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Author Topic: Warning...Bachelor trailers
Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 09-28-1999 12:14 AM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Just a note to everyone...

Trailers for "The Bachelor" labeled "scope" are scope.

Trailers for "The Bachelor" labeled "flat" are scope.

Check 'em before you load 'em up!

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Joe Redifer
You need a beating today

Posts: 12859
From: Denver, Colorado
Registered: May 99


 - posted 09-28-1999 01:25 AM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
So which ones are the flat ones? Are they the ones labled "16mm"?

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Erika Hellgren
Expert Film Handler

Posts: 168
From: Denver, Colorado
Registered: Jun 99


 - posted 09-28-1999 02:03 PM      Profile for Erika Hellgren   Email Erika Hellgren   Send New Private Message       Edit/Delete Post 
On the subject of The Bachelor trailers, has anyone else noticed that the picture jumps up and down eratically during the first half? It's terrible. I'm surprised no customers have complained about it yet. Of course, it's only playing on Dog Park, which has no customers, so maybe that's why.

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Michael Brown
Phenomenal Film Handler

Posts: 1522
From: Bradford, England
Registered: May 2001


 - posted 09-14-2002 05:29 PM      Profile for Michael Brown   Email Michael Brown   Send New Private Message       Edit/Delete Post 
The were some trailers for I think it was Roberto Succo. Where the image jumps up and down, as it the projectionist is moving the frame line knob up and down. BUT the subtitles remain rock steady and you can see the background moving 'behind' the subtitles.

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Frank Angel
Film God

Posts: 5305
From: Brooklyn NY USA
Registered: Dec 1999


 - posted 09-16-2002 02:43 PM      Profile for Frank Angel   Author's Homepage   Email Frank Angel   Send New Private Message       Edit/Delete Post 
Hmmmm, I guess John Pytlak is going to have to coin a new phrase..."lab printing done right."

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 09-16-2002 03:00 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
Continuous contact printers are optimized to print a "short pitch" original (e.g., BH-1866 perforations) to a long pitch master positive (e.g. DH-1870 perforations) or print film (KS-1870 perforations). Slower pin-registered step printing should be used if this short pitch / long pitch relationship cannot be maintained. But occasionally, tight production schedules force labs to contact print all stages of duplication, with the resulting printer slippage causing unsteadiness or loss of sharpness:
http://www.kodak.com/US/en/motion/support/h1/sizesP.shtml#perfs
http://www.kodak.com/US/en/motion/support/h1/printingP.shtml#p
http://www.kodak.com/country/US/en/motion/support/technical/perforations.shtml

Laser subtitles are usually etched into the processed print in a pin-registered system. So movement can occur between the titles and the picture, which may have unsteadiness from continuous contact printing every stage of duplication.

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion

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