 99


 - posted 01-08-2000 11:28 PM      Profile for Stephen Jones   Email Stephen Jones   Send New Private Message       Edit/Delete Post 
Well I would have to go with Kinoton,cinemeccanica consol(not the projector),Strong super lume- x and x-60-c.
and as for carbon arc lamp the Ashcraft super cinex.

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 01-09-2000 12:44 AM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
>>"I do prefer the "portable" version as the console tends to shake and isn't quite steady enough for a blower fan that's just a tad off balance or a large projector with a stack of digital penthouses on it."<<

The term is "separates". Generally, it is always better to go with separates to a console for optimum quality and flexibilty. This console thing is yet one more myth in the name of saving money. In fact, they cost more and save quite little at the sacrifice of optimum lamp alignment, steadiness of projector, and normally it comes packaged with the house brand of automation and house lighting and, God forbid, factory wired sound.

It isn't unusual for booths that I install to have 5 manufacturers represented each doing what they do best and all working harmoniously.

When it comes to servicing I also much prefer separates.

Naturally if some new wowy-zowy lamphouse comes along that gets 16fL using a 2 watt bulb on an 80' wide screen, the whole kit and kaboodle needn't be thrown out just to replace the desired parts. I mean, how many pedestals have you seen "wear out" over the years?

Steve

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"Old projectionists never die, they just changeover!"

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 01-09-2000 01:51 AM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Portable, separates, 2 piece units, compact, whatever! Always the exact wording it is with you.
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"Young projectionists never miss a changeover, because they have platters."

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Aaron Sisemore
Flaming Ribs beat Reeses Peanut Butter Cups any day!

Posts: 3061
From: Rockwall TX USA
Registered: Sep 1999


 - posted 01-09-2000 02:05 AM      Profile for Aaron Sisemore   Email Aaron Sisemore   Send New Private Message       Edit/Delete Post 
Favorite lamphouses/consoles?
this is assuming xenon only...

Strong ANYTHING (even the X16 converted Magnarc)

Christie lamphouses are not too bad either but i get better light from Strongs..

Best xenon power supplies: Strong, IREM (the ones that are standalone with the big knob on top), Kniesley and CFS.

Worst power supplies: Christie (especially the older ones) IREM console mounted 1600w (Xetron XHC-35) and some but not all models of LP

As always, YMMV...

Aaron


Worst power sup

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Rick Long
Jedi Master Film Handler

Posts: 759
From: Toronto, Ontario, Canada
Registered: Nov 1999


 - posted 01-09-2000 01:38 PM      Profile for Rick Long   Email Rick Long   Send New Private Message       Edit/Delete Post 
(Indoor) Peerless Magnarc, Type G (7 & 8 trim)

(Drive-In) Stong 135 (3/8" & 11 MM trim).

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Greg Mueller
Phenomenal Film Handler

Posts: 1687
From: Port Gamble, WA
Registered: Jun 99


 - posted 01-09-2000 01:40 PM      Profile for Greg Mueller   Author's Homepage   Email Greg Mueller   Send New Private Message       Edit/Delete Post 
Guess I should have said Xenon

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William Hooper
Phenomenal Film Handler

Posts: 1879
From: Mobile, AL USA
Registered: Jun 99


 - posted 01-10-2000 01:23 AM      Profile for William Hooper   Author's Homepage   Email William Hooper   Send New Private Message       Edit/Delete Post 
quote:
"Young projectionists never miss a changeover, because they have platters."

That can be a problem:


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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 01-10-2000 01:33 AM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
No problem. With an obviously beat to hell print like that, I'd reject it anyway.

Besides, I see those "warnings" all the time and in EVERY case the leaders have been cut. That one looks like it was written in Crayon! No one pays attention nor cares. Apparently Kit Parker Films has the same problem in regards to their "don't be a film wrecker" stickers!

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 01-10-2000 08:38 AM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
>>"Portable, separates, 2 piece units, compact, whatever! Always the exact wording it is with you."<<

Well, "portable" denotes a handle somewhere on the unit(s). I let you have the other definitions though! ;-)

I have often considered making the portable AAII by merely sticking a handle on it (possibly with velcro).

Steve

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"Old projectionists never die, they just changeover!"

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 01-10-2000 02:55 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Steve,

Velcro won't work on an AA2! Duh! You must use duct tape.
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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 01-10-2000 07:56 PM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
>>"Velcro won't work on an AA2! Duh! You must use duct tape."<<

How tacky! You just need really good velro. Plus the handle would then be removable once the projector is in place and can be stored until the projector need be moved again! ;-)

Steve

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"Old projectionists never die, they just changeover!"

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